“P. des Molins". / Leach, Elizabeth Eva.

In: Die Musik in Geschichte und Gegenwart, Personenteil, Vol. 13, 2005, p. 220-221.

Research output: Contribution to journalArticle

Published

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“P. des Molins". / Leach, Elizabeth Eva.

In: Die Musik in Geschichte und Gegenwart, Personenteil, Vol. 13, 2005, p. 220-221.

Research output: Contribution to journalArticle

Harvard

Leach, EE 2005, '“P. des Molins"', Die Musik in Geschichte und Gegenwart, Personenteil, vol. 13, pp. 220-221. <http://www.mgg-online.com/>

APA

Leach, E. E. (2005). “P. des Molins". Die Musik in Geschichte und Gegenwart, Personenteil, 13, 220-221. http://www.mgg-online.com/

Vancouver

Leach EE. “P. des Molins". Die Musik in Geschichte und Gegenwart, Personenteil. 2005;13:220-221.

Author

Leach, Elizabeth Eva. / “P. des Molins". In: Die Musik in Geschichte und Gegenwart, Personenteil. 2005 ; Vol. 13. pp. 220-221.

BibTeX

@article{a6545f2e9e0843218a1c21c6ffbb1213,
title = "“P. des Molins{"}",
abstract = "A fourteenth-century composer associated with two of the most widely circulated French-texted formes fixes songs: one balade, and one rondeau. P. de Molins' exact identity has been disputed and his first name is not given in the musical sources. G{\"u}nther discusses a number of other possibilities, but the most likely candidate is the 'Perotus de Molyno' who was in the retinue of King Jean II of France, during his captivity in England, first in London, then in Hertford, following the French defeat at Poitiers in 1356. In 1359 Edward III reacted to a breakdown in negotiations with the Dauphin Charles by requiring the slimming down of the French court in exile. Perotus de Molyno was one of the court members sent home; he is named in a document of Safe Conduct dating from 21 July 1359, which cites his name in close proximity to that of Grace de la Buigna, who was maistre chapellain of the French royal chapel (from 1348-1384), and a friend of the composer-bishops Philippe de Vitry and Denic le Grant.",
keywords = "formes fixes songs, fourteenth-century, French",
author = "Leach, {Elizabeth Eva}",
note = "Dictionary entry",
year = "2005",
language = "English",
volume = "13",
pages = "220--221",
journal = "Die Musik in Geschichte und Gegenwart, Personenteil",

}

RIS

TY - JOUR

T1 - “P. des Molins"

AU - Leach, Elizabeth Eva

N1 - Dictionary entry

PY - 2005

Y1 - 2005

N2 - A fourteenth-century composer associated with two of the most widely circulated French-texted formes fixes songs: one balade, and one rondeau. P. de Molins' exact identity has been disputed and his first name is not given in the musical sources. Günther discusses a number of other possibilities, but the most likely candidate is the 'Perotus de Molyno' who was in the retinue of King Jean II of France, during his captivity in England, first in London, then in Hertford, following the French defeat at Poitiers in 1356. In 1359 Edward III reacted to a breakdown in negotiations with the Dauphin Charles by requiring the slimming down of the French court in exile. Perotus de Molyno was one of the court members sent home; he is named in a document of Safe Conduct dating from 21 July 1359, which cites his name in close proximity to that of Grace de la Buigna, who was maistre chapellain of the French royal chapel (from 1348-1384), and a friend of the composer-bishops Philippe de Vitry and Denic le Grant.

AB - A fourteenth-century composer associated with two of the most widely circulated French-texted formes fixes songs: one balade, and one rondeau. P. de Molins' exact identity has been disputed and his first name is not given in the musical sources. Günther discusses a number of other possibilities, but the most likely candidate is the 'Perotus de Molyno' who was in the retinue of King Jean II of France, during his captivity in England, first in London, then in Hertford, following the French defeat at Poitiers in 1356. In 1359 Edward III reacted to a breakdown in negotiations with the Dauphin Charles by requiring the slimming down of the French court in exile. Perotus de Molyno was one of the court members sent home; he is named in a document of Safe Conduct dating from 21 July 1359, which cites his name in close proximity to that of Grace de la Buigna, who was maistre chapellain of the French royal chapel (from 1348-1384), and a friend of the composer-bishops Philippe de Vitry and Denic le Grant.

KW - formes fixes songs

KW - fourteenth-century

KW - French

M3 - Article

VL - 13

SP - 220

EP - 221

JO - Die Musik in Geschichte und Gegenwart, Personenteil

JF - Die Musik in Geschichte und Gegenwart, Personenteil

ER -