Dr Mark Berry

  1. 2015
  2. Published
  3. 2016
  4. Published

    Book Review: Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music. By Elaine Kelly

    Berry, M., 2016, In : Music and Letters. 97, 3, p. 524-527 4 p.

    Research output: Contribution to journalBook/Film/Article review

  5. Published

    Sachs Appeal: Review of Bernd Weikl's 'Swastikas on Stage'

    Berry, M., Jul 2016, In : The Wagner Journal. 10, 2, p. 78-82 5 p.

    Research output: Contribution to journalBook/Film/Article review

  6. Published
  7. Published
  8. Published
  9. Published
  10. Published
  11. Published

    Representing a Representation of the Unrepresentable: Staging – and Filming – Moses und Aron

    Berry, M., Oct 2016, In : Journal of the Arnold Schönberg Center. 13, p. 49-66 18 p.

    Research output: Contribution to journalArticle

  12. Published

    Book Review: Joy H. Calico, 'Arnold Schoenberg's "A Survivor from Warsaw" in Postwar Europe'

    Berry, M., 5 Dec 2016, In : H-Net German. 3 p.

    Research output: Contribution to journalBook/Film/Article review

  13. 2017
  14. Forthcoming

    ‘Blow the Opera Houses into the Air’: Wagner, Boulez, and Modernist Canons

    Berry, M., 2017, (Accepted/In press) Oxford Handbook of the Operatic Canon. Newark, C. & Weber, W. (eds.). OXFORD UNIV PRESS

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Uses of the operatic canon: Verdi and Wagner

    Berry, M. & Cormac, N., 2017, The Oxford Handbook of the Operatic Canon. Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Haydn: The Seasons

    Berry, M., Mar 2017

    Research output: Other contribution

  17. Published

    Music for the Thinking Ear: The New Pierre Boulez Concert Hall

    Berry, M., Mar 2017, In : VAN.

    Research output: Contribution to journalBook/Film/Article review

  18. Published

    Interpreting Wagner’s Dreams: Staging Parsifal in the Twenty-first Century

    Berry, M., Jul 2017, In : The Wagner Journal. 11, 2, p. 44-53 10 p.

    Research output: Contribution to journalArticle

  19. Published

    ‘Programme’ and ‘Absolute’ Music for String Trio

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  20. Published

    Different Mozarts: the incomplete, the misunderstood, the disputed, and the radical

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  21. Published

    Mozart and Beethoven: A Journey from and Return to the White Keys of the Piano

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  22. Published
  23. Published

    The Politics of Opera: A History from Monteverdi to Mozart, by Mitchell Cohen

    Berry, M., 14 Sep 2017, In : Times Higher Education.

    Research output: Contribution to journalBook/Film/Article review

  24. Published

    When is the real reopening?

    Berry, M., 5 Oct 2017, In : VAN. 74

    Research output: Contribution to journalBook/Film/Article review

  25. Published

    Review of Paul Watt, Ernest Newman: A Critical Biography

    Berry, M., Dec 2017, In : North American British Music Studies Association Reviews. 4/2, Fall 2017, p. 17-19 3 p.

    Research output: Contribution to journalBook/Film/Article review

  26. Published

    Review: Larry Wolff, The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon

    Berry, M., Dec 2017, In : European History Quarterly. p. 805-806 2 p.

    Research output: Contribution to journalBook/Film/Article review

  27. 2018
  28. Forthcoming

    Characters in the 'world' of the 'Ring'

    Berry, M., 2018, (Accepted/In press) The Cambridge Companion to Wagner's Der Ring des Nibelungen. Berry, M. & Vazsonyi, N. (eds.). CAMBRIDGE UNIV PRESS

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Mozart’s Final Symphonies: Classical and Romantic

    Berry, M., 2018, Pentatone.

    Research output: Other contribution

  30. Published

    A Composer of Dark Explosions Turns 100

    Berry, M., 16 Mar 2018, The New York Times.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  31. Published

    Tristan without Schopenhauer – or Wagner?

    Berry, M., Jul 2018, In : The Wagner Journal. 12, 2, p. 74-79 6 p.

    Research output: Contribution to journalBook/Film/Article review

  32. Published

    A Relationship of Equals: Beethoven and the Piano Trio

    Berry, M., Aug 2018, Salzburger Festspiele.

    Research output: Other contribution

  33. Published

    Aspects of Liszt: Arranger and Arranged, Proselytiser and Performer

    Berry, M., Aug 2018, Salzburger Festspiele.

    Research output: Other contribution

  34. Published
  35. Published

    ‘Es klang so alt und war doch so neu!’: Modernist operatic culture through the prism of staging 'Die Meistersinger von Nürnberg'

    Berry, M., Sep 2018, Routledge Research Companion to Modernism in Music. Heile, B. & Wilson, C. (eds.). Routledge, p. 454-74 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. Published

    Elective Affinities: Debussy-Strauss-Ligeti

    Berry, M., Sep 2018, Pentatone.

    Research output: Other contribution

  37. Published

    Review of United Kingdom premiere of Haydn's Applausus

    Berry, M., Dec 2018, In : Haydn Society Journal of Great Britain. 37

    Research output: Contribution to journalBook/Film/Article review

  38. 2019
  39. Published

    Arnold Schoenberg

    Berry, M., Feb 2019, London: Reaktion Books. 240 p.

    Research output: Book/ReportBook

  40. Published

    Nietzsche and Wagner

    Berry, M., Apr 2019, The New Cambridge Companion to Nietzsche. Stern, T. (ed.). CAMBRIDGE UNIV PRESS, p. 97-120 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  41. Published

    «Wort oder Ton?» ¿Palabro o música?

    Berry, M., May 2019, 6 p. Madrid : Teatro Real de Madrid.

    Research output: Other contribution

  42. Published

    Flagging Unity: Review of Andrea Moses's Die Meistersinger and Philipp Stölzl's Rienzi in Berlin

    Berry, M., Jul 2019, In : The Wagner Journal. 13, 2, p. 72-77 6 p.

    Research output: Contribution to journalBook/Film/Article review

  43. Published

    Mourning, Variation, Transcription, Completion: Programme essay on works by Liszt, Mozart, and Busoni (Igor Levit recital)

    Berry, M., Jul 2019, Salzburg Festival programmes. Salzburger Festspiele

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  44. Published

    Struggle and serenity: Piano works by Schoenberg, Nono, and Beethoven

    Berry, M., Aug 2019, Salzburger Festspiele.

    Research output: Other contribution

  45. Published

    The Art of Open ‘Transcription’: Berio's Voci and Mahler's First Symphony

    Berry, M., Aug 2019, Salzburger Festspiele.

    Research output: Other contribution

  46. Published

    The Feuilleton and Beyond: Criticism in the Federal Republic of Germany and Austria after the Second World War

    Berry, M., Aug 2019, Cambridge History of Music Criticism. Dingle, C. (ed.). CAMBRIDGE UNIV PRESS

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Published

    Der grosse Bogen: Sieben Perspektiven auf Bernard Haitink.

    Berry, M., 28 Aug 2019, VAN Magazine.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

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