Professor David Charlton

  1. 2018
  2. Published

    The Politics of Payments: Rameau, Rousseau and the Opéra Inventory, 1749-1757

    Charlton, D., 12 Dec 2018, French Renaissance Music and Beyond.: Studies in Memory of Frank Dobbins. Colin, M-A. (ed.). Turnhout : Brepols, p. 83-99 17 p. (Epitome musical).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. Published

    News from France: Burney's Bias and Grétry's Popularity

    Charlton, D., 2018, Musiques en liberté : Entre la cour et les provinces au temps des Bourbons. Dompnoer, B., Massip, C. & Serre, S. (eds.). Paris: École des Chartes , p. 527-538 12 p. (Études et rencontres de l'École des Chartes; vol. 50).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Unpublished

    Popular Opera: its evolution in Paris: Music and the subject of society

    Charlton, D., 2018, (Unpublished) under discussion.

    Research output: Book/ReportBook

  5. Forthcoming

    Solo singing at the Comédie-Italienne, 1716 to c.1752

    Charlton, D., 2018, (Accepted/In press) La Comédie-Italienne de Paris, 1716-1780. Fabiano, A. & De Luca, E. (eds.). Paris: Presses de l'Université Paris-Sorbonne

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  6. 2017
  7. Published

    Art, Conceptualism and Politics in Holt's Music

    Charlton, D., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 284-304 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Published

    D'un genre et d'un théâtre à l'autre: Méhul dans les années 1790

    Charlton, D., 2017, Le Fer et les Fleurs: Étienne-Nicolas Méhul (1763-1817). not given: Actes Sud , 28 p. (Collection Actes Sud / Palazzetto Bru Zane).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Published

    The Melodic Language of 'Le Devin du village' and the evolution of opéra-comique

    Charlton, D., 2017, Rousseau on stage.: Playwright, Musician, Spectator. Gullstam, M. & O'Dea, M. (eds.). Oxford: Oxford: Voltaire Foundation, p. 179-207 29 p. (Oxford University Studies in the Enlightenment; vol. 2017, no. 09).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  10. Published

    The Music of Simon Holt

    Charlton, D., 2017, Woodbridge: The Boydell Press. 343 p.

    Research output: Book/ReportBook

  11. 2016
  12. Published

    L'Influence française et ses limites: 'Camille ou le Souterrain' (Marsollier/Dalayrac) et 'The Captive of Spilberg' (1798)

    Charlton, D., Mar 2016, In : Orages. Littérature et culture 1760-1830. 15, p. 64-95 32 p.

    Research output: Contribution to journalArticle

  13. E-pub ahead of print

    Marie-Justine Favart, née Duronceray: some new biographical details

    Charlton, D., 11 Feb 2016, In : Eighteenth-Century Music. 13, 1, p. 95-103 9 p.

    Research output: Contribution to journalArticle

  14. Published

    La comédie lyrique au temps de Diderot

    Charlton, D., 2016, Music et pantomime dans 'Le Neveu de Rameau'. Salaün, F. & Taïeb, P. (eds.). Paris: Hermann Editeurs, p. 50-77 28 p. (Fictions pensantes).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  15. 2015
  16. Published

    La Rencontre de l'ancien et du nouveau dans 'La Fille mal gardée' de Duni et Favart.

    Charlton, D., 2015, Rire et sourire dans l'opéra-comique en France aux XVIIIe et XIXe siècles.. Loriot, C., Cailliez, M. & Bonche, V. (eds.). Lyon: Symétrie, p. 33-51 19 p. (Symétrie Recherche).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. Published

    On the Way to 'Euphonia': Berlioz's Promotion of Earlier Music

    Charlton, D., 2015, Von Gluck zu Berlioz.: Die französische Oper zwischen Antikenrezeption und Monumentalität.. Betzwieser, T. & Mauksch, S. (eds.). Würzburg: Konigshausen & Neumann, p. 139-58 19 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  18. 2014
  19. Published

    Cérémonie et néoclassicisme à Fontainebleau

    Charlton, D., 2014, D'un 'Orphée', l'autre: 1762-1859...Métamorphoses d'un mythe . Ramaut, A. & Saby, P. (eds.). Saint-Étienne : Publications de l'Université de Saint-Étienne, p. 57-68 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  20. Published

