Edward Elgar, Modernist

Search results

• “Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68

  J. P. E. Harper-Scott (Speaker)

  Jul 2003

  Activity: Participating in or organising an event › Participation in conference

• Tonal Malaise in Elgar’s First Symphony

  J. P. E. Harper-Scott (Speaker)

  Apr 2002

  Activity: Participating in or organising an event › Participation in conference