The Secret Agent in the Netherlands : Interview with Izabel Pacholec. / Hampson, Robert; Pacholec, Izabel.

In: Journal of Adaptation in Film and Performance, Vol. 12, No. 1-2, 01.06.2019, p. 107-118.

Research output: Contribution to journalArticle

Published

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The Secret Agent in the Netherlands : Interview with Izabel Pacholec. / Hampson, Robert; Pacholec, Izabel.

In: Journal of Adaptation in Film and Performance, Vol. 12, No. 1-2, 01.06.2019, p. 107-118.

Research output: Contribution to journalArticle

Harvard

Hampson, R & Pacholec, I 2019, 'The Secret Agent in the Netherlands: Interview with Izabel Pacholec', Journal of Adaptation in Film and Performance, vol. 12, no. 1-2, pp. 107-118. https://doi.org/10.1386/jafp.12.1-2.107_7

APA

Hampson, R., & Pacholec, I. (2019). The Secret Agent in the Netherlands: Interview with Izabel Pacholec. Journal of Adaptation in Film and Performance, 12(1-2), 107-118. https://doi.org/10.1386/jafp.12.1-2.107_7

Vancouver

Hampson R, Pacholec I. The Secret Agent in the Netherlands: Interview with Izabel Pacholec. Journal of Adaptation in Film and Performance. 2019 Jun 1;12(1-2):107-118. https://doi.org/10.1386/jafp.12.1-2.107_7

Author

Hampson, Robert ; Pacholec, Izabel. / The Secret Agent in the Netherlands : Interview with Izabel Pacholec. In: Journal of Adaptation in Film and Performance. 2019 ; Vol. 12, No. 1-2. pp. 107-118.

BibTeX

@article{f14633858abc4668af9aa09b8e1037f2,
title = "The Secret Agent in the Netherlands: Interview with Izabel Pacholec",
abstract = "2017 was declared ‘The Year of Joseph Conrad’ in Poland, and this led to various events in his honour across Europe. Among these events was the ‘Conrad Project’ in the Netherlands, which culminated in Izabela Pacholec’s radical adaptation of The Secret Agent. Robert Hampson gave a skype lecture at the start of the ‘Conrad Project’ which influenced the adaptation. Hampson here interviews Pacholec about the genesis of the adaptation; what attracted her to The Secret Agent; how The Secret Agent was seen to have contemporary relevance – including, in particular, its concern for ‘the emotional state of the masses’ in the context of Brexit; the historical issue of women’s dependence on men; how the adaptation transferred the novel’s sustained ironic commentary by an embodied narrator to the stage; casting restrictions (and the specific talents of individual performers) and their impact on the adaptation; gender issues, gender changes and pole-dancing.",
keywords = "Joseph Conrad, The Secret Agent, anarchism, terrorism, gender, the narrator, doubling, dramatic adaptation",
author = "Robert Hampson and Izabel Pacholec",
year = "2019",
month = "6",
day = "1",
doi = "10.1386/jafp.12.1-2.107_7",
language = "English",
volume = "12",
pages = "107--118",
journal = "Journal of Adaptation in Film and Performance",
issn = "1753-6421",
number = "1-2",

}

RIS

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T1 - The Secret Agent in the Netherlands

T2 - Interview with Izabel Pacholec

AU - Hampson, Robert

AU - Pacholec, Izabel

PY - 2019/6/1

Y1 - 2019/6/1

N2 - 2017 was declared ‘The Year of Joseph Conrad’ in Poland, and this led to various events in his honour across Europe. Among these events was the ‘Conrad Project’ in the Netherlands, which culminated in Izabela Pacholec’s radical adaptation of The Secret Agent. Robert Hampson gave a skype lecture at the start of the ‘Conrad Project’ which influenced the adaptation. Hampson here interviews Pacholec about the genesis of the adaptation; what attracted her to The Secret Agent; how The Secret Agent was seen to have contemporary relevance – including, in particular, its concern for ‘the emotional state of the masses’ in the context of Brexit; the historical issue of women’s dependence on men; how the adaptation transferred the novel’s sustained ironic commentary by an embodied narrator to the stage; casting restrictions (and the specific talents of individual performers) and their impact on the adaptation; gender issues, gender changes and pole-dancing.

AB - 2017 was declared ‘The Year of Joseph Conrad’ in Poland, and this led to various events in his honour across Europe. Among these events was the ‘Conrad Project’ in the Netherlands, which culminated in Izabela Pacholec’s radical adaptation of The Secret Agent. Robert Hampson gave a skype lecture at the start of the ‘Conrad Project’ which influenced the adaptation. Hampson here interviews Pacholec about the genesis of the adaptation; what attracted her to The Secret Agent; how The Secret Agent was seen to have contemporary relevance – including, in particular, its concern for ‘the emotional state of the masses’ in the context of Brexit; the historical issue of women’s dependence on men; how the adaptation transferred the novel’s sustained ironic commentary by an embodied narrator to the stage; casting restrictions (and the specific talents of individual performers) and their impact on the adaptation; gender issues, gender changes and pole-dancing.

KW - Joseph Conrad

KW - The Secret Agent

KW - anarchism

KW - terrorism

KW - gender

KW - the narrator

KW - doubling

KW - dramatic adaptation

U2 - 10.1386/jafp.12.1-2.107_7

DO - 10.1386/jafp.12.1-2.107_7

M3 - Article

VL - 12

SP - 107

EP - 118

JO - Journal of Adaptation in Film and Performance

JF - Journal of Adaptation in Film and Performance

SN - 1753-6421

IS - 1-2

ER -