Haunting, “doubling” and the Undoing of Francoist Aesthetics in Albert Boadella’s ¡Buen viaje, Excelencia! (2003)

Research output: Contribution to journalArticlepeer-review

Original languageEnglish
Pages (from-to)313-20
JournalContemporary Theatre Review
Volume17
Issue number3
Publication statusPublished - 2007

Cite this