Gazing at Gary Cooper: Sex, Power, Gender, and the Body in Bluebeard’s Eighth Wife (1938), Ball of Fire (1941), and Love in the Afternoon (1957)

Rosalind Hulse

Gazing at Gary Cooper: Sex, Power, Gender, and the Body in Bluebeard’s Eighth Wife (1938), Ball of Fire (1941), and Love in the Afternoon (1957)

Department of Media Arts

Research output: Contribution to journal › Article

Original language	English
Journal	Bright Lights
Publication status	Published - 15 Mar 2024

Keywords

Gary Cooper
Film
Gender
performance
Hollywood

Access to Document

https://brightlightsfilm.com/gazing-at-gary-cooper-sex-power-gender-and-the-body-in-bluebeards-eighth-wife-1938-ball-of-fire-1941-and-love-in-the-afternoon-1957/Licence: Unspecified

Cite this

@article{6d2f50544c96479188b6c4db0e59601e,

title = "Gazing at Gary Cooper: Sex, Power, Gender, and the Body in Bluebeard{\textquoteright}s Eighth Wife (1938), Ball of Fire (1941), and Love in the Afternoon (1957)",

keywords = "Gary Cooper, Film, Gender, performance, Hollywood",

author = "Rosalind Hulse",

year = "2024",

month = mar,

day = "15",

language = "English",

journal = "Bright Lights",

}