Abstract
The article explores Australian choreographer Lucy Guerin's piece The Ends of Things to suggest how it might be an example of choreography that grapples with how subjects, fictional ones in the piece and Guerin's own identity as a choreographer, engage with becoming and belonging.
| Original language | English |
|---|---|
| Pages (from-to) | 31-37 |
| Number of pages | 6 |
| Journal | Brolga: An Australian Journal About Dance |
| Volume | 31 |
| Publication status | Published - 2009 |