Lines of flight : intersubjective training across intercultures as the basis for a comparison between Japanese nô and Chinese jingju (‘Beijing opera’). / Thorpe, Ashley.

In: Theatre, Dance and Performance Training, Vol. 9, No. 1, 2018, p. 81-98.

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Lines of flight : intersubjective training across intercultures as the basis for a comparison between Japanese nô and Chinese jingju (‘Beijing opera’). / Thorpe, Ashley.

In: Theatre, Dance and Performance Training, Vol. 9, No. 1, 2018, p. 81-98.

Research output: Contribution to journalArticle

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@article{93ceeb849d5e4a8fb80db2a3a1ae7114,
title = "Lines of flight: intersubjective training across intercultures as the basis for a comparison between Japanese n{\^o} and Chinese jingju ({\textquoteleft}Beijing opera{\textquoteright})",
abstract = "Intersubjectivity offers a methodology for the comparison of performance training in Chinese jingju and Japanese n{\^o}. By connecting intersubjectivity with the concept of the rhizome, I suggest that intercultural encounters arise from the intertwining of two subjectivities, the master and the student, neither of whom totalize the theatrical form. I illustrate the limits and opportunities this methodology affords through an interrogation of my own experiences of training. In particular, I focus on the deployment and channelling of energy (qi/ki) through the body. I suggest that intersubjectivity enables me to offer concrete points of comparative reference, but also enables me to account for the specificities of my own training.",
author = "Ashley Thorpe",
year = "2018",
doi = "10.1080/19443927.2017.1386231",
language = "English",
volume = "9",
pages = "81--98",
journal = "Theatre, Dance and Performance Training",
issn = "1944-3927",
publisher = "Taylor and Francis Ltd.",
number = "1",

}

RIS

TY - JOUR

T1 - Lines of flight

T2 - intersubjective training across intercultures as the basis for a comparison between Japanese nô and Chinese jingju (‘Beijing opera’)

AU - Thorpe, Ashley

PY - 2018

Y1 - 2018

N2 - Intersubjectivity offers a methodology for the comparison of performance training in Chinese jingju and Japanese nô. By connecting intersubjectivity with the concept of the rhizome, I suggest that intercultural encounters arise from the intertwining of two subjectivities, the master and the student, neither of whom totalize the theatrical form. I illustrate the limits and opportunities this methodology affords through an interrogation of my own experiences of training. In particular, I focus on the deployment and channelling of energy (qi/ki) through the body. I suggest that intersubjectivity enables me to offer concrete points of comparative reference, but also enables me to account for the specificities of my own training.

AB - Intersubjectivity offers a methodology for the comparison of performance training in Chinese jingju and Japanese nô. By connecting intersubjectivity with the concept of the rhizome, I suggest that intercultural encounters arise from the intertwining of two subjectivities, the master and the student, neither of whom totalize the theatrical form. I illustrate the limits and opportunities this methodology affords through an interrogation of my own experiences of training. In particular, I focus on the deployment and channelling of energy (qi/ki) through the body. I suggest that intersubjectivity enables me to offer concrete points of comparative reference, but also enables me to account for the specificities of my own training.

U2 - 10.1080/19443927.2017.1386231

DO - 10.1080/19443927.2017.1386231

M3 - Article

VL - 9

SP - 81

EP - 98

JO - Theatre, Dance and Performance Training

JF - Theatre, Dance and Performance Training

SN - 1944-3927

IS - 1

ER -