Cherubini : A Critical Anthology, 1788-1801. / Charlton, David.

In: Research Chronicle of the Royal Musical Association , Vol. 26, 1993, p. 95-127.

Research output: Contribution to journalArticlepeer-review

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Cherubini : A Critical Anthology, 1788-1801. / Charlton, David.

In: Research Chronicle of the Royal Musical Association , Vol. 26, 1993, p. 95-127.

Research output: Contribution to journalArticlepeer-review

Harvard

Charlton, D 1993, 'Cherubini: A Critical Anthology, 1788-1801', Research Chronicle of the Royal Musical Association , vol. 26, pp. 95-127.

APA

Charlton, D. (1993). Cherubini: A Critical Anthology, 1788-1801. Research Chronicle of the Royal Musical Association , 26, 95-127.

Vancouver

Charlton D. Cherubini: A Critical Anthology, 1788-1801. Research Chronicle of the Royal Musical Association . 1993;26:95-127.

Author

Charlton, David. / Cherubini : A Critical Anthology, 1788-1801. In: Research Chronicle of the Royal Musical Association . 1993 ; Vol. 26. pp. 95-127.

BibTeX

@article{8d33a73ea0e542b9b8528935f37ea48e,
title = "Cherubini: A Critical Anthology, 1788-1801",
abstract = "It is sometimes assumed, incorrectly, that Parisian opera criticism in the 1790s was undeveloped or even negligible. In reality the new freedom of the press gave rise to a large number of opportunities for theatre reviews. Cherubini, the most substantial opera composer of the decade, worked for a new company (the Th{\'e}{\^a}tre Feydeau) which excelled in vocal, orchestral and staging skills; yet after its closure in 1801 the legacy of Cherubini was obscured, because the Op{\'e}ra-Comique failed to take up most of his earlier work. After an introduction, this article presents diplomatic transcriptions of three reviews of 'D{\'e}mophoon', sixteen reviews of 'Lodo{\"i}ska', seven reviews of 'Eliza', twenty reviews of 'M{\'e}d{\'e}e' and thirteen of 'Les Deux journ{\'e}es', followed by a glossary of names and works referred to in these texts. ",
keywords = "Cherubini, opera, French Revolution, criticism",
author = "David Charlton",
note = "Not all the reviews are transcribed in their entirety.",
year = "1993",
language = "English",
volume = "26",
pages = "95--127",
journal = "Research Chronicle of the Royal Musical Association ",
issn = "0080-4460",

}

RIS

TY - JOUR

T1 - Cherubini

T2 - A Critical Anthology, 1788-1801

AU - Charlton, David

N1 - Not all the reviews are transcribed in their entirety.

PY - 1993

Y1 - 1993

N2 - It is sometimes assumed, incorrectly, that Parisian opera criticism in the 1790s was undeveloped or even negligible. In reality the new freedom of the press gave rise to a large number of opportunities for theatre reviews. Cherubini, the most substantial opera composer of the decade, worked for a new company (the Théâtre Feydeau) which excelled in vocal, orchestral and staging skills; yet after its closure in 1801 the legacy of Cherubini was obscured, because the Opéra-Comique failed to take up most of his earlier work. After an introduction, this article presents diplomatic transcriptions of three reviews of 'Démophoon', sixteen reviews of 'Lodoïska', seven reviews of 'Eliza', twenty reviews of 'Médée' and thirteen of 'Les Deux journées', followed by a glossary of names and works referred to in these texts.

AB - It is sometimes assumed, incorrectly, that Parisian opera criticism in the 1790s was undeveloped or even negligible. In reality the new freedom of the press gave rise to a large number of opportunities for theatre reviews. Cherubini, the most substantial opera composer of the decade, worked for a new company (the Théâtre Feydeau) which excelled in vocal, orchestral and staging skills; yet after its closure in 1801 the legacy of Cherubini was obscured, because the Opéra-Comique failed to take up most of his earlier work. After an introduction, this article presents diplomatic transcriptions of three reviews of 'Démophoon', sixteen reviews of 'Lodoïska', seven reviews of 'Eliza', twenty reviews of 'Médée' and thirteen of 'Les Deux journées', followed by a glossary of names and works referred to in these texts.

KW - Cherubini, opera, French Revolution, criticism

M3 - Article

VL - 26

SP - 95

EP - 127

JO - Research Chronicle of the Royal Musical Association

JF - Research Chronicle of the Royal Musical Association

SN - 0080-4460

ER -