Elgar's Invention of the Human: Falstaff, op. 68

J. P. E. Harper-Scott

doi:10.1525/ncm.2005.28.3.230

Elgar's Invention of the Human: Falstaff, op. 68

Department of Music

Research output: Contribution to journal › Article › peer-review

Original language	English
Pages (from-to)	230-253
Journal	19th-Century Music
Volume	28
Issue number	3
DOIs	https://doi.org/10.1525/ncm.2005.28.3.230
Publication status	Published - 2005

Keywords

Elgar, Edward -- works -- Falstaff, op. 68
Shakespeare, William -- writings -- Henry IV -- character of Falstaff -- relation to Elgar Falstaff
literature -- Shakespeare, W. -- Henry IV -- character of Falstaff -- relation to Elgar Falstaff
tonality -- Elgar, E. -- Falstaff, op. 68
motive and theme -- Elgar, E. -- Falstaff, op. 68
form -- Elgar, E. -- Falstaff, op. 68
hermeneutics -- Elgar, E. -- Falstaff, op. 68

Access to Document

10.1525/ncm.2005.28.3.230

“Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68
J. P. E. Harper-Scott (Speaker)
Jul 2003
Activity: Participating in or organising an event › Participation in conference

Cite this

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title = "Elgar's Invention of the Human: Falstaff, op. 68",

keywords = "Elgar, Edward -- works -- Falstaff, op. 68, Shakespeare, William -- writings -- Henry IV -- character of Falstaff -- relation to Elgar Falstaff, literature -- Shakespeare, W. -- Henry IV -- character of Falstaff -- relation to Elgar Falstaff, tonality -- Elgar, E. -- Falstaff, op. 68, motive and theme -- Elgar, E. -- Falstaff, op. 68, form -- Elgar, E. -- Falstaff, op. 68, hermeneutics -- Elgar, E. -- Falstaff, op. 68",

author = "Harper-Scott, {J. P. E.}",

year = "2005",

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KW - tonality -- Elgar, E. -- Falstaff, op. 68

KW - motive and theme -- Elgar, E. -- Falstaff, op. 68

KW - form -- Elgar, E. -- Falstaff, op. 68

KW - hermeneutics -- Elgar, E. -- Falstaff, op. 68

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DO - 10.1525/ncm.2005.28.3.230

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JO - 19th-Century Music

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ER -

Elgar's Invention of the Human: Falstaff, op. 68

Keywords

Access to Document

Activities

“Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68

Cite this