Everything to Play For: Renegotiating Chilean Identity in Alicia Scherson's 'Play' (2005)

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Original language	English
Title of host publication	Hispanic and Lusophone Women Filmmakers: Theory, practice and difference
Editors	Parvati Nair, Julián Daniel Gutiérrez-Albilla
Place of Publication	Manchester and New York
Publisher	Manchester University Press
Pages	229-240
ISBN (Print)	978-0-7190-8357-0
Publication status	Published - 1 Apr 2013

Access to Document

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title = "Everything to Play For: Renegotiating Chilean Identity in Alicia Scherson's 'Play' (2005)",

author = "Sarah Wright",

year = "2013",

month = apr,

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language = "English",

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pages = "229--240",

editor = "Parvati Nair and Guti{\'e}rrez-Albilla, {Juli{\'a}n Daniel}",

booktitle = "Hispanic and Lusophone Women Filmmakers: Theory, practice and difference",

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Wright, S 2013, Everything to Play For: Renegotiating Chilean Identity in Alicia Scherson's 'Play' (2005). in P Nair & JD Gutiérrez-Albilla (eds), Hispanic and Lusophone Women Filmmakers: Theory, practice and difference. Manchester University Press, Manchester and New York, pp. 229-240. <http://www.manchesteruniversitypress.co.uk/cgi-bin/indexer?product=9780719083570>

Everything to Play For: Renegotiating Chilean Identity in Alicia Scherson's 'Play' (2005). / Wright, Sarah.
Hispanic and Lusophone Women Filmmakers: Theory, practice and difference. ed. / Parvati Nair; Julián Daniel Gutiérrez-Albilla. Manchester and New York: Manchester University Press, 2013. p. 229-240.

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

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SN - 978-0-7190-8357-0

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BT - Hispanic and Lusophone Women Filmmakers: Theory, practice and difference

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