Dr Shzr Tan

  1. 2021
  2. In preparation

    China’s Female Pianists: Yuja Wang & Zhu Xiao-Mei

    Tan, S., 2021, (In preparation) Oxford Handbook of the Music of China and of the Chinese Diaspora. Stock, J. & Yu, H. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. 2020
  4. Submitted

    Unequal Cosmopolitanisms: Staging Singaporean Nanyin in and beyond Asia

    Tan, S., 1 Aug 2020, (Submitted) Asian City Crossings: Pathways of Performance through Hong Kong and Singapore. Ferrari, R. & Thorpe, A. (eds.). Hong Kong University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. Forthcoming

    Megaphones Hiding in Trees: Civic instruction via mediated soundscapes in places of natural beauty in China

    Tan, S., 25 May 2020, (Accepted/In press) In : International Communication of Chinese Culture.

    Research output: Contribution to journalArticle

  6. 2019
  7. Published

    “Cultural Imperialism and the New ‘Yellow Peril’ in Western Classical Music” Study Day Report for Asian-European Music Research

    Kawabata, M. & Tan, S., 1 Dec 2019, In : Asian-European Journal of Music Research. 4, p. 87-98 12 p.

    Research output: Contribution to journalArticle

  8. Published

    Digital Inequalities and Global Sounds

    Tan, S., 19 Sep 2019, The Cambridge Companion to Music in Digital Culture. Cook, N., Ingalls, M. & Trippett, D. (eds.). Cambridge University Press, p. 253-273 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    Cultural Anxieties and Capacity Building: Music Criticism in Singapore

    Tan, S., 1 Sep 2019, The Cambridge History of Music Criticism. Dingle, C. (ed.). Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Submitted

    Decolonising Music and Ethnomusicology

    Tan, S., 1 Sep 2019, (Submitted) In : Ethnomusicology Forum. 28, 3

    Research output: Contribution to journalArticle

  11. 2018
  12. Published

    State orchestras and multiculturalism in Singapore

    Tan, S., 22 Feb 2018, Global Perspectives on Orchestras: Collective Creativity and Social Agency. Ramnarine, T. K. (ed.). Oxford: Oxford University Press, (Studies in Musical Performance as Creative Practice).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. 2017
  14. Published

    Taiwan's Aboriginal Music on the Internet

    Tan, S., Feb 2017, Music, Indigeneity, Digital Media. Hilder, T. R., Stobart, H. & Tan, S. E. (eds.). University of Rochester Press, p. 28-52 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Feminist Asian cosmopolitanism in Singapore tango clubs

    Tan, S., 2017, Women in Asian Performance: Aesthetics and politics. Madhavan, A. (ed.). 1 ed. Routledge, 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Music, Indigeneity, Digital Media

    Hilder, T. (ed.), Stobart, H. (ed.) & Tan, S. E. (ed.), 2017, University of Rochester Press. 224 p.

    Research output: Book/ReportBook

  17. 2016
  18. Published

    "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra

    Tan, S., Mar 2016, The Oxford Handbook of Music and Virtuality. Whiteley, S. & Rambarran, S. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. 2014
  20. Published

    New media music-scapes

    Tan, S., 1 Oct 2014, Singapore soundscape: musical renaissance of a global city. Zubillaga-Pow, J. & Chee-kong, H. (eds.). National Library Board, p. 279-286 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. 2013
  22. Published

    Beyond the 'Fragile Woman': Identity, Modernity, and Musical Gay Icons in Overseas Chinese Communities

    Tan, S. E., 2013, Popular Culture in Asia: Memory, City, Celebrity. Fitzsimmons, L. & Lent, J. A. (eds.). Palgrave/Macmillan, p. 183-205

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  23. Forthcoming

    Gender in Chinese Music.

    Tan, S., Harris, R. (ed.) & Pease, R. (ed.), 2013, (Accepted/In press) University of Rochester Press.

    Research output: Book/ReportBook

  24. Published

    New Chinese Masculinities on the Piano: Lang Lang and Li Yundi

    Tan, S. E., 2013, Gender in Chinese Music. Harris, R., Pease, R. & Tan, S. E. (eds.). University of Rochester Press, p. 132-151

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Published

    Un-localized and un-globalized subculture: English language independent music in Singapore

    Tan, S. & Liew, K. K., 2013, Asian Popular Culture: Global (Dis)continuity.. Fung, A. (ed.). Routledge, p. 113 138 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. 2012
  27. Published

    Beyond 'Innocence': Amis Aboriginal Song in Taiwan as an Ecosystem

    Tan, S. E., Jul 2012, Ashgate. 296 p. (SOAS Musicology Series)

    Research output: Book/ReportBook

  28. 2011
  29. Published

    ‘Harmless’ and ‘hump-less’ political podcasts: censorship and internet resistance in Singapore.

    Tan, S., 2011, In : Music, Sound and the Moving Image.

    Research output: Contribution to journalArticle

  30. Published

    ‘The Red Accordion: inscribing Chineseness into Singaporean music.’

    Tan, S., 2011, ICTM Southeast Asia Study Group - Inaugural Conference . International Council for Traditional Music

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. 2010
  32. Published

    ‘National Songs Revisted: From Propaganda to Pop to Anti-cool Kitsch.’

    Tan, S., 2010, In : S/PORES.

    Research output: Contribution to journalArticle

  33. 2009
  34. Published

    Singapore Takes the 'Bad' Rap: A State-Produced Music Video Goes 'Viral'

    Tan, S. E., Jun 2009, In : Ethnomusicology Forum. 18, 1, p. 107-130

    Research output: Contribution to journalArticle

  35. 2008
  36. Published

    ‘Returning to and from ‘Innocence’: Taiwan aboriginal recordings.’

    Tan, S., 2008, In : Journal of American Folklore. 121.480, p. 222 - 235

    Research output: Contribution to journalArticle

  37. 2007
  38. Published

    ‘Yuanzhumin Liuxing Yinyue’. (‘Taiwan Aboriginal Pop.’): Encyclopedia of Music in Taiwan

    Tan, S., 2007, Taiwan: Dongwu University.

    Research output: Other contribution

  39. 2005
  40. Published

    ‘Manufacturing and Consuming Culture: Fakesong in Singapore.’

    Tan, S., 2005, In : Ethnomusicology Forum. 14.1, p. 83-106.

    Research output: Contribution to journalArticle

  41. 2003
  42. Published

    ‘Talk to Her: Courtship politics behind the Taiwan aboriginal jaw’s harp.’

    Tan, S., 2003, In : Wacana Seni - Journal of Arts Discourse.

    Research output: Contribution to journalArticle

  43. 2002
  44. Published
  45. Published

    ‘Voices: Notes From A Small Island.’

    Tan, S., 2002, State of the Arts. National Arts Council, Singapore

    Research output: Chapter in Book/Report/Conference proceedingChapter

  46. Published

    2002. ‘A Song Is Not Music: Performance vs Practice of Amis Folksong in South-eastern Taiwan.’

    Tan, S., 2002, In : Journal of The East Taiwan Research Society.

    Research output: Contribution to journalArticle

  47. 2001
  48. Published

    ‘Does World Music Exist In Singapore?’

    Tan, S., 2001, In : Focas.

    Research output: Contribution to journalArticle

  49. 2000
  50. Published

    ‘The Real Amis Enigma: Life History of a Taiwan Aboriginal Musician.’

    Tan, S., 2000, In : CHIME. 14/15

    Research output: Contribution to journalArticle