Technological Poetry : Interconnections between Impegno, Media and Gender in Gruppo 70 (1963–1968). / Pieri, Giuliana; Patti, Emanuela.

In: Italian Studies, Vol. 72, No. 3, 2017, p. 323-337.

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Technological Poetry : Interconnections between Impegno, Media and Gender in Gruppo 70 (1963–1968). / Pieri, Giuliana; Patti, Emanuela.

In: Italian Studies, Vol. 72, No. 3, 2017, p. 323-337.

Research output: Contribution to journalArticlepeer-review

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Pieri, Giuliana ; Patti, Emanuela. / Technological Poetry : Interconnections between Impegno, Media and Gender in Gruppo 70 (1963–1968). In: Italian Studies. 2017 ; Vol. 72, No. 3. pp. 323-337.

BibTeX

@article{15aacf2b3c6c44ed84a8b189e410933c,
title = "Technological Poetry: Interconnections between Impegno, Media and Gender in Gruppo 70 (1963–1968)",
abstract = "Gruppo 70 was an Italian neo-avant-gardist group of artists and critics, including Lamberto Pignotti, Eugenio Miccini, Lucia Marcucci, Luciano Ori, Ketty La Rocca, Giuseppe Chiari, Emilio Isgr{\`o}, Roberto Malquori, and Michele Perfetti, which opened up the genre of poetry to the performative and visual languages of mass communication. In this article we focus on some of the key debates revolving around the Gruppo 70, in order to explore what form of impegno developed in their theoretical writings and creative interventions, and how this impegno was negotiated in the works of artists such as Lamberto Pignotti and Ketty La Rocca in particular. More specifically, we are concerned to investigate the interconnections between impegno, media and gender in the shift from theory – the theory of impegno was principally developed by male artists and critics – to artistic practice, a field in which, as we shall see, the work of female artists developed a strong critique of mass society and technological culture but remained largely marginalised.",
author = "Giuliana Pieri and Emanuela Patti",
year = "2017",
doi = "10.1080/00751634.2017.1341679",
language = "English",
volume = "72",
pages = "323--337",
journal = "Italian Studies",
issn = "0075-1634",
publisher = "Maney Publishing",
number = "3",

}

RIS

TY - JOUR

T1 - Technological Poetry

T2 - Interconnections between Impegno, Media and Gender in Gruppo 70 (1963–1968)

AU - Pieri, Giuliana

AU - Patti, Emanuela

PY - 2017

Y1 - 2017

N2 - Gruppo 70 was an Italian neo-avant-gardist group of artists and critics, including Lamberto Pignotti, Eugenio Miccini, Lucia Marcucci, Luciano Ori, Ketty La Rocca, Giuseppe Chiari, Emilio Isgrò, Roberto Malquori, and Michele Perfetti, which opened up the genre of poetry to the performative and visual languages of mass communication. In this article we focus on some of the key debates revolving around the Gruppo 70, in order to explore what form of impegno developed in their theoretical writings and creative interventions, and how this impegno was negotiated in the works of artists such as Lamberto Pignotti and Ketty La Rocca in particular. More specifically, we are concerned to investigate the interconnections between impegno, media and gender in the shift from theory – the theory of impegno was principally developed by male artists and critics – to artistic practice, a field in which, as we shall see, the work of female artists developed a strong critique of mass society and technological culture but remained largely marginalised.

AB - Gruppo 70 was an Italian neo-avant-gardist group of artists and critics, including Lamberto Pignotti, Eugenio Miccini, Lucia Marcucci, Luciano Ori, Ketty La Rocca, Giuseppe Chiari, Emilio Isgrò, Roberto Malquori, and Michele Perfetti, which opened up the genre of poetry to the performative and visual languages of mass communication. In this article we focus on some of the key debates revolving around the Gruppo 70, in order to explore what form of impegno developed in their theoretical writings and creative interventions, and how this impegno was negotiated in the works of artists such as Lamberto Pignotti and Ketty La Rocca in particular. More specifically, we are concerned to investigate the interconnections between impegno, media and gender in the shift from theory – the theory of impegno was principally developed by male artists and critics – to artistic practice, a field in which, as we shall see, the work of female artists developed a strong critique of mass society and technological culture but remained largely marginalised.

U2 - 10.1080/00751634.2017.1341679

DO - 10.1080/00751634.2017.1341679

M3 - Article

VL - 72

SP - 323

EP - 337

JO - Italian Studies

JF - Italian Studies

SN - 0075-1634

IS - 3

ER -