    Duni's 'Le Retour au village' and the Politics of Parma

    Charlton, D., 2014, I due mondi di Duni.: Il teatro musicale di un compositore illuminista fra Italia e Francia. Russo, P. (ed.). Lucca: Libreria Musicale Italiana, p. 119-54 36 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  21. Published

    Hearing Through the Eye in Eighteenth-Century French Opera

    Charlton, D., 2014, Exchanges and Tensions in Art, Theatre and Opera, c.1750-1850. Hibberd, S. & Wrigley, R. (eds.). Ashgate

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  22. Published

    New Light on the Bouffons in Paris, 1752-1754

    Charlton, D., 2014, In : Eighteenth-Century Music. 11, 1

    Research output: Contribution to journalArticle

  23. 2013
  24. Published

    Grétry et les connaissances modernes

    Charlton, D., 2013, Art & Fact: Revue des historiens de l'art, des archéologues et des musicologues de l'Université de Liège. Tilkin, F. (ed.). Liège: Université de Liège, Vol. 32. p. 42-8 7 p. (Art & Fact; vol. 32).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  25. 2012
  26. Published

    Opera in the Age of Rousseau: Music, Confrontation, Realism

    Charlton, D., 19 Oct 2012, Cambridge: Cambridge University Press. 413 p.

    Research output: Book/ReportBook

  27. Published

    Spying on Rousseau: 'Le Devin' at Fontainebleau in 1752

    Charlton, D., 2012, Noter, annoter, éditer la musique: Mélanges offerts à Catherine Massip. Reynaud, C. & Schneider, H. (eds.). Geneva: Librairie Droz, p. 337-50 13 p. (Ecole pratique des hautes études. Sciences historiques et philologiques; vol. V)(Hautes études médiévales et modernes; vol. 103).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. 2011
  29. Published

    Italianisierte Formen in 'Les Troyens'

    Charlton, D., 2011, Berlioz' 'Troyens' und Halévys 'Juive' im Spiegel der Grand Opéra. Stuttgart: Franz Steiner Verlag, p. 83-96 13 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  30. Published

    Quelques nouvelles observations sur 'Herminie' de Berlioz (1828)

    Charlton, D., 2011, Le Concours du prix de Rome de musique (1803-1968). Lu, J. & Dratwicki, A. (eds.). Lyon: Symétrie, p. 439-53 15 p. (Perpetuum mobile).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Sight Meets Sound: Fifty Years of Musical Scenography at the Opéra-Comique

    Charlton, D., 2011, The Opéra-comique in the Eighteenth and Nineteenth Centuries. Frassà, L. (ed.). Turnhout: Brepols, p. 37-79 43 p. (Speculum Musicae; vol. 15).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  32. Published

    Sur le chemin d'"Euphonia": la "promotion" de la musique ancienne par Berlioz

    Charlton, D., 2011, Berlioz: textes et contextes. Fauquet, J-M., Massip, C. & Reynaud, C. (eds.). Paris: Société française de musicologie, p. 191-208 18 p. (Publications de la Société française de musicologie, Troisième série; vol. 14).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. 2010
  34. Published

    Le Matériel musical de l'opéra-comique

    Charlton, D., 2010, L'Invention des genres lyriques français et leur redécouverte au XIXe siècle. Terrier, A. & Dratwicki, A. (eds.). Lyon: Symétrie, p. 239-56 17 p. (Perpetuum mobile).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  35. Published

    Opera as Poetry: Bizet's Djamileh and the Ironies of Orientalism

    Charlton, D., 2010, Art and Ideology in European Opera: Essays in Honour of Julian Rushton. Cowgill, R., Cooper, D. & Brown, C. (eds.). Woodbridge : The Boydell Press, p. 303-326 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  36. 2009
  37. Published

    Genre and Form in French Opera

    Charlton, D., 2009, The Cambridge Companion to Eighteenth-Century Opera. DelDonna, A. R. & Polzonetti, P. (eds.). Cambridge: Cambridge University Press, p. 155-83 29 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  38. Published

    Grétry, instaurateur de l'opéra moderne

    Charlton, D., 2009, Grandes journées Grétry: Musicien de Marie-Antoinette. Duron, J. (ed.). Versailles: Centre de Musique Baroque de Versailles, p. 13-39 27 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  39. Published

    Opera

    Charlton, D., 2009, An Introduction to Music Studies. Samson, J. & Harper-Scott, J. P. E. (eds.). Cambridge: Cambridge University Press, p. 136-51 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. Published

    Rousseau and Favart at Fontainebleau, Pergolesi at Versailles

    Charlton, D., 2009, In : Journal for Eighteenth-Century Studies. 32, 4, p. 591-605 15 p.

    Research output: Contribution to journalArticle

  41. 2007
  42. Published

    Berlioz, Dalayrac and Song

    Charlton, D., 2007, Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure. Kelly, B. L. & Murphy, K. (eds.). Aldershot: Ashgate, p. 3-18 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  43. Published

    Brief Observations on Berlioz's "Herminie"

    Charlton, D., 2007, The Hector Berlioz Website.

    Research output: Contribution to non-peer-reviewed publicationInternet publication

  44. Published

    La Borde's Ironic Pastoral: 'Annette et Lubin'

    Charlton, D., 2007, "L'esprit français" und die Musik Europas: Entstehung, Einfluss und Grenzen einer ästhetischen Doktrin. Biget-Mainfroy, M. & Schmusch, R. (eds.). Hildesheim: Georg Olms Verlag , p. 404-19 16 p. (Studien und Materialen zur Musikwissenschaft; vol. 40).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    The Musical Voyager: Berlioz in Europe

    Charlton, D. & Ellis, K. (ed.), 2007, Frankfurt: Peter Lang. 321 p. (Perspektiven der Opernforschung; vol. 14)

    Research output: Book/ReportAnthology

  46. 2005
  47. Published

    Le comte de Clermont et les intermèdes italiens vers 1752

    Charlton, D., 2005, Les Théâtres de société au XVIIIe siècle. Plagnol-Diéval, M-E. & Quéro, D. (eds.). Brussels: Éditions de l'Université de Bruxelles, p. 63-74 12 p. (Études sur le 18e siècle; vol. 33).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  48. Published

    Sodi's Opera for Mme Favart: "Baiocco et Serpilla"

    Charlton, D., 2005, La 'Querelle des Bouffons' dans la vie culturelle française du XVIIIe siècle. Fabiano, A. (ed.). Paris : CNRS, p. 205-18 14 p. (Sciences de la musique. Série Études.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  49. Published

    Théâtre de l'Opéra-Comique, Paris: Répertoire 1762-1972

    Charlton, D. & Wild, N., 2005, Sprimont: Mardaga. 553 p.

    Research output: Book/ReportBook

  50. 2003
  51. Published

    Learning the Past

    Charlton, D., 2003, Berlioz, Past, Present, Future: Bicentenary Essays. Bloom, P. (ed.). Rochester, NY: University of Rochester Press, p. 34-56 23 p. (Eastman Studies in Music).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  52. Published

    'My father was a poor Parisian musician': A Memoir (1756) concerning Rameau, Handel's Library and Sallé

    Charlton, D. & Hibberd, S., 2003, In : Journal of the Royal Musical Association. 128, 2, p. 161-99 39 p.

    Research output: Contribution to journalArticle

  53. Published

    The Cambridge Companion to Grand Opera

    Charlton, D., 2003, Cambridge: Cambridge University Press. 496 p.

    Research output: Book/ReportAnthology

  54. 2001
  55. Published

    Opéra Comique: Identity and Manipulation

    Charlton, D., 2001, Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848. Parker, R. & Smart, M. A. (eds.). Oxford: Oxford University Press, p. 13-45 32 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  56. 2000
  57. Published

    French Opera 1730-1830: Meaning and Media

    Charlton, D., 2000, Aldershot: Ashgate Publishing Ltd. 386 p. (Variorum Collected Studies Series; no. CS364)

    Research output: Book/ReportBook

  58. Published

    Michel-Jean Sedaine (1719-1797): Theatre, Opera and Art

    Charlton, D. & Ledbury, M. (ed.), 2000, Aldershot: Ashgate Publishing Ltd. 322 p.

