David Charlton

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• 2023

  Les chanteurs solistes de la Comédie-Italienne (1716-1752)

  Translated title of the contribution: Solo singers at the Comédie-Italienne (1716-1752)Charlton, D., 2023, L'Apothéose d'Arlequin: La Comédie-Italienne de Paris: un théâtre de l'expérimentation dramatique au XVIIIe siècle. De Luca, E. & Fabiano, A. (eds.). Paris: Sorbonne Université Presses, p. 279-296 18 p. (E-Theatrum Mundi).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

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• 2022

  Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution

  Charlton, D., 2022, Cambridge: Cambridge University Press. 368 p.

  Research output: Book/Report › Book
• 2021

  'Les Nymphes de Diane' in the Study of opéra-comique

  Charlton, D., 2021, Libretto - Partitur -- Szene: Studien zum Musiktheater. Betzwieser, T., Erkens, R., Jacobshagen, A. & Ross, P. (eds.). Berlin: Peter Lang, p. 17-29 13 p. (Perspektiven der Opernforschung; vol. 27).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2020

  Opera at home: Performance and ownership in eighteenth-century France

  Charlton, D., 2020, Performing Arts in Changing Societies : Opera, Dance and Theatre in European and Nordic Countries around 1800. Selvik, R. M., Gladsø, S. & Fiskvik, A. M. (eds.). Abingdon and New York: Routledge, p. 22-37 16 p. (Routledge Research in Music Series ).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2018

  News from France: Burney's Bias and Grétry's Popularity

  Charlton, D., 2018, Musiques en liberté : Entre la cour et les provinces au temps des Bourbons. Dompnoer, B., Massip, C. & Serre, S. (eds.). Paris: École des Chartes , p. 527-538 12 p. (Études et rencontres de l'École des Chartes; vol. 50).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Solo singing at the Comédie-Italienne, 1716 to c.1752

  Charlton, D., 2018, (Accepted/In press) La Comédie-Italienne de Paris, 1716-1780. Fabiano, A. & De Luca, E. (eds.). Paris: Presses de l'Université Paris-Sorbonne

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• The Politics of Payments: Rameau, Rousseau and the Opéra Inventory, 1749-1757

  Charlton, D., 12 Dec 2018, French Renaissance Music and Beyond.: Studies in Memory of Frank Dobbins. Colin, M-A. (ed.). Turnhout : Brepols, p. 83-99 17 p. (Epitome musical).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2017

  Art, Conceptualism and Politics in Holt's Music

  Charlton, D., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 284-304 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• D'un genre et d'un théâtre à l'autre: Méhul dans les années 1790

  Translated title of the contribution: Between genres and theatres: Méhul in the 1790sCharlton, D., 2017, Le Fer et les Fleurs: Étienne-Nicolas Méhul (1763-1817). not given: Actes Sud , 28 p. (Collection Actes Sud / Palazzetto Bru Zane).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The Melodic Language of 'Le Devin du village' and the evolution of opéra-comique

  Charlton, D., 2017, Rousseau on stage.: Playwright, Musician, Spectator. Gullstam, M. & O'Dea, M. (eds.). Oxford: Oxford: Voltaire Foundation, p. 179-207 29 p. (Oxford University Studies in the Enlightenment; vol. 2017, no. 09).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• The Music of Simon Holt

  Charlton, D., 2017, Woodbridge: The Boydell Press. 343 p.

  Research output: Book/Report › Book
• 2016

  La comédie lyrique au temps de Diderot

  Translated title of the contribution: Lyric comedy in Diderot's timeCharlton, D., 2016, Music et pantomime dans 'Le Neveu de Rameau'. Salaün, F. & Taïeb, P. (eds.). Paris: Hermann Editeurs, p. 50-77 28 p. (Fictions pensantes).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• L'Influence française et ses limites: 'Camille ou le Souterrain' (Marsollier/Dalayrac) et 'The Captive of Spilberg' (1798)

  Translated title of the contribution: French Influence and its Limits: 'Camille ou le Souterrain' (Marsollier/Dalayrac) and 'The Captive of Spilberg' (1798)Charlton, D., Mar 2016, In: Orages. Littérature et culture 1760-1830. 15, p. 64-95 32 p.

  Research output: Contribution to journal › Article › peer-review

• Marie-Justine Favart, née Duronceray: some new biographical details

  Charlton, D., 11 Feb 2016, (E-pub ahead of print) In: Eighteenth-Century Music. 13, 1, p. 95-103 9 p.

  Research output: Contribution to journal › Article › peer-review
• 2015

  La Rencontre de l'ancien et du nouveau dans 'La Fille mal gardée' de Duni et Favart.

  Translated title of the contribution: The meeting of old and new in Duni and Favart's 'La Fille mal gardée'Charlton, D., 2015, Rire et sourire dans l'opéra-comique en France aux XVIIIe et XIXe siècles.. Loriot, C., Cailliez, M. & Bonche, V. (eds.). Lyon: Symétrie, p. 33-51 19 p. (Symétrie Recherche).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• On the Way to 'Euphonia': Berlioz's Promotion of Earlier Music

  Charlton, D., 2015, Von Gluck zu Berlioz.: Die französische Oper zwischen Antikenrezeption und Monumentalität.. Betzwieser, T. & Mauksch, S. (eds.). Würzburg: Konigshausen & Neumann, p. 139-58 19 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
• 2014

  Cérémonie et néoclassicisme à Fontainebleau

  Translated title of the contribution: Ritual and neoclassicism at Fontainebleau Charlton, D., 2014, D'un 'Orphée', l'autre: 1762-1859...Métamorphoses d'un mythe . Ramaut, A. & Saby, P. (eds.). Saint-Étienne : Publications de l'Université de Saint-Étienne, p. 57-68 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Duni's 'Le Retour au village' and the Politics of Parma

  Charlton, D., 2014, I due mondi di Duni.: Il teatro musicale di un compositore illuminista fra Italia e Francia. Russo, P. (ed.). Lucca: Libreria Musicale Italiana, p. 119-54 36 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Hearing Through the Eye in Eighteenth-Century French Opera

  Charlton, D., 2014, Exchanges and Tensions in Art, Theatre and Opera, c.1750-1850. Hibberd, S. & Wrigley, R. (eds.). Ashgate

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• New Light on the Bouffons in Paris, 1752-1754

  Charlton, D., 2014, In: Eighteenth-Century Music. 11, 1

  Research output: Contribution to journal › Article › peer-review
• 2013

  Grétry et les connaissances modernes

  Translated title of the contribution: Grétry and modern knowledgeCharlton, D., 2013, Art & Fact: Revue des historiens de l'art, des archéologues et des musicologues de l'Université de Liège. Tilkin, F. (ed.). Liège: Université de Liège, Vol. 32. p. 42-8 7 p. (Art & Fact; vol. 32).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
• 2012

  Opera in the Age of Rousseau: Music, Confrontation, Realism

  Charlton, D., 19 Oct 2012, Cambridge: Cambridge University Press. 413 p.

  Research output: Book/Report › Book

• Spying on Rousseau: 'Le Devin' at Fontainebleau in 1752

  Charlton, D., 2012, Noter, annoter, éditer la musique: Mélanges offerts à Catherine Massip. Reynaud, C. & Schneider, H. (eds.). Geneva: Librairie Droz, p. 337-50 13 p. (Ecole pratique des hautes études. Sciences historiques et philologiques; vol. V)(Hautes études médiévales et modernes; vol. 103).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2011

  Italianisierte Formen in 'Les Troyens'

