Levinas and Film. / Davis, Colin.

The Oxford Handbook of Levinas. ed. / Michael L. Morgan. Oxford University Press, 2018.

Research output: Chapter in Book/Report/Conference proceedingChapter

Published

Standard

Levinas and Film. / Davis, Colin.

The Oxford Handbook of Levinas. ed. / Michael L. Morgan. Oxford University Press, 2018.

Research output: Chapter in Book/Report/Conference proceedingChapter

Harvard

Davis, C 2018, Levinas and Film. in ML Morgan (ed.), The Oxford Handbook of Levinas. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190455934.013.19

APA

Davis, C. (2018). Levinas and Film. In M. L. Morgan (Ed.), The Oxford Handbook of Levinas Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190455934.013.19

Vancouver

Davis C. Levinas and Film. In Morgan ML, editor, The Oxford Handbook of Levinas. Oxford University Press. 2018 https://doi.org/10.1093/oxfordhb/9780190455934.013.19

Author

Davis, Colin. / Levinas and Film. The Oxford Handbook of Levinas. editor / Michael L. Morgan. Oxford University Press, 2018.

BibTeX

@inbook{f8785b32fa944fcc98237a6f49ca82f2,
title = "Levinas and Film",
abstract = "Levinas expressed distrust of art in general and showed little interest in film. Nevertheless, critics have attempted to use his thought in ethical approaches to film, to the point that there may even have been what has been called a “Levinasian turn” in film scholarship. Sometimes, this has entailed taking a Levinasian term (“the face,” “the encounter,” “the feminine”) and showing how it is explored in particular films; often, it has entailed “correcting” Levinas by showing how film may in fact be a key medium for exploring his ethical concerns. This chapter discusses the risks, shortcomings, and gains of Levinasian film studies and points to some of the ways in which this line of scholarship might fruitfully be developed.",
author = "Colin Davis",
year = "2018",
doi = "10.1093/oxfordhb/9780190455934.013.19",
language = "English",
editor = "Morgan, {Michael L.}",
booktitle = "The Oxford Handbook of Levinas",
publisher = "Oxford University Press",

}

RIS

TY - CHAP

T1 - Levinas and Film

AU - Davis, Colin

PY - 2018

Y1 - 2018

N2 - Levinas expressed distrust of art in general and showed little interest in film. Nevertheless, critics have attempted to use his thought in ethical approaches to film, to the point that there may even have been what has been called a “Levinasian turn” in film scholarship. Sometimes, this has entailed taking a Levinasian term (“the face,” “the encounter,” “the feminine”) and showing how it is explored in particular films; often, it has entailed “correcting” Levinas by showing how film may in fact be a key medium for exploring his ethical concerns. This chapter discusses the risks, shortcomings, and gains of Levinasian film studies and points to some of the ways in which this line of scholarship might fruitfully be developed.

AB - Levinas expressed distrust of art in general and showed little interest in film. Nevertheless, critics have attempted to use his thought in ethical approaches to film, to the point that there may even have been what has been called a “Levinasian turn” in film scholarship. Sometimes, this has entailed taking a Levinasian term (“the face,” “the encounter,” “the feminine”) and showing how it is explored in particular films; often, it has entailed “correcting” Levinas by showing how film may in fact be a key medium for exploring his ethical concerns. This chapter discusses the risks, shortcomings, and gains of Levinasian film studies and points to some of the ways in which this line of scholarship might fruitfully be developed.

U2 - 10.1093/oxfordhb/9780190455934.013.19

DO - 10.1093/oxfordhb/9780190455934.013.19

M3 - Chapter

BT - The Oxford Handbook of Levinas

A2 - Morgan, Michael L.

PB - Oxford University Press

ER -