Traces of humanity? Carl de Keyzer and Johan Lagae’s Congo Belge en Images. / Bishop, Cécile.

In: International Journal of Francophone Studies , Vol. 15, No. 3-4, 02.2013, p. 517–540.

Research output: Contribution to journalArticlepeer-review

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Traces of humanity? Carl de Keyzer and Johan Lagae’s Congo Belge en Images. / Bishop, Cécile.

In: International Journal of Francophone Studies , Vol. 15, No. 3-4, 02.2013, p. 517–540.

Research output: Contribution to journalArticlepeer-review

Harvard

Bishop, C 2013, 'Traces of humanity? Carl de Keyzer and Johan Lagae’s Congo Belge en Images', International Journal of Francophone Studies , vol. 15, no. 3-4, pp. 517–540. https://doi.org/10.1386/ijfs.15.3-4.517_1

APA

Vancouver

Author

Bishop, Cécile. / Traces of humanity? Carl de Keyzer and Johan Lagae’s Congo Belge en Images. In: International Journal of Francophone Studies . 2013 ; Vol. 15, No. 3-4. pp. 517–540.

BibTeX

@article{e432bfe669864909a86ccbaa52b9193a,
title = "Traces of humanity? Carl de Keyzer and Johan Lagae{\textquoteright}s Congo Belge en Images",
abstract = "Focusing on the 2010 project Congo belge en images, in which the photographer Carl de Keyzer and the historian Johan Lagae exhibited and published a selection of pictures from the colonial archives of the Tervuren museum, this article examines the shifting presence of the human in photographs of the Belgian Congo. Debates surrounding the use of photographic archives have often emphasized the necessity to recover photographs{\textquoteright} original meaning in order to counter their potential instrumentalization. Building on recent interventions such as Ariella Azoulay{\textquoteright}s The Civil Contract of Photograhy (2008), this article proposes an alternative approach, in which the tension between photography{\textquoteright}s status as historical proof and its openness to reinterpretation is in fact central to the ethical function of the medium. It is indeed through this tension, as this article shows, that Congo belge en images offers a visual reflection that moves beyond previous humanist or humanitarian discourses and interrogates our very ability to recognize the presence of the human. ",
author = "C{\'e}cile Bishop",
year = "2013",
month = feb,
doi = "10.1386/ijfs.15.3-4.517_1",
language = "English",
volume = "15",
pages = "517–540",
journal = " International Journal of Francophone Studies ",
issn = "1368-2679",
publisher = "Intellect Publishers",
number = "3-4",

}

RIS

TY - JOUR

T1 - Traces of humanity? Carl de Keyzer and Johan Lagae’s Congo Belge en Images

AU - Bishop, Cécile

PY - 2013/2

Y1 - 2013/2

N2 - Focusing on the 2010 project Congo belge en images, in which the photographer Carl de Keyzer and the historian Johan Lagae exhibited and published a selection of pictures from the colonial archives of the Tervuren museum, this article examines the shifting presence of the human in photographs of the Belgian Congo. Debates surrounding the use of photographic archives have often emphasized the necessity to recover photographs’ original meaning in order to counter their potential instrumentalization. Building on recent interventions such as Ariella Azoulay’s The Civil Contract of Photograhy (2008), this article proposes an alternative approach, in which the tension between photography’s status as historical proof and its openness to reinterpretation is in fact central to the ethical function of the medium. It is indeed through this tension, as this article shows, that Congo belge en images offers a visual reflection that moves beyond previous humanist or humanitarian discourses and interrogates our very ability to recognize the presence of the human.

AB - Focusing on the 2010 project Congo belge en images, in which the photographer Carl de Keyzer and the historian Johan Lagae exhibited and published a selection of pictures from the colonial archives of the Tervuren museum, this article examines the shifting presence of the human in photographs of the Belgian Congo. Debates surrounding the use of photographic archives have often emphasized the necessity to recover photographs’ original meaning in order to counter their potential instrumentalization. Building on recent interventions such as Ariella Azoulay’s The Civil Contract of Photograhy (2008), this article proposes an alternative approach, in which the tension between photography’s status as historical proof and its openness to reinterpretation is in fact central to the ethical function of the medium. It is indeed through this tension, as this article shows, that Congo belge en images offers a visual reflection that moves beyond previous humanist or humanitarian discourses and interrogates our very ability to recognize the presence of the human.

U2 - 10.1386/ijfs.15.3-4.517_1

DO - 10.1386/ijfs.15.3-4.517_1

M3 - Article

VL - 15

SP - 517

EP - 540

JO - International Journal of Francophone Studies

JF - International Journal of Francophone Studies

SN - 1368-2679

IS - 3-4

ER -