Explicit Commentaries and Implicit Designs : The evolving role of post-production sound in mainstream documentary. / Davies, Rhys.

In: Journal of Media Practice, Vol. 8, No. 2, 07.09.2007, p. 161-181.

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Explicit Commentaries and Implicit Designs : The evolving role of post-production sound in mainstream documentary. / Davies, Rhys.

In: Journal of Media Practice, Vol. 8, No. 2, 07.09.2007, p. 161-181.

Research output: Contribution to journalArticlepeer-review

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@article{a8abc44a3070406f8ce97e20c43d4482,
title = "Explicit Commentaries and Implicit Designs: The evolving role of post-production sound in mainstream documentary",
abstract = "The article, focusing exclusively on sound design, examines how technology has defined the shape and structure of mainstream documentary production through three distinct eras: The Post Sound Dubbing (1930-1939). Location Sound Origination (1960-2000). The Digital Domain (2000). It also looks at the potential of creative sound design in contemporary commercial documentary and presents a modern production aesthetic that concentrates on sound design as a means to convey a distilled evocative realism, rather than the representational naturalism of location sound recording",
keywords = "distillation , narrative, post production, representation, sound design",
author = "Rhys Davies",
year = "2007",
month = sep,
day = "7",
doi = "10.1386/jmpr.8.2.161_1",
language = "English",
volume = "8",
pages = "161--181",
journal = "Journal of Media Practice",
issn = "1468-2753",
publisher = "Intellect Publishers",
number = "2",

}

RIS

TY - JOUR

T1 - Explicit Commentaries and Implicit Designs

T2 - The evolving role of post-production sound in mainstream documentary

AU - Davies, Rhys

PY - 2007/9/7

Y1 - 2007/9/7

N2 - The article, focusing exclusively on sound design, examines how technology has defined the shape and structure of mainstream documentary production through three distinct eras: The Post Sound Dubbing (1930-1939). Location Sound Origination (1960-2000). The Digital Domain (2000). It also looks at the potential of creative sound design in contemporary commercial documentary and presents a modern production aesthetic that concentrates on sound design as a means to convey a distilled evocative realism, rather than the representational naturalism of location sound recording

AB - The article, focusing exclusively on sound design, examines how technology has defined the shape and structure of mainstream documentary production through three distinct eras: The Post Sound Dubbing (1930-1939). Location Sound Origination (1960-2000). The Digital Domain (2000). It also looks at the potential of creative sound design in contemporary commercial documentary and presents a modern production aesthetic that concentrates on sound design as a means to convey a distilled evocative realism, rather than the representational naturalism of location sound recording

KW - distillation

KW - narrative

KW - post production

KW - representation

KW - sound design

U2 - 10.1386/jmpr.8.2.161_1

DO - 10.1386/jmpr.8.2.161_1

M3 - Article

VL - 8

SP - 161

EP - 181

JO - Journal of Media Practice

JF - Journal of Media Practice

SN - 1468-2753

IS - 2

ER -