Orchestra and Image in the later Eighteenth Century. / Charlton, David.

In: Proceedings of the Royal Musical Association, Vol. 102, 1976, p. 1-12.

Research output: Contribution to journalArticlepeer-review

Published

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Orchestra and Image in the later Eighteenth Century. / Charlton, David.

In: Proceedings of the Royal Musical Association, Vol. 102, 1976, p. 1-12.

Research output: Contribution to journalArticlepeer-review

Harvard

Charlton, D 1976, 'Orchestra and Image in the later Eighteenth Century', Proceedings of the Royal Musical Association, vol. 102, pp. 1-12.

APA

Charlton, D. (1976). Orchestra and Image in the later Eighteenth Century. Proceedings of the Royal Musical Association, 102, 1-12.

Vancouver

Charlton D. Orchestra and Image in the later Eighteenth Century. Proceedings of the Royal Musical Association. 1976;102:1-12.

Author

Charlton, David. / Orchestra and Image in the later Eighteenth Century. In: Proceedings of the Royal Musical Association. 1976 ; Vol. 102. pp. 1-12.

BibTeX

@article{b920f66018f7457b9c53e11a0b7e521f,
title = "Orchestra and Image in the later Eighteenth Century",
abstract = "Defines and illustrates the estalishment and usage of four separate areas of musical signification appearing in orchestral music in the Classical period. The area of most potent use, spanning Classical and Romantic periods, was the 'expressive medium' (a new term). Its oscillating texture and use in flat-key tonalities was a signal denoting the proximity of human affection; it could be applied, however, in all types of music, not simply theatre music, as is shown in examples from Viennese Classical sources.",
keywords = "Orchestra, metaphor, sign systems, classical period, 'expressive medium'.",
author = "David Charlton",
note = "Music examples are included.",
year = "1976",
language = "English",
volume = "102",
pages = "1--12",
journal = "Proceedings of the Royal Musical Association",

}

RIS

TY - JOUR

T1 - Orchestra and Image in the later Eighteenth Century

AU - Charlton, David

N1 - Music examples are included.

PY - 1976

Y1 - 1976

N2 - Defines and illustrates the estalishment and usage of four separate areas of musical signification appearing in orchestral music in the Classical period. The area of most potent use, spanning Classical and Romantic periods, was the 'expressive medium' (a new term). Its oscillating texture and use in flat-key tonalities was a signal denoting the proximity of human affection; it could be applied, however, in all types of music, not simply theatre music, as is shown in examples from Viennese Classical sources.

AB - Defines and illustrates the estalishment and usage of four separate areas of musical signification appearing in orchestral music in the Classical period. The area of most potent use, spanning Classical and Romantic periods, was the 'expressive medium' (a new term). Its oscillating texture and use in flat-key tonalities was a signal denoting the proximity of human affection; it could be applied, however, in all types of music, not simply theatre music, as is shown in examples from Viennese Classical sources.

KW - Orchestra, metaphor, sign systems, classical period, 'expressive medium'.

M3 - Article

VL - 102

SP - 1

EP - 12

JO - Proceedings of the Royal Musical Association

JF - Proceedings of the Royal Musical Association

ER -