Dirt, Disintegration, and Disappointment: Sex and the City of Paris. / Thompson, Hannah.
In: Dix-Neuf, Vol. 17, No. 2, 07.2013, p. 183-196.Research output: Contribution to journal › Article › peer-review
Dirt, Disintegration, and Disappointment: Sex and the City of Paris. / Thompson, Hannah.
In: Dix-Neuf, Vol. 17, No. 2, 07.2013, p. 183-196.Research output: Contribution to journal › Article › peer-review
}
TY - JOUR
T1 - Dirt, Disintegration, and Disappointment: Sex and the City of Paris
AU - Thompson, Hannah
PY - 2013/7
Y1 - 2013/7
N2 - The flâneur is intrinsically associated with nineteenth-century Paris through the work of Baudelaire and Benjamin. But his antithetical relationship with the dirt and chaos which characterized Paris during Haussmannization, distances him from the often sordid realities of the nineteenth-century city. Through close-readings of L’Education sentimentale and La Curée, this article identifies two other figures, the failed flâneur and the planner, who have a more illuminating relationship with the physical and metaphorical dirt which embodies the nineteenth-century city. The Parisian wanderings of Frédéric Moreau and Aristide Saccard demonstrate that dirt functions as much more than an inconvenient by-product, or a marker of contigency. Instead it can be seen as a means of both representing and commenting on the relationship between passion and place, between sex and city which is mapped in the nineteenth-century novel.
AB - The flâneur is intrinsically associated with nineteenth-century Paris through the work of Baudelaire and Benjamin. But his antithetical relationship with the dirt and chaos which characterized Paris during Haussmannization, distances him from the often sordid realities of the nineteenth-century city. Through close-readings of L’Education sentimentale and La Curée, this article identifies two other figures, the failed flâneur and the planner, who have a more illuminating relationship with the physical and metaphorical dirt which embodies the nineteenth-century city. The Parisian wanderings of Frédéric Moreau and Aristide Saccard demonstrate that dirt functions as much more than an inconvenient by-product, or a marker of contigency. Instead it can be seen as a means of both representing and commenting on the relationship between passion and place, between sex and city which is mapped in the nineteenth-century novel.
KW - Paris
KW - Flaubert
KW - Zola
KW - flaneur
U2 - 10.1179/1478731813Z.00000000033
DO - 10.1179/1478731813Z.00000000033
M3 - Article
VL - 17
SP - 183
EP - 196
JO - Dix-Neuf
JF - Dix-Neuf
SN - 1478-7318
IS - 2
ER -