Film and migration, Europe. / Berghahn, Daniela.

The Encylopedia of Global Human Migration . online. ed. Wiley-Blackwell, 2013.

Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

Published

Standard

Film and migration, Europe. / Berghahn, Daniela.

The Encylopedia of Global Human Migration . online. ed. Wiley-Blackwell, 2013.

Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

Harvard

Berghahn, D 2013, Film and migration, Europe. in The Encylopedia of Global Human Migration . online edn, Wiley-Blackwell. https://doi.org/10.1002/9781444351071

APA

Berghahn, D. (2013). Film and migration, Europe. In The Encylopedia of Global Human Migration (online ed.). Wiley-Blackwell. https://doi.org/10.1002/9781444351071

Vancouver

Berghahn D. Film and migration, Europe. In The Encylopedia of Global Human Migration . online ed. Wiley-Blackwell. 2013 https://doi.org/10.1002/9781444351071

Author

Berghahn, Daniela. / Film and migration, Europe. The Encylopedia of Global Human Migration . online. ed. Wiley-Blackwell, 2013.

BibTeX

@inbook{a4d8ed436628469b9fa05fa253c432ef,
title = "Film and migration, Europe",
abstract = "With European cinemas becoming increasingly determined by multicultural and multiethnic presences and themes, critical paradigms that examine these cinemas in terms of their national specificity do not adequately address the shift from the national to the transnational which has occurred during the past 30 years. This shift has been fueled by the ongoing process of European integration, the geopolitical changes following the collapse of communism and the arrival of labor migrants and asylum-seekers desiring access to what they perceive to be the politically and economically stable heartland of the “old,” that is Western Europe. These various sociopolitical processes have meant that the concept of European identity and nationhood is becoming ever more contested and fluid. This is reflected in a growing number of films made by migrant and diasporic filmmakers that challenge traditional concepts of national identity, “Europeanness,” and ethnocentric myths.",
keywords = "European cinema, migrant and diasporic film, transnational cinema",
author = "Daniela Berghahn",
year = "2013",
month = feb,
day = "4",
doi = "10.1002/9781444351071",
language = "English",
isbn = "978-1-4443-3489-0",
booktitle = "The Encylopedia of Global Human Migration",
publisher = "Wiley-Blackwell",
edition = "online",

}

RIS

TY - CHAP

T1 - Film and migration, Europe

AU - Berghahn, Daniela

PY - 2013/2/4

Y1 - 2013/2/4

N2 - With European cinemas becoming increasingly determined by multicultural and multiethnic presences and themes, critical paradigms that examine these cinemas in terms of their national specificity do not adequately address the shift from the national to the transnational which has occurred during the past 30 years. This shift has been fueled by the ongoing process of European integration, the geopolitical changes following the collapse of communism and the arrival of labor migrants and asylum-seekers desiring access to what they perceive to be the politically and economically stable heartland of the “old,” that is Western Europe. These various sociopolitical processes have meant that the concept of European identity and nationhood is becoming ever more contested and fluid. This is reflected in a growing number of films made by migrant and diasporic filmmakers that challenge traditional concepts of national identity, “Europeanness,” and ethnocentric myths.

AB - With European cinemas becoming increasingly determined by multicultural and multiethnic presences and themes, critical paradigms that examine these cinemas in terms of their national specificity do not adequately address the shift from the national to the transnational which has occurred during the past 30 years. This shift has been fueled by the ongoing process of European integration, the geopolitical changes following the collapse of communism and the arrival of labor migrants and asylum-seekers desiring access to what they perceive to be the politically and economically stable heartland of the “old,” that is Western Europe. These various sociopolitical processes have meant that the concept of European identity and nationhood is becoming ever more contested and fluid. This is reflected in a growing number of films made by migrant and diasporic filmmakers that challenge traditional concepts of national identity, “Europeanness,” and ethnocentric myths.

KW - European cinema, migrant and diasporic film, transnational cinema

U2 - 10.1002/9781444351071

DO - 10.1002/9781444351071

M3 - Entry for encyclopedia/dictionary

SN - 978-1-4443-3489-0

BT - The Encylopedia of Global Human Migration

PB - Wiley-Blackwell

ER -