Dr Carlo Cenciarelli

  1. 2015
  2. Forthcoming

    "Warped Singing": La traviata from Cinema to YouTube

    Cenciarelli, C., 2015, (Accepted/In press) Verdi on Screen. Vincent, D. (ed.). Lausanne: L'Age d'Homme

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. 2014
  4. Published

    Lucrezia in 3D: il fallimento di critica, gli scollamenti formali e le epistemologie web della prima opera in tridimensione

    Cenciarelli, C., 2014, Donizetti in Scena: Attualità del testo-spettacolo. Fornoni, F. (ed.). Bergamo (Italy): Fondazione Donizetti, p. 385-404 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  5. 2013
  6. Published

    At the margins of the Televisual: Picture Frames, Loops and ‘Cinematics’ in the Paratexts of Opera Videos

    Cenciarelli, C., Jul 2013, In: Cambridge Opera Journal. 25, 2, p. 203-223 20 p.

    Research output: Contribution to journalArticlepeer-review

  7. Published

    'What Never Was Has Ended': Bach, Bergman and the Beatles in Christopher Münch’s 'the Hours and Times'

    Cenciarelli, C., 2013, In: Music and Letters. 94, 1, p. 119-137

    Research output: Contribution to journalArticlepeer-review

  8. 2012
  9. Published

    Bach and Cigarettes: Imagining the Everyday in Jarmusch’s Int. Trailer. Night

    Cenciarelli, C., 2012, In: Twentieth-Century Music. 7, 2, p. 219 243 p.

    Research output: Contribution to journalArticlepeer-review

  10. Published

    Dr Lecter’s Taste for 'Goldberg', or: the Horror of Bach in the Hannibal Franchise

    Cenciarelli, C., 2012, In: Journal of the Royal Musical Association. 137, 1, p. 107 134 p.

    Research output: Contribution to journalArticlepeer-review

  11. 2009
  12. Published

    Review of Off Key: When Film and Music Won’t Work Together (Oxford: Oxford University Press, 2008)

    Cenciarelli, C., 2009, In: Music and Letters. p. 320 322 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  13. 2006
  14. Published

    The Case Against Nyman Revisited: “Affirmative” and “Critical” Evidence in Michael Nyman’s Appropriation of Mozart

    Cenciarelli, C., 2006, In: Radical Musicology. 1, 1

    Research output: Contribution to journalArticlepeer-review