From Casino Royale to Spectre : Daniel Craig’s James Bond . / Dodds, Klaus-John; Funnell, Lisa.

In: Journal of Popular Film and Television, Vol. 46, No. 1, 2018, p. 2-10.

Research output: Contribution to journalArticlepeer-review

Published

Standard

From Casino Royale to Spectre : Daniel Craig’s James Bond . / Dodds, Klaus-John; Funnell, Lisa.

In: Journal of Popular Film and Television, Vol. 46, No. 1, 2018, p. 2-10.

Research output: Contribution to journalArticlepeer-review

Harvard

Dodds, K-J & Funnell, L 2018, 'From Casino Royale to Spectre: Daniel Craig’s James Bond ', Journal of Popular Film and Television, vol. 46, no. 1, pp. 2-10. https://doi.org/10.1080/01956051.2018.1423204

APA

Dodds, K-J., & Funnell, L. (2018). From Casino Royale to Spectre: Daniel Craig’s James Bond . Journal of Popular Film and Television, 46(1), 2-10. https://doi.org/10.1080/01956051.2018.1423204

Vancouver

Author

Dodds, Klaus-John ; Funnell, Lisa. / From Casino Royale to Spectre : Daniel Craig’s James Bond . In: Journal of Popular Film and Television. 2018 ; Vol. 46, No. 1. pp. 2-10.

BibTeX

@article{897364deb354498795b207e1a6606994,
title = "From Casino Royale to Spectre: Daniel Craig{\textquoteright}s James Bond ",
abstract = "The selection of articles presented in this special “James Bond and the Daniel Craig Era” themed issue of Journal of Popular Film and Television explore further the aesthetic, gender, geographical, and geopolitical qualities of Craig{\textquoteright}s{\textquoteright} Bond, with due recognition given to both continuity and change. It would be impossible to make sense of the four films in question without acknowledging the enduring role of Judi Dench as the first female head of MI6. As M, Dench{\textquoteright}s depiction of Bond{\textquoteright}s boss has strongly informed not only the way we think about the agency of women in the franchise but also the complex and multi-faceted relationship that Bond and M have with one another. The intersection of the personal and the professional has contributed greatly to the representation of how Bond and his colleagues accommodate the challenges facing them, and the costs to those often closest to them. The death of M in the final moments of Skyfall exposes Bond{\textquoteright}s to yet another painful loss, following the death of his beloved Vesper Lynd. And yet as Spectre depicts, a video handed to Bond by Moneypenny allows a temporary reprieve from overwhelming loss as Bond is able to hear and watch M for the last time.",
keywords = "James Bond, Daniel Craig , Film, Spy , Geopolitics , Bond formula, Representation ",
author = "Klaus-John Dodds and Lisa Funnell",
year = "2018",
doi = "10.1080/01956051.2018.1423204",
language = "English",
volume = "46",
pages = "2--10",
journal = "Journal of Popular Film and Television",
issn = "0195-6051",
publisher = "Routledge",
number = "1",

}

RIS

TY - JOUR

T1 - From Casino Royale to Spectre

T2 - Daniel Craig’s James Bond

AU - Dodds, Klaus-John

AU - Funnell, Lisa

PY - 2018

Y1 - 2018

N2 - The selection of articles presented in this special “James Bond and the Daniel Craig Era” themed issue of Journal of Popular Film and Television explore further the aesthetic, gender, geographical, and geopolitical qualities of Craig’s’ Bond, with due recognition given to both continuity and change. It would be impossible to make sense of the four films in question without acknowledging the enduring role of Judi Dench as the first female head of MI6. As M, Dench’s depiction of Bond’s boss has strongly informed not only the way we think about the agency of women in the franchise but also the complex and multi-faceted relationship that Bond and M have with one another. The intersection of the personal and the professional has contributed greatly to the representation of how Bond and his colleagues accommodate the challenges facing them, and the costs to those often closest to them. The death of M in the final moments of Skyfall exposes Bond’s to yet another painful loss, following the death of his beloved Vesper Lynd. And yet as Spectre depicts, a video handed to Bond by Moneypenny allows a temporary reprieve from overwhelming loss as Bond is able to hear and watch M for the last time.

AB - The selection of articles presented in this special “James Bond and the Daniel Craig Era” themed issue of Journal of Popular Film and Television explore further the aesthetic, gender, geographical, and geopolitical qualities of Craig’s’ Bond, with due recognition given to both continuity and change. It would be impossible to make sense of the four films in question without acknowledging the enduring role of Judi Dench as the first female head of MI6. As M, Dench’s depiction of Bond’s boss has strongly informed not only the way we think about the agency of women in the franchise but also the complex and multi-faceted relationship that Bond and M have with one another. The intersection of the personal and the professional has contributed greatly to the representation of how Bond and his colleagues accommodate the challenges facing them, and the costs to those often closest to them. The death of M in the final moments of Skyfall exposes Bond’s to yet another painful loss, following the death of his beloved Vesper Lynd. And yet as Spectre depicts, a video handed to Bond by Moneypenny allows a temporary reprieve from overwhelming loss as Bond is able to hear and watch M for the last time.

KW - James Bond

KW - Daniel Craig

KW - Film

KW - Spy

KW - Geopolitics

KW - Bond formula

KW - Representation

U2 - 10.1080/01956051.2018.1423204

DO - 10.1080/01956051.2018.1423204

M3 - Article

VL - 46

SP - 2

EP - 10

JO - Journal of Popular Film and Television

JF - Journal of Popular Film and Television

SN - 0195-6051

IS - 1

ER -