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  1. Chapter › Research
  2. Published

    British Film Censorship and the BBFC in the 1970s

    Barber, S., 1 Nov 2011, British Film Culture in the 1970s: The Boundaries of Pleasure. Harper, S. (ed.). Edinburgh: Edinburgh University Press, p. 22-33 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    British Film Policy

    Hill, J., 1996, Film Policy: International, National and Regional Perspectives. Moran, A. (ed.). London: Routledge, p. 101-113

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published

    British Television and Film: The Making of a Relationship

    Hill, J., 1996, Big Picture, Small Screen: The Relations Between Film and Television. Hill, J. & McLoone, M. (eds.). Luton: John Libbey Media/University of Luton Press, p. 151-76

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Published

    British-Asian Film

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 84-5 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    Broadcast Television as Cultural Form

    Ellis, J., 1990, Popular Fiction: Technology, Ideology, Production and Reading. Bennett, T. (ed.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Published

    Brother Animal’s Long Tail: Sigmund Freud, Victor Tausk and Intellectual Influence

    Merck, M., 2012, The Psychology and Politics of the Collective: Groups, Crowds and Mass Identifications. Parkin-Gounelas, R. (ed.). Routledge, p. 21-35

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    Carry On Nurse

    Hill, J., 1990, International Dictionary of Films and Filmmakers - 1: Films. Thomas, N. (ed.). Chicago and London: St James' Press, p. 151-3

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Censorship as Performance: A Case of Singapore Media Production

    Fong, S., 2015, Media, Margins and Popular Culture. Thorsen, E., Savigny, H., Alexander, J. & Jackson, D. (eds.). Palgrave Macmillan, p. 202-215 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    Censorship in East German cinema: The case of Spur der Steine

    Berghahn, D., 1999, From Classical Shades to Vickers Victorious: Shifting Perspectives in British German Studies. Giles, S. & Graves, P. (eds.). Oxford and Bern: Peter Lang, p. 183-97

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published
  12. Published

    Cinema

    Hill, J., 1999, The Media in Britain: Current Debates and Developments. Stokes, J. & Reading, A. (eds.). Basingstoke: Macmillan, p. 74-87 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Published

    Cinema and Television: Laios and Oedipus

    Ellis, J., 1998, Cinema Futures: Cain, Abel or Cable?. Elsaesser, T. & Hoffmann, K. (eds.). Amsterdam University Press, p. 127-136

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Class

    Hill, J., 2003, Encyclopedia of British Film. McFarlane, B. (ed.). London: Methuen/BFI, p. 124 1 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Closer to the action: Post-war American television and the zoom shot

    Hall, N., 2013, Television Aesthetics and Style. Jacobs, J. & Peacock, S. (eds.). London: Bloomsbury Academic, p. 277-287 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Community Media: Important but Imperfect: A Case Study of a Community Television Station in a Brazilian Favela

    Medrado, A., 2007, Media Technologies and Journalism in an Enlarged Europe. Carpentier, N. (ed.). Tartu, Estonia: Tartu University Press, p. 123-136 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Considering Her Final Project

    Jacob, C. K. & Tobin, A., Sep 2013, Jo Spence: The Final Project. Lee, L. (ed.). Ridinghouse

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Contemporary Chinese Historical TV Drama as a Cultural Genre: Production, Consumption and the State Power

    Guo, G. D., 1 May 2015, Routledge Handbook of Chinese Media. Rawnsley, G. & Rawnsley, M-Y. T. (eds.). London: Routledge, p. 372-388 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Dead For Having Been Seen: Izima Kaoru

    Townsend, C., 2002, Izima Kaoru. fa Projects

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Digital Political Marketing

    Mitchell, M. & Ridge-Newman, A., 2016, Political Marketing and the 2015 UK General Election. Lilleker, D. & Pack, M. (eds.). london: Palgrave, p. 99-116

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Divorcing Jack

    Hill, J., 2005, The Cinema of Britain and Ireland. MacFarlane, B. (ed.). London: Wallflower Press, p. 226-36 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Forthcoming

    Documentaries on British Television: a Survey

    Ellis, J., Nov 2012, (Accepted/In press) 中国纪录片蓝皮书(2012): Annual Report on the Development of Chinese Documentary (2012). Social Science Academy Press, Beijing, p. 190-200 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published

    Documentary and truth on television: The crisis of 1999

    Ellis, J., 10 Feb 2005, New challenges for documentary. Corner, J. & Rosenthal, A. (eds.). 2nd ed. Manchester, UK

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Documentary and Truth on Television: The Crisis of 1999

    Ellis, J., 2005, New Challenges in Documentary. Corner, J. & Rosenthal, A. (eds.). Manchester University Press, p. 342-360

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Domestic Virtues: Art, Interiority and Domesticity

    Townsend, C., 2007, Comfort Zones. Henry Moore Institute/Oriel Davies

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Published

    Donovan Pedelty

    Hill, J., 2005, The BFI Reference Guide to Directors in British and Irish Cinema. Murphy, R. (ed.). London: BFI

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Drama on the Box

    Cooke, L., 2015, The Routledge Companion to Media History. Conboy, M. & Steel, J. (eds.). London and New York: Routledge, p. 460-469 10 p. (Routledge Companions).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Published

    Elemental: Crude Metaphors

    Ganz, A. & Ballen, R., Nov 2015, Crude Metaphors: Elemental. Balhetchet, S., DeWitt, M. & Barker, G. (eds.). 1000 ed. London: Hotshoe, Vol. 5. 72 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Ethics and Factual Television: a short history

