Home > Publications

Publications

  1. Published

    ‘“If I could See the Puppets Dallying”: Der Bestrafte Brudermord as a Puppet Play’

    Stern, T., 2013, In: Shakespeare Bulletin. 31, p. 337-52 15 p.

    Research output: Contribution to journalArticlepeer-review

  2. Unpublished

    ‘“Irish realist”: Anthony Cronin’s “Beckett man” and the “non-novel” in Ireland’

    Fox, B., 2013, (Unpublished).

    Research output: Contribution to conferencePaperpeer-review

  3. In preparation
  4. Submitted

    ‘“Making good” in the Near East: The Smith College Relief Unit, Near East Relief, and Visions of Armenian Reconstruction, 1919-1921’

    Jinks, R., 2019, (Submitted) Aid to Armenia. Laycock, J. & Piana, F. (eds.). Manchester University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    ‘“Nothing that is so, is so”: Twelfth Night’

    Ryan, K., 2012, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 144. p. 277-95

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    ‘“On each Wall / And Corner Post”: Playbills, Title-pages, and Advertising in Early Modern London’

    Stern, T., 2006, In: English Literary Renaissance. 36, p. 57-85 18 p.

    Research output: Contribution to journalArticlepeer-review

  7. Published

    ‘“Pierced to the Soul’: The Gaze and Political Theology in Richard II’

    Ashby, R., 24 Mar 2018.

    Research output: Contribution to conferencePaperpeer-review

  8. Published

    ‘“Plustot par licence que par mesgarde”: Montaigne’s Anacreon’

    O'Brien, J., 2012, Cambridge French Colloquia. Cambridge, p. 141-55 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    ‘“Retailed to All Posterity”: “Post-Truth”, Oral Tradition and the Popular Voice in Richard III’

    Ashby, R., 28 Jul 2018.

    Research output: Contribution to conferencePaperpeer-review

  10. Published

    ‘“Strange misprision”: Much Ado About Nothing’

    Ryan, K., 2011, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 141. p. 109-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    ‘“Taking Part”’: Actors and Audience on the Blackfriars Stage’

    Stern, T., 2006, Inside Shakespeare: Essays on the Blackfriars Stage. Menzer, P. (ed.). susquehannah university press, p. 35-53 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    ‘“The Curtain is Yours!”

    Stern, T., 2009, Locating the Queen’s Men, 1583-1603: Material Practices and Conditions of Playing . Ostovich, H., Syme, H. & Griffin, A. (eds.). Aldershot: Ashgate

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    ‘“The Forgery of Some Modern Author”?: Theobald’s Shakespeare and Cardenio’s Double Falsehood’

    Stern, T., 2011, In: Shakespeare Quarterly. 62, p. 555-93 34 p.

    Research output: Contribution to journalArticlepeer-review

  14. Published

    ‘“The outraged young”: young Europeans, civic engagement and the new media in a time of crisis’

    Sloam, J., 2014, In: Information, Communication and Society. 17, 2, p. pp. 217-31 15 p.

    Research output: Contribution to journalArticlepeer-review

  15. Published

    ‘“The Two Hours’ Traffic of Our Stage”: Time for Shakespeare’

    Stern, T., 2015, In: Journal of the British Academy. 3, p. 1-33 33 p.

    Research output: Contribution to journalArticlepeer-review

  16. Published

    ‘“This Insubstantial Pageant”: Shakespeare’s Utopian Realism’

    Ryan, K., 2017, Cervantes – Shakespeare 1616-2016: Context, Influence, Relation. González, J. M., Ferri, J. M. & Irles, M. D. C. (eds.). Kassel: Reichenberger, p. 251-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    ‘“This Wide and Universal Theatre”: the Theatre as Prop in Shakespeare’s Metadrama’

    Stern, T., 2013, Shakespeare’s Theatres and the Effects of Performance . Karim-Cooper, F. & Stern, T. (eds.). London: Methuen, p. 11-32 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    ‘“Thought you were dead”: Dover Cliff, Death and Ephemeral Life in Blasted and King Lear’.

    Ashby, R., 17 Jan 2017.

    Research output: Contribution to conferencePaperpeer-review

  19. Published

    ‘“Wartime Hysterics”? Alcohol, Women and the Politics of Wartime Social Purity in England’, in Jessica Meyer (ed.) British Popular Culture and the First World War (Leiden: Brill, 2008)

    Moss, S., 2008, British Popular Culture and the First World War . p. 147-71

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    ‘“WHAT IS THIS GOOD?”: The Ethics and the Aesthetics of the Good Life in Seven Lears and King Lear’.

    Ashby, R., May 2016.

    Research output: Contribution to conferencePaperpeer-review

  21. Published

    ‘“Whether one did Contrive, the Other Write, / Or one Fram’d the Plot, the Other did Indite”: Fletcher and Theobald as Collaborative Writers’

    Stern, T., 2012, The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Carnegie, D. & Taylor, G. (eds.). Oxford: Oxford University Press, p. 115-30 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    ‘“You that Walk i’th’galleries”: Standing and Walking in the Galleries of the Globe Theatre’

    Stern, T., 2000, In: Shakespeare Quarterly. 51, p. 211-16 6 p.

    Research output: Contribution to journalArticlepeer-review

  23. Published

    ‘« Je ne suis pas ce que je suis »: Shakespeare et l’ontologie

    Chiba, J., 4 Jul 2017, Shakespeare au risque de la philosophie . Drouet, P. & Grosos, P. (eds.). Paris: Harmann, p. 335-347 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Forthcoming

    ‘« Un assemblage composite »: perception and grafting in Du côté de chez Swann’

    Watt, A., 2012, (Accepted/In press) Proust and the Visual. Aubert, N. (ed.). University of Wales Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    ‘« Variantes du pseudooriginal » : l'automatisme dada et le cyberart

    Robertson, E., 2004, L’Imaginaire de l’écran / Screen Imaginary. Roelens, N. & Jeanneret, Y. (eds.). Amsterdam and New York: Editions Rodopi BV, p. 63-74 12 p. (Faux Titre; no. 248).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)