Dr Bryce Lease

Personal profile

I joined the Drama Department at Royal Holloway in 2013, having taught previously at the Universities of Bristol and Exeter. My writings on contemporary international performance have been published in The Drama Review (TDR)Contemporary Theatre Review (CTR), Theatre Research International (TRI), Theatre Journal, European Stages and New Theatre Quarterly (NTQ). My research has been funded by the Arts and Humanities Research Council (AHRC), the Newton Fund, the British Academy, the Standing Conference of University Drama Departments (SCUDD) and the Brown International Advanced Research Institute (BIARI).

I am Assistant Editor of Contemporary Theatre Review, and a Subject Editor for European Theatre/Performance for the Routledge Performance Archive, a member of the Executive Committee for EASTAP (European Association for the Study of Theatre and Performance), co-convener of the London Theatre Seminar, an advisory board member for European Stages, and a member of the Arts and Humanities Research Council Peer Review College. At RHUL, I am Director of Postgraduate Taught Programmes and convene the MA Theatre Directing with Katie Mitchell.  

 

Overarching themes that frame my research interests are the interconnections between cultural memory, difficult histories, politics, nascent democracies, nationalism, counterpublics, gender, sexuality and cultural geography.

 

Current Projects

 

From 2018-2021, I am the PI on the AHRC-funded project ‘Staging Difficult Pasts: Of Narratives, Objects and Public Memory’ in collaboration with Maria Delgado, Michal Kobialka and Cecilia Sosa. This project examines how theatres and museums are currently shaping public memory of difficult pasts through their staging of narratives and objects. Through fieldwork, workshops, public talks, and symposia the project will specifically analyse transnational case studies in Argentina, Lithuania, Poland, Spain and the UK.

 

From 2018-2020, I am also Co-I on the project ‘Embodied Performance Practices in Processes of Reconciliation, Construction of Memory and Peace in Chocó and El Pacífico Medio, Colombia’, led by Melissa Blanco-Borelli and Anamaria Tamayo Duque. The project is jointly funded by the Newton Fund in the UK and Colcenicias in Colombia. Developing practices from ‘Sequins, Self and Struggle’ in the Western Cape (South Africa), I will help to develop modes of creating digital archives around local performance practices for marginalised communities.

 

I am currently co-editing two large book projects, Contemporary European Playwrights (Routledge) with Maria Delgado and Dan Rebellato and A History of Polish Theatre (Cambridge University Press) with Katarzyna Fazan and Michal Kobialka.  

 

Past Projects

 

I have published numerous articles on Polish theatre, and my recent monograph, After '89: Polish Theatre and the Political, interrogates the rebirth of the theatre as a site of public intervention and social criticism since the establishment of pluralistic democracy. In 2013-15, I was Primary Investigator (PI) on the AHRC-funded project, Sequins, Self & Struggle: Performing and Archiving Sex, Place and Class in Pageant Competitions in Cape Town. This project was a collaboration among the Departments of Drama at RHUL and QMUL (UK), The Centre for Curating the Archive and the Centre for African Studies at the University of Cape Town (South Africa), Africana Studies at Brown University (US) and the District Six Museum. The project received international media coverage and resulted in several exhibitions in Cape Town and London, two documentaries, a symposium and curated panel on gay rights for the South Bank Centre’s Mandela Weekend, and a digital archive hosted by the University of Cape Town. Please find more information on the project on our website: http://sequins-self-struggle.co.uk/

 

I would welcome research students interested in any of the fields mentioned above.

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