    Ellis, J., Sep 2015, Adventures in the Lives of Others: Ethical Dilemmas in Factual Filmmaking. Quinn, J. (ed.). London: IB Tauris

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. Published

    'Everything All The Time' Graham Dolphin's Interventions in Fashion Media

    Townsend, C., 2005, Everything in Vogue. Art Editions North/University of Sunderland

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Failure and Utopianism: Representations of the Working Class in British Cinema of the 1990s

    Hill, J., 2000, British Cinema of the 90s. Murphy, R. (ed.). London: BFI, p. 178-87 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Film and Northern Ireland

    Hill, J., 2000, The Heritage of Ireland. Buttimer, N., Rynne, C. & Guerin, H. (eds.). Cork: Collins Press, p. 265-9 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    Film and Postmodernism

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 96-105 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. Published

    Film and Television

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. 605-611 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. Published

    Film and Television, a new relationship

    Hill, J., 2014, British Cinema: Volume 1: British Cinema Past and Present. Murphy, R. (ed.). London: Routledge, p. 299-317

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Film Censorship in a "Clean State": The Case of Klein and Kohlhaase's Berlin um die Ecke

    Berghahn, D., 2004, Censorship and Cultural Regulation in the Modern Age. Müller, B. (ed.). Amsterdam : Rodopi, p. 111-139

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Finding a Form: politics and aesthetics in Fatherland, Hidden Agenda and Riff-Raff

    Hill, J., 1997, Agent of Challenge and Defiance: The Films of Ken Loach. McKnight, G. (ed.). Trowbridge/Westport: Flicks Books/Greenwood Press, p. 125-43 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Fiona Crisp: Discerning the Other Dimensions of Photography

    Townsend, C., 2009, Fiona Crisp, 'Hyper Passive'. London: Matt's Gallery

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Flashes of Light: Diana Thorneycroft's "Impossible" Photographs and the Possibility of History

    Townsend, C., 1998, slytod: Diana Thorneycroft. Keshavjee, S. (ed.). University of Manitoba Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Flawed heroes, fragmented heroines: the use of myth in cinema screenwriting

    Clayton, S., Jun 2011, Myth and Violence in the Contemporary Female Text: New Cassandras. Bahun-Radunovic, S. & Rajan, V. G. J. (eds.). Ashgate, p. 161-184

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    From Art on Networks to Art on Platforms

    Goriunova, O. & Shulgin, A., 2006, Data Browser volume 3: Curating Immateriality: On 'the Work of the Curator in the Age of Network Systems. Krysa, J. (ed.). Autonomedia, p. 237-267

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    From flow to user flows: Understanding "good" science programming in the digital TV landscape

    Bennett, J., 2009, Investigating science communication in the information age: Implications for public engagement and popular media. Holliman, R. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    From independence to independents, public service to profit: British TV and the Impossibility of Independence

    Bennett, J., Jan 2015, Media Independence: Working with freedom or working for free?. Bennett, J. & Strange, N. (eds.). New York: Routledge, p. 71-94 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  44. Published

    From the "New Wave" to "Brit-grit": Continuity and Difference in Working-Class Realism

    Hill, J., 2000, British Cinema: Past and Present. Ashby, J. & Higson, A. (eds.). London: Routledge, p. 249-60 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    From Victorian Theatrical Melodrama to the Futurist Serate: The fall and rise of kinetic emulation as a scenographic evocation of the modern landscape

    Davies, R., 1 Mar 2014, Modernism's Intermedialities: From Futurism to Fluxus. Townsend, C., Davies, R. & A. T. (eds.). Newcastle upon Tyne: Cambridge Scholars, p. 1 - 24 24 p. Chapter 1

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    General Introduction

    Hill, J., 1998, The Oxford Guide to Film Studies. Hill, J. & Gibson, P. C. (eds.). Oxford: Oxford University Press, p. xix-xxii

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Glitch

    Goriunova, O. & Shulgin, A., 2008, Software Studies: a Lexicon. Fuller, M. (ed.). MIT Press, p. 110-119

    Research output: Chapter in Book/Report/Conference proceedingChapter

  48. Published

    Globalizing the Holocaust: Fantasies of Annihilation in Contemporary Media Culture

    Langford, B., 2013, Holocaust Intersections: Genocide and Visual Culture at the New Millennium. Bangert, A., Gordon, R. S. C. & Saxton, L. (eds.). London: Legenda, p. 113-129

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. In preparation

    Going with the Flow; cinema, attraction or performance?

    Pearce, G., 1 Sep 2013, (In preparation) Truth, Dare or Promise: art and documentary revisited. Pearce, G., McLaughlin, C. & Daniels, J. (eds.). Cambridge Scholars

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    Goverment Aid and Film Legislation: 'An elastoplast to stop a haemorrhage'

    Barber, S., 1 Nov 2011, British Film Culture in the 1970s: The Boundaries of Pleasure. Harper, S. & Smith, J. (eds.). Edinburgh: Edinburgh University Press, p. 10-21 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Published

    Hollywood Gerçegini Kabullenmek: Globallesme Çaginda Ulusal Sinemalar

    Hill, J., 2001, Türk Film Arastirmalarinda Yeni Yönelimler. Hazirlayan, Y. (ed.). 2001: Baglam Istanbul

    Research output: Chapter in Book/Report/Conference proceedingChapter

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