Edward Elgar, Modernist

J. P. E. Harper-Scott

Edward Elgar, Modernist

Department of Music

Research output: Book/Report › Book

Original language	English
Place of Publication	Cambridge and New York
Publisher	Cambridge University Press
Publication status	Published - 2006

Access to Document

http://www.jpehs.co.uk/publications/edward-elgar-modernist/

“Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68
J. P. E. Harper-Scott (Speaker)
Jul 2003
Activity: Participating in or organising an event › Participation in conference
Tonal Malaise in Elgar’s First Symphony
J. P. E. Harper-Scott (Speaker)
Apr 2002
Activity: Participating in or organising an event › Participation in conference

Cite this

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title = "Edward Elgar, Modernist",

author = "Harper-Scott, {J. P. E.}",

note = "Paperback reprint, 2009. doi:10.2277/0521862000.. No. 20 in CUP{\^a}€{\texttrademark}s series, Music in the Twentieth Century. Reviewed in Music & Letters, Journal of the American Musicological Society, Times Literary Supplement, Musical Times (review-article), Journal of British Studies, Notes, International Record Review, Elgar Society Journal.",

year = "2006",

language = "English",

publisher = "Cambridge University Press",

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T1 - Edward Elgar, Modernist

AU - Harper-Scott, J. P. E.

N1 - Paperback reprint, 2009. doi:10.2277/0521862000.. No. 20 in CUPâ€™s series, Music in the Twentieth Century. Reviewed in Music & Letters, Journal of the American Musicological Society, Times Literary Supplement, Musical Times (review-article), Journal of British Studies, Notes, International Record Review, Elgar Society Journal.

PY - 2006

Y1 - 2006

M3 - Book

BT - Edward Elgar, Modernist

PB - Cambridge University Press

CY - Cambridge and New York

ER -

Edward Elgar, Modernist

Access to Document

Activities

“Fracted and corroborate”: narrative implications of form and tonality in Elgar’s Falstaff, Op. 68

Tonal Malaise in Elgar’s First Symphony

Cite this