“Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68
Activity: Participating in or organising an event › Participation in conference
J. P. E. Harper-Scott - Speaker
Paper at the Fourth Biennial International Conference on Music in Nineteenth-Century Britain
Jul 2003
“Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68
| Duration | 1 Jul 2003 → … |
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Event: Other
Publications
Elgar's Invention of the Human: Falstaff, op. 68
Research output: Contribution to journal › Article › peer-review
Edward Elgar, Modernist
Research output: Book/Report › Book
ID: 4658945