Haunting, “doubling” and the Undoing of Francoist Aesthetics in Albert Boadella’s ¡Buen viaje, Excelencia! (2003). / Wright, Sarah.

In: Contemporary Theatre Review, Vol. 17, No. 3, 2007, p. 313-20.

Research output: Contribution to journalArticle

Published
Original languageEnglish
Pages (from-to)313-20
JournalContemporary Theatre Review
Volume17
Issue number3
Publication statusPublished - 2007

ID: 1256910