    Research output: Book/ReportAnthology

  59. Published

    Sedaine's Prefaces: Pretexts for a New Musical Drama

    Charlton, D., 2000, Michel-Jean Sedaine (1719-1797): Theatre, Opera and Art. Charlton, D. & Ledbury, M. (eds.). Aldershot: Ashgate Publishing Ltd, p. 196-272 77 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  60. 1999
  61. Published

    'Minuet-scenes' in early opéra-comique

    Charlton, D., 1999, Timbre und Vaudeville: Zur Geschichte und Problematik einer populären Gattung im 17. und 18. Jahrhundert.. Schneider, H. (ed.). Hildesheim etc.: Georg Olms Verlag , p. 256-291 36 p. (Musikwissenschaftliche Publikationen; vol. 11).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. 1997
  63. Published

    L'Orchestre et la métaphore du vivant de Mozart

    Charlton, D., 1997, Mozart: Les chemins de l'Europe. Massin, B. (ed.). Strasbourg: Editions du Conseil de l'Europe, p. 105-112 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  64. Published

    Méhul and the Birth of the Nineteenth-Century Symphony

    Charlton, D., 1997, Échos de France et d'Italie: Liber amicorum Yves Gérard. Mussat, M-C., Mongrédien, J. & Nectoux, J-M. (eds.). Not given: Buchet/Chastel, p. 69-81 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  65. Published

    The 'romance' and its cognates: Narrative, irony and 'vraisemblance' in early opéra-comique

    Charlton, D., 1997, Die Opéra Comique und ihr Einfluss auf das europäische Musiktheater im 19. Jahrhundert. Schneider, H. & Wild, N. (eds.). Hildesheim etc.: Georg Olms Verlag , p. 43-92 50 p. (Musikwissenschaftliche Publikationen; vol. 3).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  66. 1996
  67. Published

    The French theatrical origins of 'Fidelio'

    Charlton, D., 1996, Ludwig van Beethoven: 'Fidelio'. Robinson, P. (ed.). Cambridge: Cambridge University Press, p. 51-67, 170-72 20 p. (Cambridge Opera Handbooks).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  68. Published

    The Overture to Philidor's 'Le Bûcheron' (1763)

    Charlton, D., 1996, D'un opéra l'autre: Hommage à Jean Mongrédien. Gribenski, J., Mussat, M-C. & Schneider, H. (eds.). Paris: Presses de l'Université Paris-Sorbonne, p. 231-42 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  69. 1995
  70. Published

    Mozart and Paris (1778)

    Charlton, D., 1995, Europa im Zeitalter Mozarts. Csáky, M. & Pass, W. (eds.). Vienna: Böhlau, p. 185-89 5 p. (Schriftenreihe der Osterreichischen Gesellschaft zur Erforschung des 18. Jahrhunderts ; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  71. 1994
  72. Published

    The Nineteenth Century: France

    Charlton, D., 1994, The Oxford Illustrated History of Opera . Parker, R. (ed.). Oxford etc.: Oxford University Press, p. 122-68 46 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  73. 1993
  74. Published

    'A "maître d'orchestre"...conducts': New and old evidence on French practice

    Charlton, D., 1993, In : Early Music. 21, 3, p. 360-74 14 p.

    Research output: Contribution to journalArticle

  75. Published

    Cherubini: A Critical Anthology, 1788-1801

    Charlton, D., 1993, In : Research Chronicle of the Royal Musical Association . 26, p. 95-127 33 p.

    Research output: Contribution to journalArticle

  76. Published

    Hector Berlioz: Choral Works with Orchestra, II

    Charlton, D. (ed.), 1993, Kassel etc. : Bärenreiter.

    Research output: Other contribution

  77. 1992
  78. Published

    Introduction: Exploring the Revolution

    Charlton, D., 1992, Music and the French Revolution. Boyd, M. (ed.). Cambridge: Cambridge University Press, p. 1-11 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Published

    Kein Ende der Gegensätze: Operantheorien und opéra comique

    Charlton, D., 1992, Text und Musik: Neue Perspektiven der Theorie. Walter, M. (ed.). Munich: Wilhelm Fink Verlag, p. 181-210 30 p. (Materialität der Zeichen; vol. Reihe A, no. Band 10).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  80. Published

    On Redefinitions of 'Rescue opera'

    Charlton, D., 1992, Music and the French Revolution. Boyd, M. (ed.). 1992: Cambridge University Press, p. 169-88 20 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  81. Published

    Opéra-comique and the computer

    Charlton, D., 1992, Grétry et l'Europe de l'Opéra-Comique. Vendrix, P. (ed.). Liège: Mardaga, p. 367-78 11 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  82. 1991
  83. Published

    Les instruments à vent: Les sons et les gestes

    Charlton, D., 1991, Le Tambour et la harpe: Oeuvres, pratiques et manifestations musicales sous la Révolution, 1788-1800. Julien, J-R. & Mongrédien, J. (eds.). Paris: Éditions Du May, p. 209-20 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  84. 1990
  85. Published

    Opera: 1850-1890: France

    Charlton, D., 1990, Romanticism: (1830-1890). Abraham, G. & Pascall, R. (eds.). Oxford etc.: Oxford University Press, p. 327-409 82 p. (The New Oxford History of Music; vol. IX).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  86. Published

    Romantic Opera: 1830-1850: Grand Opéra and Opéra Comique

    Charlton, D., 1990, Romanticism : (1830-1890). Abraham, G. (ed.). Oxford etc.: Oxford University Press, p. 85-140 56 p. (The New Oxford History of Music; vol. IX).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  87. Published

    The Dramaturgy of Grand Opera: Some Origins

    Charlton, D., 1990, Trasmissione e recezione delle forme di cultura musicale: Atti del XIV congresso della Società Internazionale di Musicologia. Bianconi, L. (ed.). Turin: EDT, Vol. 3. p. 853-58 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  88. 1989
  89. Published

    E. T. A. Hoffmann's Musical Writings. 'Kreisleriana', 'The Poet and the Composer', Music Criticism

    Charlton, D. & Clarke, M. (Translator), 1989, Cambridge: Cambridge University Press. 476 p.

    Research output: Book/ReportBook

  90. Published

    Early opéra comique: 1750-1790

    Charlton, D., 1989, History of Opera. Basingstoke: Macmillan, p. 117-24 8 p. (The New Grove Handbooks in Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    Woodwind and Brass: The Classical Era

    Charlton, D., 1989, Performance Practice: Music after 1600. Brown, H. M. & Sadie, S. (eds.). Basingstoke: Macmillan, p. 252-66 13 p. (The New Grove Handbooks in Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  92. Published

    Woodwind and Brass: The 19th Century

    Charlton, D., 1989, Performance Practice: Music after 1600. Brown, H. M. & Sadie, S. (eds.). Basingstoke: Macmillan, p. 409-23 15 p. (The New Grove Handbooks in Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  93. 1988
  94. Published

    Classical Clarinet Technique: Documentary Approaches

    Charlton, D., 1988, In : Early Music. 16, 3, p. 396-406 11 p.

    Research output: Contribution to journalArticle

  95. Published

    On the Nature of 'Grand Opera'

    Charlton, D., 1988, Hector Berlioz: 'Les Troyens'. Kemp, I. (ed.). Cambridge : Cambridge University Press, p. 94-105 12 p. (Cambridge Opera Handbooks).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  96. 1987
  97. Published

    'L'art dramatico-musical': an Essay

    Charlton, D., 1987, Music and Theatre: Essays in honour of Winton Dean. Fortune, N. (ed.). Cambridge: Cambridge University Press, p. 229-62 34 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    The Berr Clarinet Tutors

    Charlton, D., 1987, In : The Galpin Society Journal. 40, p. 48-52 5 p.

    Research output: Contribution to journalArticle

  99. 1986
  100. Published

    Grétry and the growth of opéra-comique

    Charlton, D., 1986, Cambridge: Cambridge University Press. 371 p.

    Research output: Book/ReportBook

  101. 1985
  102. Published

    Étienne Nicolas Méhul: Symphony No. 1 in G minor

    Charlton, D. (ed.), 1985, Madison, Wisconsin : A-R Editions.

    Research output: Other contribution

  103. Published

    Orchestra and Chorus at the Comédie-Italienne (Opéra-Comique) 1755-1799

    Charlton, D., 1985, Slavonic and Western Music: Essays for Gerald Abraham. Brown, M. H. & Wiley, R. J. (eds.). Ann Arbor: UMI Research Press, p. 87-108 21 p. (Russian Music Studies; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  104. Published

    The Tragic Seascape: 'Sapho' and its Twelve-note Chord

    Charlton, D., 1985, In : Jahrbuch für Opernforschung. 1, p. 46-72 27 p.

    Research output: Contribution to journalArticle

  105. 1983
  106. Published

    'King Arthur': Dramatick Opera

    Charlton, D., 1983, In : Music and Letters. 64, 3-4, p. 183-92 10 p.

    Research output: Contribution to journalArticle

  107. Published

    The Overture in France, 1790-1810

    Charlton, D. & Fenn, S. (ed.), 1983, 172 p. New York etc. : Garland Publishing.

    Research output: Other contribution

  108. 1982
  109. Published

    Étienne Nicolas Méhul: Symphonies No. 3, No. 4, No. 5

    Charlton, D. (ed.) & Caston, A. (ed.), 1982, New York : Pendragon Press .

    Research output: Other contribution

  110. Published

    Instrumental recitative: A study in morphology and context, 1700-1808

    Charlton, D., 1982, Comparative Criticism: A Yearbook. Shaffer, E. S. (ed.). Cambridge , Vol. 4. p. 149-68 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  111. 1980
  112. Published

    The Appeal of the Beast: A note on Grétry and 'Zémire et Azor'

    Charlton, D., 1980, In : The Musical Times. 121, 1645, p. 169-72 4 p.

    Research output: Contribution to journalArticle

  113. 1978
  114. Published

    Motif and Recollection in Four Operas of Dalayrac

    Charlton, D., 1978, In : Soundings. 7, p. 38-61 24 p.

    Research output: Contribution to journalArticle

  115. 1977
  116. Published

    Ossian, Le Sueur and Opera

    Charlton, D., 1977, Studies in Music. Tunley, D. (ed.). Nedlands : University of Western Australia, Vol. 11. p. 37-48 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  117. 1976
  118. Published

    Motive and motif: Méhul before 1791

    Charlton, D., 1976, In : Music and Letters. 57, p. 362-69 8 p.

    Research output: Contribution to journalArticle

  119. Published

    Orchestra and Image in the later Eighteenth Century

    Charlton, D., 1976, In : Proceedings of the Royal Musical Association. 102, p. 1-12 12 p.

    Research output: Contribution to journalArticle

  120. 1975
  121. Published

    Performance Practice around 1800

    Charlton, D., 1975, In : Music and Musicians. 23, p. 22-24 3 p.

    Research output: Contribution to journalArticle

  122. 1973
  123. Published

    A National Catalogue of Music Microfilms

    Charlton, D., 1973, In : Research Chronicle of the Royal Musical Association . 11, p. 1-70 70 p.

    Research output: Contribution to journalArticle

  124. Published

    New Sounds for Old: Tam-Tam, Tuba Curva, Buccin

    Charlton, D., 1973, In : Soundings. 3, p. 39-47 9 p.

    Research output: Contribution to journalArticle

  125. Unpublished

    Orchestration and Orchestral Practice in Paris, 1789 to 1810

    Charlton, D., 1973, (Unpublished) 495 p.

    Research output: ThesisDoctoral Thesis

  126. 1971
  127. Published

    A Berlioz Footnote

    Charlton, D., 1971, In : Music and Letters. 52, p. 157-8 2 p.

    Research output: Contribution to journalArticle

  128. Published

    Salieri's timpani

    Charlton, D., 1971, In : The Musical Times. 112, 1544, p. 961-2 2 p.

    Research output: Contribution to journalArticle