The Sound Source in Singing: Basic Principles and Muscular Adjustments for Fine-tuning Vocal Timbre. / Herbst, Christian T.; Howard, David; Svec, Jan.

The Oxford Handbook of Singing. ed. / Graham Welch; David Howard; John Nix. Oxford : Oxford University Press, 2015.

Research output: Chapter in Book/Report/Conference proceedingChapter

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Abstract

A good singing voice has a wide dynamic and tonal range, controlled pitch and the ability to produce various timbres. Voice timbre can be influenced via adjustments of the vocal tract or directly at the sound source in the larynx. This chapter concerns changes at the sound source and how they influence the oscillations of laryngeal tissue, which create a train of airflow pulses. The wave shape of these pulses plays a central role in the voice timbre. The shape of the flow pulses is mainly influenced by (1) adjustments of the vocal tract; (2) cartilaginous adduction (controlled through the degree of breathiness); and (3) membranous medialization (controlled via the choice of chest vs. falsetto register in singing). This chapter proposes a pedagogical model that incorporates the latter two parameters.
Original languageEnglish
Title of host publicationThe Oxford Handbook of Singing
EditorsGraham Welch, David Howard, John Nix
Place of PublicationOxford
PublisherOxford University Press
ISBN (Print)9780199660773
DOIs
Publication statusPublished - Dec 2015
This open access research output is licenced under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

ID: 31356028