“Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68

Activity: Participating in or organising an eventParticipation in conference

J. P. E. Harper-Scott - Speaker

    Paper at the Fourth Biennial International Conference on Music in Nineteenth-Century Britain
    Jul 2003

    “Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68

    Duration1 Jul 2003 → …

    Event: Other

    Publications

    ID: 4658945