Dr Mark Berry

  1. 2017
  2. Published

    Review: Larry Wolff, The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon

    Berry, M., Dec 2017, In: European History Quarterly. p. 805-806 2 p.

    Research output: Contribution to journalBook/Film/Article review

  3. 2018
  4. Published

    Mozart’s Final Symphonies: Classical and Romantic

    Berry, M., 2018, Pentatone.

    Research output: Other contribution

  5. Published

    A Composer of Dark Explosions Turns 100

    Berry, M., 16 Mar 2018, The New York Times.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  6. Published

    Tristan without Schopenhauer – or Wagner?

    Berry, M., Jul 2018, In: The Wagner Journal. 12, 2, p. 74-79 6 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  7. Published

    A Relationship of Equals: Beethoven and the Piano Trio

    Berry, M., Aug 2018, Salzburger Festspiele.

    Research output: Other contribution

  8. Published

    Aspects of Liszt: Arranger and Arranged, Proselytiser and Performer

    Berry, M., Aug 2018, Salzburger Festspiele.

    Research output: Other contribution

  9. Published
  10. Published

    ‘Es klang so alt und war doch so neu!’: Modernist operatic culture through the prism of staging 'Die Meistersinger von Nürnberg'

    Berry, M., Sep 2018, Routledge Research Companion to Modernism in Music. Heile, B. & Wilson, C. (eds.). Routledge, p. 454-74 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  11. Published

    Elective Affinities: Debussy-Strauss-Ligeti

    Berry, M., Sep 2018, Pentatone.

    Research output: Other contribution

  12. Published

    Review of United Kingdom premiere of Haydn's Applausus

    Berry, M., Dec 2018, In: Haydn Society Journal of Great Britain. 37

    Research output: Contribution to journalBook/Film/Article review