In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann’s ‘Neue Bahnen’

Nicole Grimes

In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann’s ‘Neue Bahnen’

Nicole Grimes

Department of Music

Research output: Contribution to journal › Article › peer-review

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Original language	English
Pages (from-to)	139-163
Number of pages	24
Journal	International Review for the Aesthetics and Sociology of Music
Volume	39
Issue number	2
Publication status	Published - 2008

Keywords

Brahms, Schumann, Brendel, Liszt, Aesthetics

Access to Document

IRASM 2008Final published version, 172 KB

Cite this

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title = "In Search of Absolute Inwardness and Spiritual Subjectivity? The Historical and Ideological Context of Schumann{\textquoteright}s {\textquoteleft}Neue Bahnen{\textquoteright}",

keywords = "Brahms, Schumann, Brendel, Liszt, Aesthetics",

author = "Nicole Grimes",

year = "2008",

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volume = "39",

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journal = "International Review for the Aesthetics and Sociology of Music",

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