Professor Julie Brown

  1. 1994
  2. Published

    Schoenberg's early wagnerisms: atonality and the redemption of Ahasuerus

    Brown, J., 1994, In : Cambridge Opera Journal. 6, 1, p. 51-80

    Research output: Contribution to journalArticle

  3. 1995
  4. Published

    Schoenberg’s musical prose as allegory

    Brown, J., 1995, In : Music Analysis. 14, 2-3, p. 157-87

    Research output: Contribution to journalArticle

  5. 2000
  6. Published

    Bartók, the Gypsies, and hybridity in music

    Brown, J., 2000, Western Music and Its Others: Difference, Representation, and Appropriation in Music. Born, G. & Hesmondhalgh, D. (eds.). University of California Press, p. 119-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. 2001
  8. Published

    Ally McBeal’s postmodern soundtrack

    Brown, J., 2001, In : Journal of the Royal Musical Association. 126, p. 251-79

    Research output: Contribution to journalArticle

  9. 2004
  10. Published

    Listening to Ravel, watching Un coeur en hiver: cinematic subjectivity and the music-film

    Brown, J., 2004, In : Twentieth-Century Music. 1, 2, p. 253-75

    Research output: Contribution to journalArticle

  11. 2005
  12. Published

    Haneke’s La Pianiste (2001), parody and the limits of film music satire

    Brown, J., 2005, Tonspuren: Musik im Film: Fallstudien 1994-2001. Dorschel, A. (ed.). Vienna: Universal Edition, p. 163-90

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. 2007
  14. Published

    Bartók and the Grotesque: Studies in Modernity, the Body and Contradiction in Music

    Brown, J., 2007, Aldershot: Ashgate. 192 p. (Royal Musical Association Monographs; no. 16)

    Research output: Book/ReportBook

  15. Published

    Music, history, trauma: Western music and race 1883-1933

    Brown, J., 2007, Western Music and Race. Brown, J. (ed.). Cambridge: Cambridge University Press, p. xiv 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    Otto Weininger and musical discourse in turn-of-the-century Vienna

    Brown, J., 2007, Western Music and Race . Brown, J. (ed.). Cambridge University Press, p. 84-101 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Published

    Western Music and Race

    Brown, J. (ed.), 2007, Cambridge: Cambridge University Press.

    Research output: Book/ReportBook

  18. 2009
  19. Published

    Music in film and television

    Brown, J., 2009, An Introduction to Music Studies. Samson, J. & Harper-Scott, P. (eds.). Cambridge: Cambridge University Press, p. 201-15 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. 2010
  21. Published

    Carnival of Souls and the organs of horror

    Brown, J., 2010, Music in Horror Film: Listening to Fear. Lerner, N. (ed.). Routledge, p. 1-20

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. 2011
  23. Published

    Channeling Glenn Gould: masculinities in television and New Hollywood

    Brown, J., 2011, Music in Television: Channels of Listening. Deaville, J. (ed.). New York and London: Routledge, p. 183-197 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  24. Published

    Listening to Bartók

    Brown, J., 2011, Musique et globalisation: musicologie - ethnomusicologie. Solomos, M. & Bouët, J. (eds.). Paris: L'Harmattan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  25. Unpublished

    Morozko

    Laurence, F., Brown, J. (ed.), Ellis, P., Wakeford, L., Manning, R., Kiernan, P., Hawkes, B., Cooper, N. & Laurence, C., 8 Apr 2011, (Unpublished)

    Research output: Non-textual formPerformance

  26. Published

    Understanding Schoenberg as Christ

    Brown, J., 4 Aug 2011, The Oxford Handbook of the New Cultural History of Music . Fulcher, J. F. (ed.). New York: Oxford University Press, p. 117-162

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Published

    Ally McBeal's Postmodern Soundtrack

    Brown, J., Oct 2011, Popular Music and Multimedia. McQuinn, J. (ed.). Aldershot: Ashgate, p. 275-303 29 p. (Library of Essays on Popular Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. 2013
  29. Published

    The Sounds of the Silents in Britain

    Brown, J. (ed.) & Davison, A. (ed.), 2013, New York: Oxford University Press.

