La comédie lyrique au temps de Diderot. / Charlton, David.

Music et pantomime dans 'Le Neveu de Rameau'. ed. / Franck Salaün; Patrick Taïeb. Paris : Hermann Editeurs, 2016. p. 50-77 (Fictions pensantes).

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Published

Standard

La comédie lyrique au temps de Diderot. / Charlton, David.

Music et pantomime dans 'Le Neveu de Rameau'. ed. / Franck Salaün; Patrick Taïeb. Paris : Hermann Editeurs, 2016. p. 50-77 (Fictions pensantes).

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Harvard

Charlton, D 2016, La comédie lyrique au temps de Diderot. in F Salaün & P Taïeb (eds), Music et pantomime dans 'Le Neveu de Rameau'. Fictions pensantes, Hermann Editeurs, Paris, pp. 50-77.

APA

Charlton, D. (2016). La comédie lyrique au temps de Diderot. In F. Salaün, & P. Taïeb (Eds.), Music et pantomime dans 'Le Neveu de Rameau' (pp. 50-77). (Fictions pensantes). Hermann Editeurs.

Vancouver

Charlton D. La comédie lyrique au temps de Diderot. In Salaün F, Taïeb P, editors, Music et pantomime dans 'Le Neveu de Rameau'. Paris: Hermann Editeurs. 2016. p. 50-77. (Fictions pensantes).

Author

Charlton, David. / La comédie lyrique au temps de Diderot. Music et pantomime dans 'Le Neveu de Rameau'. editor / Franck Salaün ; Patrick Taïeb. Paris : Hermann Editeurs, 2016. pp. 50-77 (Fictions pensantes).

BibTeX

@inproceedings{fe9cee64ee914f8d962fa34429ef4fe2,
title = "La com{\'e}die lyrique au temps de Diderot",
abstract = "When Diderot conceived the solo 'performance' of operas by LUI in 'Le Neveu de Rameau' he obviously used a base-line of experience. This article gathers many details about Parisian actor-singers in the 1750s in order to build a picture of how actor-singers specialising in lyric comedy and their movements were construed at the time. Thus we have Paul Stuc's idea for histrionic notation; the personnel of the Monnet troupe and their quasi-Italian system of categorisation; the art of Justine Favart and Mlle Rosaline of the Op{\'e}ra Comique; Charles Favart's stage-directions; and the physical attitudes portrayed in a key scene through the frontispiece of Sedaine/Philidor's 'Le Jardinier et son seigneur'.",
keywords = "Paris, opera, comedy, acting, 1750s",
author = "David Charlton",
note = "Frontispiece shows Gabriel de Saint-Aubin's detailed illustration of nine actors on stage in a scene from 'Le Jardinier et son seigneur' (1761) issued with the libretto.",
year = "2016",
language = "French",
isbn = "9782705692810",
series = "Fictions pensantes",
publisher = "Hermann Editeurs",
pages = "50--77",
editor = "Franck Sala{\"u}n and Patrick Ta{\"i}eb",
booktitle = "Music et pantomime dans 'Le Neveu de Rameau'",

}

RIS

TY - GEN

T1 - La comédie lyrique au temps de Diderot

AU - Charlton, David

N1 - Frontispiece shows Gabriel de Saint-Aubin's detailed illustration of nine actors on stage in a scene from 'Le Jardinier et son seigneur' (1761) issued with the libretto.

PY - 2016

Y1 - 2016

N2 - When Diderot conceived the solo 'performance' of operas by LUI in 'Le Neveu de Rameau' he obviously used a base-line of experience. This article gathers many details about Parisian actor-singers in the 1750s in order to build a picture of how actor-singers specialising in lyric comedy and their movements were construed at the time. Thus we have Paul Stuc's idea for histrionic notation; the personnel of the Monnet troupe and their quasi-Italian system of categorisation; the art of Justine Favart and Mlle Rosaline of the Opéra Comique; Charles Favart's stage-directions; and the physical attitudes portrayed in a key scene through the frontispiece of Sedaine/Philidor's 'Le Jardinier et son seigneur'.

AB - When Diderot conceived the solo 'performance' of operas by LUI in 'Le Neveu de Rameau' he obviously used a base-line of experience. This article gathers many details about Parisian actor-singers in the 1750s in order to build a picture of how actor-singers specialising in lyric comedy and their movements were construed at the time. Thus we have Paul Stuc's idea for histrionic notation; the personnel of the Monnet troupe and their quasi-Italian system of categorisation; the art of Justine Favart and Mlle Rosaline of the Opéra Comique; Charles Favart's stage-directions; and the physical attitudes portrayed in a key scene through the frontispiece of Sedaine/Philidor's 'Le Jardinier et son seigneur'.

KW - Paris, opera, comedy, acting, 1750s

M3 - Conference contribution

SN - 9782705692810

T3 - Fictions pensantes

SP - 50

EP - 77

BT - Music et pantomime dans 'Le Neveu de Rameau'

A2 - Salaün, Franck

A2 - Taïeb, Patrick

PB - Hermann Editeurs

CY - Paris

ER -