"Leben...ein Blick genügt doch" : Der utopische Augenblick in Wim Wenders' road movies . / Berghahn, Daniela.

In: Monatshefte, Vol. 91, No. 1, 1999, p. 64-83.

Research output: Contribution to journalArticle

Published

Standard

"Leben...ein Blick genügt doch" : Der utopische Augenblick in Wim Wenders' road movies . / Berghahn, Daniela.

In: Monatshefte, Vol. 91, No. 1, 1999, p. 64-83.

Research output: Contribution to journalArticle

Harvard

APA

Vancouver

Author

BibTeX

@article{784863276a524c44933c6f1abee7ff98,
title = "{"}Leben...ein Blick gen{\"u}gt doch{"}: Der utopische Augenblick in Wim Wenders' road movies ",
abstract = "In his road movies Wim Wendes borrows from the utopian thinking of previous centuries, New Age thought, and Christian religion and thus creates a postmodern utopian bricolage. Exploring the redemptive potential of traditional concepts of utopia, Wenders is most strongly indebted to Modernist writers with whom he shares the notion of a utopia reduced to an intensified moment of empathetic perception. ",
keywords = "Wim Wenders, New German Cinema, auteur cinema, road movie, utopia ",
author = "Daniela Berghahn",
year = "1999",
language = "German",
volume = "91",
pages = "64--83",
journal = "Monatshefte",
issn = "0026-9271",
number = "1",

}

RIS

TY - JOUR

T1 - "Leben...ein Blick genügt doch"

T2 - Der utopische Augenblick in Wim Wenders' road movies

AU - Berghahn, Daniela

PY - 1999

Y1 - 1999

N2 - In his road movies Wim Wendes borrows from the utopian thinking of previous centuries, New Age thought, and Christian religion and thus creates a postmodern utopian bricolage. Exploring the redemptive potential of traditional concepts of utopia, Wenders is most strongly indebted to Modernist writers with whom he shares the notion of a utopia reduced to an intensified moment of empathetic perception.

AB - In his road movies Wim Wendes borrows from the utopian thinking of previous centuries, New Age thought, and Christian religion and thus creates a postmodern utopian bricolage. Exploring the redemptive potential of traditional concepts of utopia, Wenders is most strongly indebted to Modernist writers with whom he shares the notion of a utopia reduced to an intensified moment of empathetic perception.

KW - Wim Wenders, New German Cinema, auteur cinema, road movie, utopia

M3 - Article

VL - 91

SP - 64

EP - 83

JO - Monatshefte

JF - Monatshefte

SN - 0026-9271

IS - 1

ER -