Eric Craven: Entangled States. Dullea, Mary (Performer). 2018. Metier Divine Art.

Research output: Non-textual formPerformance

Published

Standard

Eric Craven: Entangled States. Dullea, Mary (Performer). 2018. Metier Divine Art.

Research output: Non-textual formPerformance

Harvard

Dullea, M, Eric Craven: Entangled States, 2018, Performance, Metier Divine Art.

APA

Dullea, M. (Performer). (2018). Eric Craven: Entangled States. Performance, Metier Divine Art.

Vancouver

Author

BibTeX

@misc{5e7cf5d0adb54a1f9da9fab375e7a037,
title = "Eric Craven: Entangled States",
abstract = "This is the premiere recording of a set of 48 pieces in low, middle and high order non-prescriptive notation, devised by composer Eric Craven. These performancesexamine the role of the performer in creating the performances triggered by thisnotation, in particular the high order works, the notation of which is pared down to themerest suggestions of pitch. It is not graphic, aleatoric or spatial notation just as it isnot open form or free improvisation. The notes on the score are starting points for theperformer with complete openness regarding the eventual performances.Herein lies the unexplored challenge: to address the role of the solo performer and theperformer{\textquoteright}s past experiences in bringing these performances to life. Eachperformance is determined by the approach of the pianist, in isolation, to theinstrument and the score. There is no balance between prescriptive writing andfreedom of choice in any one piece. Pre-determined choices can only go as far asgeneral structure, mood, texture, motivic material, character and possible sense ofduration.The originality of this project is the devising of performances that are completelyunique yet possess a taut sense of structure, use of material and character. The order of the pieces is at the choice of the performer, further constructing the whole output.Significantly this project is a collaboration between the pianist, the suggestednotations and the tacit knowledge of the performer. These recordings demonstratehow the pianist{\textquoteright}s role is situated within their experiences and how these can bechanneled into completely original and bold statements by taking inherent methodsand understandings from a long solo and chamber music playing career. The processby which the performer almost becomes the composer in the moment is documentedin these performances.",
author = "Mary Dullea",
year = "2018",
month = jul,
day = "1",
language = "English",
publisher = "Metier Divine Art",
edition = "MSV 28571",

}

RIS

TY - ADVS

T1 - Eric Craven: Entangled States

A2 - Dullea, Mary

PY - 2018/7/1

Y1 - 2018/7/1

N2 - This is the premiere recording of a set of 48 pieces in low, middle and high order non-prescriptive notation, devised by composer Eric Craven. These performancesexamine the role of the performer in creating the performances triggered by thisnotation, in particular the high order works, the notation of which is pared down to themerest suggestions of pitch. It is not graphic, aleatoric or spatial notation just as it isnot open form or free improvisation. The notes on the score are starting points for theperformer with complete openness regarding the eventual performances.Herein lies the unexplored challenge: to address the role of the solo performer and theperformer’s past experiences in bringing these performances to life. Eachperformance is determined by the approach of the pianist, in isolation, to theinstrument and the score. There is no balance between prescriptive writing andfreedom of choice in any one piece. Pre-determined choices can only go as far asgeneral structure, mood, texture, motivic material, character and possible sense ofduration.The originality of this project is the devising of performances that are completelyunique yet possess a taut sense of structure, use of material and character. The order of the pieces is at the choice of the performer, further constructing the whole output.Significantly this project is a collaboration between the pianist, the suggestednotations and the tacit knowledge of the performer. These recordings demonstratehow the pianist’s role is situated within their experiences and how these can bechanneled into completely original and bold statements by taking inherent methodsand understandings from a long solo and chamber music playing career. The processby which the performer almost becomes the composer in the moment is documentedin these performances.

AB - This is the premiere recording of a set of 48 pieces in low, middle and high order non-prescriptive notation, devised by composer Eric Craven. These performancesexamine the role of the performer in creating the performances triggered by thisnotation, in particular the high order works, the notation of which is pared down to themerest suggestions of pitch. It is not graphic, aleatoric or spatial notation just as it isnot open form or free improvisation. The notes on the score are starting points for theperformer with complete openness regarding the eventual performances.Herein lies the unexplored challenge: to address the role of the solo performer and theperformer’s past experiences in bringing these performances to life. Eachperformance is determined by the approach of the pianist, in isolation, to theinstrument and the score. There is no balance between prescriptive writing andfreedom of choice in any one piece. Pre-determined choices can only go as far asgeneral structure, mood, texture, motivic material, character and possible sense ofduration.The originality of this project is the devising of performances that are completelyunique yet possess a taut sense of structure, use of material and character. The order of the pieces is at the choice of the performer, further constructing the whole output.Significantly this project is a collaboration between the pianist, the suggestednotations and the tacit knowledge of the performer. These recordings demonstratehow the pianist’s role is situated within their experiences and how these can bechanneled into completely original and bold statements by taking inherent methodsand understandings from a long solo and chamber music playing career. The processby which the performer almost becomes the composer in the moment is documentedin these performances.

UR - https://divineartrecords.com/recording/eric-craven-entangled-states/

M3 - Performance

PB - Metier Divine Art

ER -