Time-specificity of the future of performance. / Wakefield, Nikolas.

In: Maska: The Performing Arts Journal, Vol. 30, No. 175-176, 01.11.2015, p. 6-13.

Research output: Contribution to journalArticlepeer-review

Published

Standard

Time-specificity of the future of performance. / Wakefield, Nikolas.

In: Maska: The Performing Arts Journal, Vol. 30, No. 175-176, 01.11.2015, p. 6-13.

Research output: Contribution to journalArticlepeer-review

Harvard

Wakefield, N 2015, 'Time-specificity of the future of performance', Maska: The Performing Arts Journal, vol. 30, no. 175-176, pp. 6-13. https://doi.org/10.1386/maska.30.175-176.4_1

APA

Vancouver

Wakefield N. Time-specificity of the future of performance. Maska: The Performing Arts Journal. 2015 Nov 1;30(175-176):6-13. https://doi.org/10.1386/maska.30.175-176.4_1

Author

Wakefield, Nikolas. / Time-specificity of the future of performance. In: Maska: The Performing Arts Journal. 2015 ; Vol. 30, No. 175-176. pp. 6-13.

BibTeX

@article{23d7d84469dd4c7380c213c814c46460,
title = "Time-specificity of the future of performance",
abstract = "The future of performance consists of the complexity of an unknown guaranteed rather than the simplicity of a success or failure. This article offers a critique of failure in contemporary performance theory through the philosopher Henri Bergson{\textquoteright}s writings on disorder and the art practice of Janez Jan{\v s}a. When the future is considered as an unknown guaranteed, it becomes possible to invent life in the same way that art is created.",
author = "Nikolas Wakefield",
year = "2015",
month = nov,
day = "1",
doi = "10.1386/maska.30.175-176.4_1",
language = "English",
volume = "30",
pages = "6--13",
journal = "Maska: The Performing Arts Journal",
issn = "1318-0509",
number = "175-176",

}

RIS

TY - JOUR

T1 - Time-specificity of the future of performance

AU - Wakefield, Nikolas

PY - 2015/11/1

Y1 - 2015/11/1

N2 - The future of performance consists of the complexity of an unknown guaranteed rather than the simplicity of a success or failure. This article offers a critique of failure in contemporary performance theory through the philosopher Henri Bergson’s writings on disorder and the art practice of Janez Janša. When the future is considered as an unknown guaranteed, it becomes possible to invent life in the same way that art is created.

AB - The future of performance consists of the complexity of an unknown guaranteed rather than the simplicity of a success or failure. This article offers a critique of failure in contemporary performance theory through the philosopher Henri Bergson’s writings on disorder and the art practice of Janez Janša. When the future is considered as an unknown guaranteed, it becomes possible to invent life in the same way that art is created.

U2 - 10.1386/maska.30.175-176.4_1

DO - 10.1386/maska.30.175-176.4_1

M3 - Article

VL - 30

SP - 6

EP - 13

JO - Maska: The Performing Arts Journal

JF - Maska: The Performing Arts Journal

SN - 1318-0509

IS - 175-176

ER -