Le comte de Clermont et les intermèdes italiens vers 1752. / Charlton, David.

Les Théâtres de société au XVIIIe siècle. ed. / Marie-Emmanuelle Plagnol-Diéval; Dominique Quéro. Brussels : Éditions de l'Université de Bruxelles, 2005. p. 63-74 (Études sur le 18e siècle; Vol. 33).

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Published

Standard

Le comte de Clermont et les intermèdes italiens vers 1752. / Charlton, David.

Les Théâtres de société au XVIIIe siècle. ed. / Marie-Emmanuelle Plagnol-Diéval; Dominique Quéro. Brussels : Éditions de l'Université de Bruxelles, 2005. p. 63-74 (Études sur le 18e siècle; Vol. 33).

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Harvard

Charlton, D 2005, Le comte de Clermont et les intermèdes italiens vers 1752. in M-E Plagnol-Diéval & D Quéro (eds), Les Théâtres de société au XVIIIe siècle. Études sur le 18e siècle, vol. 33, Éditions de l'Université de Bruxelles, Brussels, pp. 63-74.

APA

Charlton, D. (2005). Le comte de Clermont et les intermèdes italiens vers 1752. In M-E. Plagnol-Diéval, & D. Quéro (Eds.), Les Théâtres de société au XVIIIe siècle (pp. 63-74). (Études sur le 18e siècle; Vol. 33). Éditions de l'Université de Bruxelles.

Vancouver

Charlton D. Le comte de Clermont et les intermèdes italiens vers 1752. In Plagnol-Diéval M-E, Quéro D, editors, Les Théâtres de société au XVIIIe siècle. Brussels: Éditions de l'Université de Bruxelles. 2005. p. 63-74. (Études sur le 18e siècle).

Author

Charlton, David. / Le comte de Clermont et les intermèdes italiens vers 1752. Les Théâtres de société au XVIIIe siècle. editor / Marie-Emmanuelle Plagnol-Diéval ; Dominique Quéro. Brussels : Éditions de l'Université de Bruxelles, 2005. pp. 63-74 (Études sur le 18e siècle).

BibTeX

@inproceedings{fe48d66e30a045f099e759ec5f8b42f2,
title = "Le comte de Clermont et les interm{\`e}des italiens vers 1752",
abstract = "This research concerns the private theatre activity of Louis de Bourbon-Cond{\'e}, comte de Clermont (1701-1771), principally at his residence at Berny. After a r{\'e}sum{\'e} of private theatre premieres of op{\'e}ra-comique given at a range of private theatres, the music-theatre interests of Clermont are investigated, and not least the evidence from a letter that he intended to publish music.In 1752 Clermont commissioned his secretary Coll{\'e} to create a comedy in French made out of newly-popular music from 'La serva padrona', 'Il giocatore' and 'Il maestro di musica'. The resulting 'interm{\`e}de' was 'Le Jaloux corrig{\'e}' (Berny, 18 November 1752). This was indeed published, and reviewed in 'Mercure de France', before being transferred to the Paris Op{\'e}ra stage where it was sung by the visiting Italian soloists of Eustaccio Bambini. After consideration of the new style of recitatives composed by Michel Blavet the study concludes by identifying further oblong-shaped scores that may well have appeared under Clermont's patronage, 'La scaltra governatrice', 'Tracollo', 'Il cinese rimpatriato' and 'Les Boh{\'e}miennes', which last was dedicated to Clermont by Bambini's arranger, Giuseppe Cosimi.",
keywords = "Eighteenth century, private theatre, Comte de Clermont, Italian comic opera, intermezzo, parody, Michel Blavet ",
author = "David Charlton",
year = "2005",
language = "French",
isbn = "2800413646",
series = "{\'E}tudes sur le 18e si{\`e}cle",
publisher = "{\'E}ditions de l'Universit{\'e} de Bruxelles",
pages = "63--74",
editor = "Marie-Emmanuelle Plagnol-Di{\'e}val and Dominique Qu{\'e}ro",
booktitle = "Les Th{\'e}{\^a}tres de soci{\'e}t{\'e} au XVIIIe si{\`e}cle",

}

RIS

TY - GEN

T1 - Le comte de Clermont et les intermèdes italiens vers 1752

AU - Charlton, David

PY - 2005

Y1 - 2005

N2 - This research concerns the private theatre activity of Louis de Bourbon-Condé, comte de Clermont (1701-1771), principally at his residence at Berny. After a résumé of private theatre premieres of opéra-comique given at a range of private theatres, the music-theatre interests of Clermont are investigated, and not least the evidence from a letter that he intended to publish music.In 1752 Clermont commissioned his secretary Collé to create a comedy in French made out of newly-popular music from 'La serva padrona', 'Il giocatore' and 'Il maestro di musica'. The resulting 'intermède' was 'Le Jaloux corrigé' (Berny, 18 November 1752). This was indeed published, and reviewed in 'Mercure de France', before being transferred to the Paris Opéra stage where it was sung by the visiting Italian soloists of Eustaccio Bambini. After consideration of the new style of recitatives composed by Michel Blavet the study concludes by identifying further oblong-shaped scores that may well have appeared under Clermont's patronage, 'La scaltra governatrice', 'Tracollo', 'Il cinese rimpatriato' and 'Les Bohémiennes', which last was dedicated to Clermont by Bambini's arranger, Giuseppe Cosimi.

AB - This research concerns the private theatre activity of Louis de Bourbon-Condé, comte de Clermont (1701-1771), principally at his residence at Berny. After a résumé of private theatre premieres of opéra-comique given at a range of private theatres, the music-theatre interests of Clermont are investigated, and not least the evidence from a letter that he intended to publish music.In 1752 Clermont commissioned his secretary Collé to create a comedy in French made out of newly-popular music from 'La serva padrona', 'Il giocatore' and 'Il maestro di musica'. The resulting 'intermède' was 'Le Jaloux corrigé' (Berny, 18 November 1752). This was indeed published, and reviewed in 'Mercure de France', before being transferred to the Paris Opéra stage where it was sung by the visiting Italian soloists of Eustaccio Bambini. After consideration of the new style of recitatives composed by Michel Blavet the study concludes by identifying further oblong-shaped scores that may well have appeared under Clermont's patronage, 'La scaltra governatrice', 'Tracollo', 'Il cinese rimpatriato' and 'Les Bohémiennes', which last was dedicated to Clermont by Bambini's arranger, Giuseppe Cosimi.

KW - Eighteenth century, private theatre, Comte de Clermont, Italian comic opera, intermezzo, parody, Michel Blavet

M3 - Conference contribution

SN - 2800413646

T3 - Études sur le 18e siècle

SP - 63

EP - 74

BT - Les Théâtres de société au XVIIIe siècle

A2 - Plagnol-Diéval, Marie-Emmanuelle

A2 - Quéro, Dominique

PB - Éditions de l'Université de Bruxelles

CY - Brussels

ER -