Gazing at Gary Cooper: Sex, Power, Gender, and the Body in Bluebeard’s Eighth Wife (1938), Ball of Fire (1941), and Love in the Afternoon (1957)

Research output: Contribution to journalArticle

Original languageEnglish
JournalBright Lights
Publication statusPublished - 15 Mar 2024

Keywords

  • Gary Cooper
  • Film
  • Gender
  • performance
  • Hollywood

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