Bach and Cigarettes: Imagining the Everyday in Jarmusch’s Int. Trailer. Night. / Cenciarelli, Carlo.

In: Twentieth-Century Music, Vol. 7, No. 2, 2012, p. 219.

Research output: Contribution to journalArticlepeer-review

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Abstract

In Jim Jarmusch's Int. Trailer. Night (2002) a young American actress, alone in her trailer for a ten-minute break, lights up a cigarette and puts on a CD of the Goldberg Variations. In this short, almost plotless experimental film Bach sounds outside the frameworks that typically motivate the diegetic presence of so-called ‘classical music’ in cinema, detached from the places and signifiers of high art and from high-level meanings and pointed occurrences. This unusual representation of listening opens up two complementary lines of enquiry: first, into the way in which Jarmusch draws on Bach to invent a reality that is strange and irreducible, marked by unexpected cultural affiliations and by an elusive affective realm; second, into the way in which, by thus channelling Bach into his poetics of the everyday, the director reinvents the music's own identity, putting forward a de-essentialized image of its cultural placement and aesthetic status.
Original languageEnglish
Pages (from-to)219
Number of pages243
JournalTwentieth-Century Music
Volume7
Issue number2
Early online date29 Nov 2011
DOIs
Publication statusPublished - 2012
This open access research output is licenced under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

ID: 9600892