Dr Miriam Haddu

  1. 2016
  2. E-pub ahead of print

    Political Violence and Fiction in Mexican Film: the Case of Carlos Bolado's Colosio: el asesinato / Colosio: the Assassination (2012)

    Haddu, M., 4 Jan 2016, In : Journal of Latin American Cultural Studies: Travesia. 24, 4, p. 453-473 21 p.

    Research output: Contribution to journalArticle

  3. 2014
  4. Published

    Reflected Horrors: Violence, War, and the Image in Guillermo del Toro’s El espinazo del diablo/The Devil’s Backbone (2001)

    Haddu, M., Oct 2014, The Transnational Fantasies of Guillermo del Toro. Davies, A., Shaw, D. & Tierney, D. (eds.). New York: Palgrave Macmillan, p. 143-159 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. 2013
  6. Unpublished

    Welcome to Hell: Drug Wars and Violence in Luis Estrada's El infierno (2010)

    Haddu, M., 2013, (Unpublished) In : Revista de Estudios Hispánicos.

    Research output: Contribution to journalArticle

  7. 2012
  8. Published

    Beyond the mask: image-making, resistance and photography in Chiapas

    Haddu, M., Sep 2012, In : Journal of Romance Studies. 12, 2, p. 1-16

    Research output: Contribution to journalArticle

  9. 2009
  10. Published

    Visual Synergies: Fiction and Documentary Filmmaking in Latin America

    Haddu, M. & Page, J., 2009, New York: Palgrave Macmillan.

    Research output: Book/ReportBook

  11. Published

    Whodunit?: In Search of the Real/Reel (and Imagined) Aro Tolbukhin in Aro Tolbukhin: en la mente del asesino

    Haddu, M., 2009, Visual Synergies in Fiction and Documentary Film from Latin America. Haddu, M. & Page, J. (eds.). New York: Palgrave Macmillan, p. 163-175 (Studies of the Americas).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. Published

    Women Behind the Cameras in Mexican Cinema

    Haddu, M. & Rollete, B. (ed.), 2009, Dictionnaire des femmes créatrices. Paris: Editions des femmes

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. 2008
  14. Published

    Henri Cartier-Bresson and a photographic Mexico

    Haddu, M., 2008, In : Journal of Romance Studies. 8, 1, p. 7-17

    Research output: Contribution to journalArticle

  15. 2007
  16. Published

    Contemporary Mexican Cinema (1989 -€“ 1999): History, Space and Identity

    Haddu, M., 2007, Lewiston, N.Y.: Edwin Mellen Press.

    Research output: Book/ReportBook

  17. Published

    The Power of Looking: Politics and the Gaze in Salvador Carrasco's La Otra Conquista / The Other Conquest (1998)

    Haddu, M. & Shaw, D. (ed.), 2007, Latin American Cinema in the International Market. Lanham MD: Rowman & Littlefield

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. 2006
  19. Published

    New Tendencies in Mexican Art: The 1990s by Rubén Gallo

    Haddu, M., 2006, In : Revista de Estudios Hispánicos. May

    Research output: Contribution to journalArticle

  20. Published

    'Welcome to Tijuana...' Space, Place and Identity in María Novaro's El jardín del Edén/ The Garden of Eden (1994)

    Haddu, M., 2006, In : Journal of Romance Studies. 6, 3

    Research output: Contribution to journalArticle

  21. 2005
  22. Published

    Love on the Run: Re-mapping the Postmetropolis, in Alfonso Cuarón's Sólo con tu pareja/ Love in the Time of Hysteria (1991)

    Haddu, M., 2005, In : Framework: The Journal of Cinema and Media. 46, 2

    Research output: Contribution to journalArticle

  23. 1997
  24. Published

    Historiography goes to the Movies: the case of Jorge Fons' Rojo amanecer (1989)

    Haddu, M., Rix, R. (ed.) & Rodríguez-Saona, R. (ed.), 1997, Changing Reels: Latin American Cinema Against the Odds. Trinity and All Saints, p. 131-144 14 p. (Iberian Paper Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter