Dr Helen Deeming

  1. 2020
  2. Published

    Code of Conductus

    Deeming, H., Feb 2020, In: Early Music. 48, 1, p. 118-123

    Research output: Contribution to journalBook/Film/Article review

  3. Published

    Music and the Book: The Textualisation of Music and the Musicalisation of Text

    Deeming, H., 2020, The Edinburgh Companion to Literature and Music. da Sousa Correa, D. (ed.). Edinburgh University Press, p. 48-62

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Published
  5. Published

    The performance of devotion: multi-lingual networks of songs and sermons in the thirteenth and fourteenth centuries

    Deeming, H., 2020, In: Basler Beiträge zur Historischen Musikpraxis. 40, p. 79-100

    Research output: Contribution to journalArticlepeer-review

  6. 2019
  7. Published

    Songs and Sermons in Thirteenth-Century England

    Deeming, H., 2019, Pastoral Care in Medieval England: Interdisciplinary Perspectives. Clarke, P. & James, S. (eds.). Routledge, p. 101-22

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. 2018
  9. Published

    Latin Song I: Songs and Songbooks from the Ninth to the Thirteenth Century

    Deeming, H., 2018, The Cambridge History of Medieval Music. Everist, M. & Kelly, T. F. (eds.). Cambridge University Press, Vol. II. p. 1020-1047 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. 2017
  11. Published

    Songs in circulation, texts in transmission: English sources and the Dublin Troper

    Deeming, H. & Blickhan, S., 10 Jun 2017, In: Early Music. 45, 1, p. 11–25 15 p.

    Research output: Contribution to journalArticlepeer-review

  12. Published

    Record-Keepers, Preachers and Song-Makers: Revealing the Compilers, Owners and Users of Twelfth- and Thirteenth-Century Insular Song Manuscripts

    Deeming, H., 2017, Sources of Identity: Makers, Owners and Users of Music Sources Before 1600. Shephard, T. & Colton, L. (eds.). Turnhout: Brepols, p. 63-76

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. 2016
  14. Published

    Review of Anna Zayaruznaya, The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge: Cambridge University Press, 2015.

    Deeming, H., 2016, In: Early Music History. 35, p. 309-323

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  15. Published

    Review of Jeremy Montagu, The Shofar: Its History and Use. Lanham, Maryland, 2015.

    Deeming, H., 2016, In: Early Music. 44, 4

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

Previous 1 2 3 4 Next