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  1. Unpublished
  2. Published
  3. Published

    ‘A codified constitution is a massive deal’: young people, deliberative democracy and A new Magna Carta?

    Royal Holloway Group PR3710, 8 Feb 2016, In : Youth Voice Journal. p. 1-16 16 p.

    Research output: Contribution to journalArticle

  4. Published

    ‘A case study of the impact of wealth on the criminal justice system in early nineteenth-century England’

    Phillips, N., 2013, In : Crime, Histoire et Sociétés. 17, 1, p. pp. 29-52

    Research output: Contribution to journalArticle

  5. Published

    ‘A badge of Europeanness’: Shaping identity through the European Union’s institutional discourse on multilingualism

    Zappettini, F., 2014, In : Journal of Language and Politics. 13, 3, p. 375-402 28 p.

    Research output: Contribution to journalArticle

  6. Published
  7. Published

    ‘« Variantes du pseudooriginal » : l'automatisme dada et le cyberart

    Robertson, E., 2004, L’Imaginaire de l’écran / Screen Imaginary. Roelens, N. & Jeanneret, Y. (eds.). Amsterdam and New York: Editions Rodopi BV, p. 63-74 12 p. (Faux Titre; no. 248).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  8. Forthcoming

    ‘« Un assemblage composite »: perception and grafting in Du côté de chez Swann’

    Watt, A., 2012, (Accepted/In press) Proust and the Visual. Aubert, N. (ed.). University of Wales Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    ‘« Je ne suis pas ce que je suis »: Shakespeare et l’ontologie

    Chiba, J., 4 Jul 2017, Shakespeare au risque de la philosophie . Drouet, P. & Grosos, P. (eds.). Paris: Harmann, p. 335-347 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    ‘“You that Walk i’th’galleries”: Standing and Walking in the Galleries of the Globe Theatre’

    Stern, T., 2000, In : Shakespeare Quarterly. 51, p. 211-16 6 p.

    Research output: Contribution to journalArticle

  11. Published

    ‘“Whether one did Contrive, the Other Write, / Or one Fram’d the Plot, the Other did Indite”: Fletcher and Theobald as Collaborative Writers’

    Stern, T., 2012, The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Carnegie, D. & Taylor, G. (eds.). Oxford: Oxford University Press, p. 115-30 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published
  13. Published

    ‘“Wartime Hysterics”? Alcohol, Women and the Politics of Wartime Social Purity in England’, in Jessica Meyer (ed.) British Popular Culture and the First World War (Leiden: Brill, 2008)

    Moss, S., 2008, British Popular Culture and the First World War . p. 147-71

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published
  15. Published

    ‘“This Wide and Universal Theatre”: the Theatre as Prop in Shakespeare’s Metadrama’

    Stern, T., 2013, Shakespeare’s Theatres and the Effects of Performance . Karim-Cooper, F. & Stern, T. (eds.). London: Methuen, p. 11-32 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    ‘“This Insubstantial Pageant”: Shakespeare’s Utopian Realism’

    Ryan, K., 2017, Cervantes – Shakespeare 1616-2016: Context, Influence, Relation. González, J. M., Ferri, J. M. & Irles, M. D. C. (eds.). Kassel: Reichenberger, p. 251-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    ‘“The Two Hours’ Traffic of Our Stage”: Time for Shakespeare’

    Stern, T., 2015, In : Journal of the British Academy. 3, p. 1-33 33 p.

    Research output: Contribution to journalArticle

  18. Published

    ‘“The outraged young”: young Europeans, civic engagement and the new media in a time of crisis’

    Sloam, J., 2014, In : Information, Communication and Society. 17, 2, p. pp. 217-31 15 p.

    Research output: Contribution to journalArticle

  19. Published

    ‘“The Forgery of Some Modern Author”?: Theobald’s Shakespeare and Cardenio’s Double Falsehood’

    Stern, T., 2011, In : Shakespeare Quarterly. 62, p. 555-93 34 p.

    Research output: Contribution to journalArticle

  20. Published

    ‘“The Curtain is Yours!”

    Stern, T., 2009, Locating the Queen’s Men, 1583-1603: Material Practices and Conditions of Playing . Ostovich, H., Syme, H. & Griffin, A. (eds.). Aldershot: Ashgate

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    ‘“Taking Part”’: Actors and Audience on the Blackfriars Stage’

    Stern, T., 2006, Inside Shakespeare: Essays on the Blackfriars Stage. Menzer, P. (ed.). susquehannah university press, p. 35-53 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Published

    ‘“Strange misprision”: Much Ado About Nothing’

    Ryan, K., 2011, Shakespearean Criticism. Lee, M. (ed.). Detroit: Thomson Gale, Vol. 141. p. 109-125

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. Published
  24. Published

    ‘“Plustot par licence que par mesgarde”: Montaigne’s Anacreon’

    O'Brien, J., 2012, Cambridge French Colloquia. Cambridge, p. 141-55 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    ‘“Pierced to the Soul’: The Gaze and Political Theology in Richard II’

    Ashby, R., 24 Mar 2018.

    Research output: Contribution to conferencePaper