Spectral characteristics of the baroque trumpet : a case study. / Daffern, Helena; Howard, David Martin.

2012. 3969-3974.

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Spectral characteristics of the baroque trumpet : a case study. / Daffern, Helena; Howard, David Martin.

2012. 3969-3974.

Research output: Contribution to conferenceOtherpeer-review

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@conference{5b8879a49b344cc89bcf10d2037041f9,
title = "Spectral characteristics of the baroque trumpet: a case study",
abstract = "The baroque trumpet like many reconstructed or original historical instruments is very difficult to play compared to its modern day equivalent. It is commonly accepted that historically informed performances need a specialist baroque trumpeter performing on a specialist instrument in order to achieve the desired sound. Particularly, there are certain timbral characteristics and expectations concerning the range of dynamics employed that are highlighted by today's early music conductors and players as being unique to and expected of the baroque trumpet. An opportunity arose to record a world-renowned baroque trumpeter playing original trumpets from 1780, 1788, 1912 and 1967 in the fully (6-sided) acoustic anechoic chamber at the University of York. Due to his strong instinct as a player that the mouthpiece is the most significant timbral characteristic of the instrument, performances on the later two trumpets were recorded using two different mouthpieces. The spectral characteristics of each of the instruments and the impact of changing the mouthpiece are analysed in terms of the spectral correlates of audible differences integral to the sound quality of each.",
author = "Helena Daffern and Howard, {David Martin}",
note = "M1 - Paper",
year = "2012",
month = apr,
day = "27",
language = "English",
pages = "3969--3974",

}

RIS

TY - CONF

T1 - Spectral characteristics of the baroque trumpet

T2 - a case study

AU - Daffern, Helena

AU - Howard, David Martin

N1 - M1 - Paper

PY - 2012/4/27

Y1 - 2012/4/27

N2 - The baroque trumpet like many reconstructed or original historical instruments is very difficult to play compared to its modern day equivalent. It is commonly accepted that historically informed performances need a specialist baroque trumpeter performing on a specialist instrument in order to achieve the desired sound. Particularly, there are certain timbral characteristics and expectations concerning the range of dynamics employed that are highlighted by today's early music conductors and players as being unique to and expected of the baroque trumpet. An opportunity arose to record a world-renowned baroque trumpeter playing original trumpets from 1780, 1788, 1912 and 1967 in the fully (6-sided) acoustic anechoic chamber at the University of York. Due to his strong instinct as a player that the mouthpiece is the most significant timbral characteristic of the instrument, performances on the later two trumpets were recorded using two different mouthpieces. The spectral characteristics of each of the instruments and the impact of changing the mouthpiece are analysed in terms of the spectral correlates of audible differences integral to the sound quality of each.

AB - The baroque trumpet like many reconstructed or original historical instruments is very difficult to play compared to its modern day equivalent. It is commonly accepted that historically informed performances need a specialist baroque trumpeter performing on a specialist instrument in order to achieve the desired sound. Particularly, there are certain timbral characteristics and expectations concerning the range of dynamics employed that are highlighted by today's early music conductors and players as being unique to and expected of the baroque trumpet. An opportunity arose to record a world-renowned baroque trumpeter playing original trumpets from 1780, 1788, 1912 and 1967 in the fully (6-sided) acoustic anechoic chamber at the University of York. Due to his strong instinct as a player that the mouthpiece is the most significant timbral characteristic of the instrument, performances on the later two trumpets were recorded using two different mouthpieces. The spectral characteristics of each of the instruments and the impact of changing the mouthpiece are analysed in terms of the spectral correlates of audible differences integral to the sound quality of each.

M3 - Other

SP - 3969

EP - 3974

ER -