    Research output: Book/ReportBook

  30. Published

    Framing the Atmospheric Film Prologue in Britain, 1919-1926

    Brown, J., Jan 2013, The Sounds of the Silents in Britain. Brown, J. & Davison, A. (eds.). New York: Oxford University Press, p. 200-221

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. 2014
  32. Forthcoming

    Audio-Visual Palimpsests: Resynchronizing Silent Films with "Special" Music

    Brown, J., 2014, (Accepted/In press) The Oxford Handbook of Film Music Studies. Neumeyer, D. (ed.). New York: Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. Published

    The Epic of Everest

    Brown, J., Jan 2014

    Research output: Non-textual formPerformance

  34. Published

    Schoenberg and Redemption

    Brown, J., Aug 2014, Cambridge University Press. 274 p. (New Perspectives in Music History and Criticism)

    Research output: Book/ReportBook

  35. Published

    Organising a Music Library for Playing to Pictures: Theory vs. Practice in Britain

    Brown, J., 27 Aug 2014, The Sounds of Silent Films: New Perspectives on History, Theory and Practice. Tieber, C. & Windisch, A. (eds.). Palgrave Macmillan

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. 2015
  37. Published

    A Pragmatically Lavish Recreation: Notes on The Epic of Everest as DVD Film Performance

    Brown, J., Oct 2015, In : Journal of Film Preservation. 93, p. 78-87 10 p.

    Research output: Contribution to journalArticle

  38. 2017
  39. Published

    Apostate Creativity Under the Shadow of Wagner: The Cases of Mahler and Schoenberg

    Brown, J., 1 Jun 2017, Judaism in Opera. Judentum in der Oper. Schmid-Reiter, I. & Cahn, A. (eds.). Regensburg: ConBrio Verlagsgesellschaft, (Schriften der Europäischen Musiktheater-Akademie; vol. 11).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Defining the Discographic Self: Desert Island Discs in Context

    Brown, J. (ed.), Cook, N. (ed.) & Cottrell, S. (ed.), 30 Nov 2017, Oxford: Oxford University Press. 400 p. (Proceedings of the British Academy; vol. 211)

    Research output: Book/ReportBook

  41. Published

    Desert Island Dislocation: Emotion, Nostalgia, and the Utility of Music

    Brown, J., 30 Nov 2017, Defining the Discographic Self: Desert Island DIscs in Context. Brown, J., Cook, N. & Cottrell, S. (eds.). Oxford: Oxford University Press, p. 239-256 18 p. (Proceedings of the British Academy; vol. 211).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. Published

    Introduction: Desert Island Discs in Context

    Brown, J., Cook, N. & Cottrell, S., 30 Nov 2017, Defining the Discographic Self: Desert Island Discs in Context. Brown, J., Cook, N. & Cottrell, S. (eds.). Oxford: Oxford University Press, p. 1-27 27 p. (Proceedings of the British Academy; vol. 211).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. 2019
  44. Unpublished

    Apprehending human voice in the “silent cinema”

    Brown, J., 2019, (Unpublished) Voicing the Cinema . Buhler, J. & Lewis, H. (eds.). Urbana: University of Illinois Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. 2020
  46. Unpublished

    Duetting with Bartók and others: the socialities of Iva Bittová's post-revival music

    Brown, J., 2020, (Unpublished) Remixing Music Studies: Essays in Honour of Nicholas Cook . Aguilar, A. & Clarke, E. (eds.). Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  47. Unpublished

    Multiplying musicians, singing note heads, mysterious gramophones: listening to early musical trick films

    Brown, J., 2020, (Unpublished) The Oxford Companion to Cinematic Listening. Cenciarelli, C. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter