Haunting, “doubling” and the Undoing of Francoist Aesthetics in Albert Boadella’s ¡Buen viaje, Excelencia! (2003). / Wright, Sarah.
In: Contemporary Theatre Review, Vol. 17, No. 3, 2007, p. 313-20.Research output: Contribution to journal › Article › peer-review
Original language | English |
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Pages (from-to) | 313-20 |
Journal | Contemporary Theatre Review |
Volume | 17 |
Issue number | 3 |
Publication status | Published - 2007 |
ID: 1256910