Dr Helen Deeming

  1. 2020
  2. Published

    Code of Conductus

    Deeming, H., Feb 2020, In: Early Music. 48, 1, p. 118-123

    Research output: Contribution to journalBook/Film/Article review

  3. Published

    Music and the Book: The Textualisation of Music and the Musicalisation of Text

    Deeming, H., 2020, The Edinburgh Companion to Literature and Music. da Sousa Correa, D. (ed.). Edinburgh University Press, p. 48-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published
  5. Published

    The performance of devotion: multi-lingual networks of songs and sermons in the thirteenth and fourteenth centuries

    Deeming, H., 2020, In: Basler Beiträge zur Historischen Musikpraxis. 40, p. 79-100

    Research output: Contribution to journalArticlepeer-review

  6. 2019
  7. Published

    Songs and Sermons in Thirteenth-Century England

    Deeming, H., 2019, Pastoral Care in Medieval England: Interdisciplinary Perspectives. Clarke, P. & James, S. (eds.). Routledge, p. 101-22

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. 2018
  9. Published

    Latin Song I: Songs and Songbooks from the Ninth to the Thirteenth Century

    Deeming, H., 2018, The Cambridge History of Medieval Music. Everist, M. & Kelly, T. F. (eds.). Cambridge University Press, Vol. II. p. 1020-1047 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. 2017
  11. Published

    Songs in circulation, texts in transmission: English sources and the Dublin Troper

    Deeming, H. & Blickhan, S., 10 Jun 2017, In: Early Music. 45, 1, p. 11–25 15 p.

    Research output: Contribution to journalArticlepeer-review

  12. Published

    Record-Keepers, Preachers and Song-Makers: Revealing the Compilers, Owners and Users of Twelfth- and Thirteenth-Century Insular Song Manuscripts

    Deeming, H., 2017, Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Shephard, T. & Colton, L. (eds.). Turnhout: Brepols, p. 63-76

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. 2016
  14. Published

    Review of Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge: Cambridge University Press, 2015.

    Deeming, H., 2016, In: Early Music History. 35, p. 309-323

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  15. Published

    Review of Jeremy Montagu, The Shofar: Its History and Use. Lanham, Maryland, 2015.

    Deeming, H., 2016, In: Early Music. 44, 4

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  16. 2015
  17. Published

    Manuscripts and Medieval Song: Inscription, Performance, Context

    Deeming, H. (ed.) & Leach, E. E. (ed.), 28 May 2015, Cambridge University Press. 324 p. (Music in Context)

    Research output: Book/ReportBook

  18. Published

    An English monastic miscellany: the Reading manuscript of Sumer is icumen in

    Deeming, H., 2015, Manuscripts and Medieval Song: Inscription, Performance, Context. Deeming, H. & Leach, E. E. (eds.). Cambridge University Press, p. 116-140 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. Published

    Multilingual Networks in Twelfth- and Thirteenth-Century Song

    Deeming, H., 2015, Language in Medieval Britain: Networks and Exchanges. Donington: Shaun Tyas, p. 127-143 17 p. (Harlaxton Medieval Studies; vol. 25).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Preserving and recycling: functional multiplicity and shifting priorities in the compilation and continued use of London, British Library, Egerton 274

    Deeming, H., 2015, Manuscripts and Medieval Song: Inscription, Performance, Context. Deeming, H. & Leach, E. E. (eds.). Cambridge University Press, p. 141-162 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Published

    Songs, scattered and gathered

    Deeming, H. & Leach, E. E., 2015, Manuscripts and Medieval Song: Inscription, Performance, Context. Deeming, H. & Leach, E. E. (eds.). Cambridge University Press, p. 271-285 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. 2014
  23. Published

    Music and Contemplation in the Twelfth-Century Dulcis Jesu memoria

    Deeming, H., Jan 2014, In: Journal of the Royal Musical Association. 139, 1, p. 1-39

    Research output: Contribution to journalArticlepeer-review

  24. Published

    Isolated Jottings? The Compilation, Preparation, and Use of Song Sources from Thirteenth-Century Britain

    Deeming, H., 2014, In: Journal of the Alamire Foundation. 6, 2, p. 139-152 14 p.

    Research output: Contribution to journalArticlepeer-review

  25. Published

    Sources of British Song, c.1150-1300

    Deeming, H. & Blickhan, S., 2014

    Research output: Other contribution

  26. 2013
  27. Published

    Editing insular song across the disciplines

    Deeming, H. & Butterfield, A., 2013, Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century. Gillespie, V. & Hudson, A. (eds.). Brepols, p. 151-66

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Forthcoming

    Music, Memory and Mobility: Citation and Contrafactum in Thirteenth-Century Sequence Repertories

    Deeming, H., 2013, (Accepted/In press) Citation, Intertextuality and Memory in the Middle Ages and Renaissance, Vol. 2: Cross-Disciplinary Perspectives on Medieval Culture. Di Bacco, G. & Plumley, Y. (eds.). Exeter: University of Exeter Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  29. Published

    Songs in British Sources, c.1150-1300

    Deeming, H., 2013, London: Stainer & Bell. (Musica Britannica; vol. 95)

    Research output: Book/ReportScholarly edition

  30. 2012
  31. Published

    Review of Songs, Scribes and Society: The History and Reception of the Loire Valley Chansonniers by Jane Alden (Cambridge, 2011)

    Deeming, H., 2012, In: Early Music. 40, p. 313-15

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  32. 2011
  33. Published

    Review of Essays on the History of English Music: Sources, Style, Performance, Historiography (in Honour of John A. Caldwell), ed. Emma Hornby and David Maw (Woodbridge: The Boydell Press, 2010)

    Deeming, H., Nov 2011, In: Music and Letters. 92, 4, p. 630-632

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  34. Published

    Review of Medieval Song in Romance Languages by John Haines (Cambridge, Cambridge University Press, 2010)

    Deeming, H., 2011, In: Early Music Today. 19, 2

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  35. Published

    Words and Music in a Thirteenth-Century Songbook

    Deeming, H., 2011, Ars musica septentrionalis: De l’interprétation du patrimoine musical à l'historiographie. Haggh, B. & Billiet, F. (eds.). Presses de l'Université Paris-Sorbonne, p. 189-205

    Research output: Chapter in Book/Report/Conference proceedingChapter

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