Three Eras of Indonesian Arts Diplomacy. / Cohen, Matthew.

In: Bijdragen tot de Taal-, Land- en Volkenkunde, Vol. 175, No. 2-3, 12.07.2019, p. 253-283.

Research output: Contribution to journalArticle

E-pub ahead of print

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Three Eras of Indonesian Arts Diplomacy. / Cohen, Matthew.

In: Bijdragen tot de Taal-, Land- en Volkenkunde, Vol. 175, No. 2-3, 12.07.2019, p. 253-283.

Research output: Contribution to journalArticle

Harvard

Cohen, M 2019, 'Three Eras of Indonesian Arts Diplomacy', Bijdragen tot de Taal-, Land- en Volkenkunde, vol. 175, no. 2-3, pp. 253-283. https://doi.org/10.1163/22134379-17502022

APA

Cohen, M. (2019). Three Eras of Indonesian Arts Diplomacy. Bijdragen tot de Taal-, Land- en Volkenkunde, 175(2-3), 253-283. https://doi.org/10.1163/22134379-17502022

Vancouver

Cohen M. Three Eras of Indonesian Arts Diplomacy. Bijdragen tot de Taal-, Land- en Volkenkunde. 2019 Jul 12;175(2-3):253-283. https://doi.org/10.1163/22134379-17502022

Author

Cohen, Matthew. / Three Eras of Indonesian Arts Diplomacy. In: Bijdragen tot de Taal-, Land- en Volkenkunde. 2019 ; Vol. 175, No. 2-3. pp. 253-283.

BibTeX

@article{b72688fff80245919bbf23ba8f3fed8c,
title = "Three Eras of Indonesian Arts Diplomacy",
abstract = "Sukarno took a personal interest in using the arts for presenting Indonesia in a positive light. He oversaw cultural missions abroad and produced ‘cultural events’ that showed off his grace and charisma on the dance floor to overseas guests. While Soeharto showed little interest in the arts, new modes of arts diplomacy flourished during the New Order—scholarships for foreigners to study arts, artists in residence at Indonesian embassies, large-scale festivals aiming to facilitate artistic exchange and encourage foreign investments. In Indonesia today, arts diplomacy is represented by its own sub-directorate in the Ministry of Education and Culture. Indonesia is promoting itself through collaborations between Indonesian governmental agencies and professional international producing bodies, galleries and festivals. Cultural Houses are being built in key cities abroad, along with a nation-wide platform for international festivals, Indonesiana. ‘Indonesianists,’ including foreign academics and students of the arts, are being recruited to promote Indonesia abroad.",
keywords = ": arts diplomacy; cultural diplomacy; soft power; Indonesia; Mochtar Kusumaatmadja; Sukarno",
author = "Matthew Cohen",
year = "2019",
month = "7",
day = "12",
doi = "10.1163/22134379-17502022",
language = "English",
volume = "175",
pages = "253--283",
journal = "Bijdragen tot de Taal-, Land- en Volkenkunde",
issn = "0006-2294",
publisher = "Koninklijk Instituut voor Taal-, Land- en Volkenkunde",
number = "2-3",

}

RIS

TY - JOUR

T1 - Three Eras of Indonesian Arts Diplomacy

AU - Cohen, Matthew

PY - 2019/7/12

Y1 - 2019/7/12

N2 - Sukarno took a personal interest in using the arts for presenting Indonesia in a positive light. He oversaw cultural missions abroad and produced ‘cultural events’ that showed off his grace and charisma on the dance floor to overseas guests. While Soeharto showed little interest in the arts, new modes of arts diplomacy flourished during the New Order—scholarships for foreigners to study arts, artists in residence at Indonesian embassies, large-scale festivals aiming to facilitate artistic exchange and encourage foreign investments. In Indonesia today, arts diplomacy is represented by its own sub-directorate in the Ministry of Education and Culture. Indonesia is promoting itself through collaborations between Indonesian governmental agencies and professional international producing bodies, galleries and festivals. Cultural Houses are being built in key cities abroad, along with a nation-wide platform for international festivals, Indonesiana. ‘Indonesianists,’ including foreign academics and students of the arts, are being recruited to promote Indonesia abroad.

AB - Sukarno took a personal interest in using the arts for presenting Indonesia in a positive light. He oversaw cultural missions abroad and produced ‘cultural events’ that showed off his grace and charisma on the dance floor to overseas guests. While Soeharto showed little interest in the arts, new modes of arts diplomacy flourished during the New Order—scholarships for foreigners to study arts, artists in residence at Indonesian embassies, large-scale festivals aiming to facilitate artistic exchange and encourage foreign investments. In Indonesia today, arts diplomacy is represented by its own sub-directorate in the Ministry of Education and Culture. Indonesia is promoting itself through collaborations between Indonesian governmental agencies and professional international producing bodies, galleries and festivals. Cultural Houses are being built in key cities abroad, along with a nation-wide platform for international festivals, Indonesiana. ‘Indonesianists,’ including foreign academics and students of the arts, are being recruited to promote Indonesia abroad.

KW - : arts diplomacy; cultural diplomacy; soft power; Indonesia; Mochtar Kusumaatmadja; Sukarno

U2 - 10.1163/22134379-17502022

DO - 10.1163/22134379-17502022

M3 - Article

VL - 175

SP - 253

EP - 283

JO - Bijdragen tot de Taal-, Land- en Volkenkunde

JF - Bijdragen tot de Taal-, Land- en Volkenkunde

SN - 0006-2294

IS - 2-3

ER -