  Translated title of the contribution: Italianate forms in 'Les Troyens'Charlton, D., 2011, Berlioz' 'Troyens' und Halévys 'Juive' im Spiegel der Grand Opéra. Stuttgart: Franz Steiner Verlag, p. 83-96 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Quelques nouvelles observations sur 'Herminie' de Berlioz (1828)

  Translated title of the contribution: Some new observations on Berlioz's 'Herminie' (1828)Charlton, D., 2011, Le Concours du prix de Rome de musique (1803-1968). Lu, J. & Dratwicki, A. (eds.). Lyon: Symétrie, p. 439-53 15 p. (Perpetuum mobile).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Sight Meets Sound: Fifty Years of Musical Scenography at the Opéra-Comique

  Charlton, D., 2011, The Opéra-comique in the Eighteenth and Nineteenth Centuries. Frassà, L. (ed.). Turnhout: Brepols, p. 37-79 43 p. (Speculum Musicae; vol. 15).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Sur le chemin d'"Euphonia": la "promotion" de la musique ancienne par Berlioz

  Translated title of the contribution: The path to "Euphonia": Berlioz's promotion of "early music"Charlton, D., 2011, Berlioz: textes et contextes. Fauquet, J-M., Massip, C. & Reynaud, C. (eds.). Paris: Société française de musicologie, p. 191-208 18 p. (Publications de la Société française de musicologie, Troisième série; vol. 14).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2010

  Le Matériel musical de l'opéra-comique

  Translated title of the contribution: The musical materials of opéra-comiqueCharlton, D., 2010, L'Invention des genres lyriques français et leur redécouverte au XIXe siècle. Terrier, A. & Dratwicki, A. (eds.). Lyon: Symétrie, p. 239-56 17 p. (Perpetuum mobile).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Opera as Poetry: Bizet's Djamileh and the Ironies of Orientalism

  Charlton, D., 2010, Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Cowgill, R., Cooper, D. & Brown, C. (eds.). Woodbridge : The Boydell Press, p. 303-326 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2009

  Genre and Form in French Opera

  Charlton, D., 2009, The Cambridge Companion to Eighteenth-Century Opera. DelDonna, A. R. & Polzonetti, P. (eds.). Cambridge: Cambridge University Press, p. 155-83 29 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Grétry, instaurateur de l'opéra moderne

  Translated title of the contribution: Grétry and the Founding of Modern OperaCharlton, D., 2009, Grandes journées Grétry: Musicien de Marie-Antoinette. Duron, J. (ed.). Versailles: Centre de Musique Baroque de Versailles, p. 13-39 27 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Opera

  Charlton, D., 2009, An Introduction to Music Studies. Samson, J. & Harper-Scott, J. P. E. (eds.). Cambridge: Cambridge University Press, p. 136-51 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Rousseau and Favart at Fontainebleau, Pergolesi at Versailles

  Charlton, D., 2009, In: Journal for Eighteenth-Century Studies. 32, 4, p. 591-605 15 p.

  Research output: Contribution to journal › Article › peer-review
• 2007

  Berlioz, Dalayrac and Song

  Charlton, D., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 3-18 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Brief Observations on Berlioz's "Herminie"

  Charlton, D., 2007, The Hector Berlioz Website.

  Research output: Contribution to non-peer-reviewed publication › Internet publication

  Open Access

• La Borde's Ironic Pastoral: 'Annette et Lubin'

  Charlton, D., 2007, "L'esprit français" und die Musik Europas: Entstehung, Einfluss und Grenzen einer ästhetischen Doktrin. Biget-Mainfroy, M. & Schmusch, R. (eds.). Hildesheim: Georg Olms Verlag , p. 404-19 16 p. (Studien und Materialen zur Musikwissenschaft; vol. 40).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The Musical Voyager: Berlioz in Europe

  Charlton, D. & Ellis, K. (ed.), 2007, Frankfurt: Peter Lang. 321 p. (Perspektiven der Opernforschung; vol. 14)

