Brand Texts and Meaning in Post-Digital Consumer Culture

Chris Hackley, Amy Hackley Rungpaka

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Abstract

This paper discusses the mechanisms of post-digital consumer cultural meaning-making using advertising as its point of departure. The assumption is that the post-digital is neither an era nor an epoch but a characterisation that reflects a consumer cultural world of digitised content that operates as a default for many consumers, while the analogue world hovers ghost-like, re-asserting itself where digital technologies cannot serve, where and when they cannot be accessed, or when they fail. In this post-digital world, the locus of consumer cultural meaning-making has shifted, from long-form advertising campaigns, to fragmented and polysemous intertexts that circulate kinetically via social media. In other words, the locus of consumer cultural meaning-making has shifted from the primary texts of brand marketing, to secondary or paratexts. Drawing on Gérard Genette’s theory of transtextuality, the paper discusses how this post-digital meaning-making mechanism plays out, for brands, and beyond, within a post-digital consumer culture.
Original languageEnglish
Pages (from-to)147-168
Number of pages22
JournalAM JOurnal of Art and Media Studies
Volume22
Early online date15 Sept 2020
DOIs
Publication statusE-pub ahead of print - 15 Sept 2020

Keywords

  • advertising
  • Literary Theory
  • paratexts
  • Social media advertising
  • consumer culture theory

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