Musical Authorship from Schütz to Bach. / Rose, Stephen.

Cambridge : Cambridge University Press, 2019. 260 p. (Musical Performance and Reception).

Research output: Book/ReportBook

Published

Standard

Musical Authorship from Schütz to Bach. / Rose, Stephen.

Cambridge : Cambridge University Press, 2019. 260 p. (Musical Performance and Reception).

Research output: Book/ReportBook

Harvard

Rose, S 2019, Musical Authorship from Schütz to Bach. Musical Performance and Reception, Cambridge University Press, Cambridge. https://doi.org/10.1017/9781108363280

APA

Rose, S. (2019). Musical Authorship from Schütz to Bach. (Musical Performance and Reception). Cambridge University Press. https://doi.org/10.1017/9781108363280

Vancouver

Rose S. Musical Authorship from Schütz to Bach. Cambridge: Cambridge University Press, 2019. 260 p. (Musical Performance and Reception). https://doi.org/10.1017/9781108363280

Author

Rose, Stephen. / Musical Authorship from Schütz to Bach. Cambridge : Cambridge University Press, 2019. 260 p. (Musical Performance and Reception).

BibTeX

@book{ce8962359e874571a0182b1698cb046d,
title = "Musical Authorship from Sch{\"u}tz to Bach",
abstract = "What did the term {\textquoteleft}author{\textquoteright} denote for Lutheran musicians in the generations between Heinrich Sch{\"u}tz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Sch{\"u}tz and Bach.",
author = "Stephen Rose",
year = "2019",
month = may
day = "30",
doi = "10.1017/9781108363280",
language = "English",
isbn = "9781108421072",
series = "Musical Performance and Reception",
publisher = "Cambridge University Press",
address = "United Kingdom",

}

RIS

TY - BOOK

T1 - Musical Authorship from Schütz to Bach

AU - Rose, Stephen

PY - 2019/5/30

Y1 - 2019/5/30

N2 - What did the term ‘author’ denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Schütz and Bach.

AB - What did the term ‘author’ denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Schütz and Bach.

U2 - 10.1017/9781108363280

DO - 10.1017/9781108363280

M3 - Book

SN - 9781108421072

T3 - Musical Performance and Reception

BT - Musical Authorship from Schütz to Bach

PB - Cambridge University Press

CY - Cambridge

ER -