This article examines Philippe Claudel’s 2007 novel Brodeck (French title: Le Rapport de Brodeck) that allegorizes the Holocaust by parodying tropes and narrative structures characteristic to fairy tales and fables. While analyzing the author’s simultaneous inscription and subversion of the two ancient genres, I speculate about the possible reasons for his narrative choices and consider the meanings generated by his indirect representation of the Nazi genocide. Considering the widespread view of the Holocaust as sacred and unique, the article problematizes the novel’s universalization of the Jewish tragedy, which Claudel achieves by drawing on genres shunning historical and geographical specificity, and aiming to convey timeless and universal truths.