  Research output: Book/Report › Anthology
• 2005

  Le comte de Clermont et les intermèdes italiens vers 1752

  Translated title of the contribution: Count Clermont and Italian intermezzi around 1752Charlton, D., 2005, Les Théâtres de société au XVIIIe siècle. Plagnol-Diéval, M-E. & Quéro, D. (eds.). Brussels: Éditions de l'Université de Bruxelles, p. 63-74 12 p. (Études sur le 18e siècle; vol. 33).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Sodi's Opera for Mme Favart: "Baiocco et Serpilla"

  Charlton, D., 2005, La 'Querelle des Bouffons' dans la vie culturelle française du XVIIIe siècle. Fabiano, A. (ed.). Paris : CNRS, p. 205-18 14 p. (Sciences de la musique. Série Études.).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Théâtre de l'Opéra-Comique, Paris: Répertoire 1762-1972

  Translated title of the contribution: Théâtre de l'Opéra-Comique, Paris.: Catalogue raisonné of operas and ballets given from 1762 to 1972Charlton, D. & Wild, N., 2005, Sprimont: Mardaga. 553 p.

  Research output: Book/Report › Book
• 2003

  Learning the Past

  Charlton, D., 2003, Berlioz, Past, Present, Future: Bicentenary Essays. Bloom, P. (ed.). Rochester, NY: University of Rochester Press, p. 34-56 23 p. (Eastman Studies in Music).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• 'My father was a poor Parisian musician': A Memoir (1756) concerning Rameau, Handel's Library and Sallé

  Charlton, D. & Hibberd, S., 2003, In: Journal of the Royal Musical Association. 128, 2, p. 161-99 39 p.

  Research output: Contribution to journal › Article › peer-review

• The Cambridge Companion to Grand Opera

  Charlton, D., 2003, Cambridge: Cambridge University Press. 496 p.

  Research output: Book/Report › Anthology
• 2001

  Opéra Comique: Identity and Manipulation

  Charlton, D., 2001, Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848. Parker, R. & Smart, M. A. (eds.). Oxford: Oxford University Press, p. 13-45 32 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
• 2000

  French Opera 1730-1830: Meaning and Media

  Charlton, D., 2000, Aldershot: Ashgate Publishing Ltd. 386 p. (Variorum Collected Studies Series; no. CS364)

  Research output: Book/Report › Book

• Michel-Jean Sedaine (1719-1797): Theatre, Opera and Art

  Charlton, D. & Ledbury, M. (ed.), 2000, Aldershot: Ashgate Publishing Ltd. 322 p.

  Research output: Book/Report › Anthology

• Sedaine's Prefaces: Pretexts for a New Musical Drama

  Charlton, D., 2000, Michel-Jean Sedaine (1719-1797): Theatre, Opera and Art. Charlton, D. & Ledbury, M. (eds.). Aldershot: Ashgate Publishing Ltd, p. 196-272 77 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 1999

  'Minuet-scenes' in early opéra-comique

  Charlton, D., 1999, Timbre und Vaudeville: Zur Geschichte und Problematik einer populären Gattung im 17. und 18. Jahrhundert.. Schneider, H. (ed.). Hildesheim etc.: Georg Olms Verlag , p. 256-291 36 p. (Musikwissenschaftliche Publikationen; vol. 11).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 1997

  L'Orchestre et la métaphore du vivant de Mozart

  Translated title of the contribution: Orchestra and metaphor in Mozart's timeCharlton, D., 1997, Mozart: Les chemins de l'Europe. Massin, B. (ed.). Strasbourg: Editions du Conseil de l'Europe, p. 105-112 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Méhul and the Birth of the Nineteenth-Century Symphony

  Charlton, D., 1997, Échos de France et d'Italie: Liber amicorum Yves Gérard. Mussat, M-C., Mongrédien, J. & Nectoux, J-M. (eds.). Not given: Buchet/Chastel, p. 69-81 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter