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  1. 2018
  2. Published

    A Composer of Dark Explosions Turns 100

    Berry, M., 16 Mar 2018, The New York Times.

    Research output: Contribution to non-peer-reviewed publicationNewspaper article

  3. Published

    Footnotes (for Crippled Symmetry)

    Parkinson, T., 22 Feb 2018

    Research output: Non-textual formComposition

  4. Published

    Global Perspectives on Orchestras: Collective Creativity and Social Agency

    Ramnarine, T. K. (ed.), 22 Feb 2018, Oxford University Press. 424 p. (Studies in Musical Performance as Creative Practice)

    Research output: Book/ReportBook

  5. Published

    State orchestras and multiculturalism in Singapore

    Tan, S. E., 22 Feb 2018, Global Perspectives on Orchestras: Collective Creativity and Social Agency. Ramnarine, T. K. (ed.). Oxford: Oxford University Press, (Studies in Musical Performance as Creative Practice).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Published

    We Are In Trouble

    Parkinson, T., 3 Feb 2018

    Research output: Non-textual formComposition

  7. Published

    There and Back: Circassians in Anatolia

    Samson, T., 2 Feb 2018, In: Circassian World.

    Research output: Contribution to journalArticle

  8. Published

    Formations

    Fernando, S., Jan 2018

    Research output: Non-textual formComposition

  9. Published

    ‘Language, Music, and Desire: The Interior Landscape of the Lied around 1900’

    Johnson, J., 2018, Ästhetik der Innerlichkeit. Max Reger und das Lied um 1900 . Gasch, S. (ed.). Vienna: Hollitzer, p. 17-37 21 p. (Wiener Veroffentlichungen zur Musikwissenschaft; vol. 48).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Published

    ‘Producing musicians like sausages’: new perspectives on the history and historiography of Venezuela's El Sistema

    Baker, G. & Frega, A. L., 2018, In: Music Education Research. 20, 4, p. 502-516 15 p.

    Research output: Contribution to journalArticlepeer-review

  11. Published

    “‘This is about the future’: voiceover, gesture and the subversion/perversion of virtuosity in 2018 for piano and multimedia by Neil Luck” at the Music and/as Process conference, Edinburgh Napier University

    Kanga, Z., 2018, Music and/as Process conference, Edinburgh Napier University.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  12. Published

    Analysing Sonic Authority: Sensoriality, Affect and the Unsettled Body

    Beckles Willson, R., 2018, Music Analysis and the Body: Experiments, Explorations and Embodiments. Reyland, N., Sewell, S. & Thumpston, R. (eds.). Peeters, (Leuven Studies in Musicology).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  13. Published

    David and Bathsheba in Context

    Samson, T., 2018, Seen Through Different Eyes: A Portrait of Ståle Kleiberg. Novosad-Mæhlum, I. (ed.). Oslo: Norsk Musikforlag, p. 234-245 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  14. Published

    Fabricando la tradición y el groove de Macha: guitaras, artesanos, estacionalidad y performance.

    Stobart, H., 2018, El Charango: Historias y Tradiciones Vivas. Mendivil, J. (ed.). Hollitzer, p. 431-479 48 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. Published

    Festivals, Violins and Global Music Histories: Examples from the Caribbean and Canada

    Ramnarine, T. K., 2018, Studies on a Global History of Music: A Balzan Musicology Project. Strohm, R. (ed.). 1 ed. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  16. Unpublished

    Finding Resonance: Exploring Approaches to Musical Fusion in a Caribbean Context

    Walters, A., 2018, (Unpublished)

    Research output: ThesisDoctoral Thesis

  17. Published

    Foreword

    Samson, T., 2018, Interspersed with Musical Entertainment : Music in Greek Salons of the 19th Century. Xepapadakou, A. & Charkiolakis, A. (eds.). Athens: Hellenic Music Centre, p. xiii-xiv 2 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  18. Published

    Kanga, Z. and de la Cour, A.: “Multiple Roles and Forms of Entertainment in the Multimedia Works of Adam de la Cour” in Collaborative and Distributed Processes in Contemporary Music Making, ed. Lauren Redhead, (Cambridge: Cambridge Scholars, 2018)

    Kanga, Z., 2018, Collaborative and Distributed Processes in Contemporary Music Making, ed. Lauren Redhead, (Cambridge: Cambridge Scholars, 2018).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  19. Published

    Kanga, Zubin: “The Pianist’s Body as Instrument: Performer-controlled electronics as collaborative catalyst in Patrick Nunn’s Morphosis”, New Thoughts on Piano Performance, (London: International Piano Symposium, (2018).

    Kanga, Z., 2018, New Thoughts on Piano Performance, (London: International Piano Symposium, (2018). .

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. Published

    Latin Song I: Songs and Songbooks from the Ninth to the Thirteenth Century

    Deeming, H., 2018, The Cambridge History of Medieval Music. Everist, M. & Kelly, T. F. (eds.). Cambridge University Press, Vol. II. p. 1020-1047 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  21. Forthcoming

    Le corps en jeu: Debussy et l’art de toucher

    Johnson, J., 2018, (Accepted/In press) Le corps dans l'écriture musicale. Delaplace, J. & Olive, J. P. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  22. Published

    Miles Must Die : Ideological Uses of 'innocence' in Britten's The Turn of the Screw

    Harper-Scott, J. P. E., 2018, Literary Britten: Words and Music in Benjamin Britten's Vocal Works. Kennedy, K. (ed.). Boydell & Brewer, p. 318-339

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  23. Published

    Mozart’s Final Symphonies: Classical and Romantic

    Berry, M., 2018, Pentatone.

    Research output: Other contribution

  24. Published
  25. Unpublished

    Music, Writing, and Subjectivity: The Ethics of Musicology

    Mercieca, N., 2018, (Unpublished) 334 p.

    Research output: ThesisDoctoral Thesis

  26. Published

    News from France: Burney's Bias and Grétry's Popularity

    Charlton, D., 2018, Musiques en liberté : Entre la cour et les provinces au temps des Bourbons. Dompnoer, B., Massip, C. & Serre, S. (eds.). Paris: École des Chartes , p. 527-538 12 p. (Études et rencontres de l'École des Chartes; vol. 50).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Unpublished

    Notes and Coins: The Financial Sustainability of Opera and Orchestral Music

    Feeny, A., 2018, (Unpublished) 382 p.

    Research output: ThesisDoctoral Thesis

  28. Published

    Sacrificios sensacionales: Deleitando los sentidos en los Andes boliviano

    Stobart, H., 2018, In: Anthropologica. 36, 40, p. 197-223 27 p.

    Research output: Contribution to journalArticle

  29. Published
  30. In preparation

    'Shakespeare and Sexuality in Modern British Opera: Tippett, Tchaikowsky, Oliver'

    Graham, M., 2018, (In preparation) The Oxford Handbook of Shakespeare and Music. Cooke, M. & Wilson, C. (eds.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  31. Published

    Simon Mawhinney: Marlacoo

    Dullea, M., 2018

    Research output: Non-textual formPerformance

  32. Forthcoming

    Solo singing at the Comédie-Italienne, 1716 to c.1752

    Charlton, D., 2018, (Accepted/In press) La Comédie-Italienne de Paris, 1716-1780. Fabiano, A. & De Luca, E. (eds.). Paris: Presses de l'Université Paris-Sorbonne

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  33. Published

    Splinter and Loss: reading Clare Loveday’s 'Johannesburg Etude 2'

    Fourie, W., 2018, In: South African Music Studies. 36-37, 1, p. 464-489 26 p.

    Research output: Contribution to journalArticlepeer-review

  34. Forthcoming

    The institutionalisation and transmission of Tibetan music in exile: The Tibetan Institute of Performing arts

    Morcom, A., 2018, (Accepted/In press) Resistant Hybridities: Tibetan Narratives in Exile. Bhoil, S. & Galvan-Alvarez, E. (eds.). Lexington Books

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  35. Unpublished

    THE TUNISIAN ʻŪD ʻARBĪ: IDENTITIES, INTIMACY AND NOSTALGIA

    Morra, S., 2018, (Unpublished) 194 p.

    Research output: ThesisDoctoral Thesis

  36. Published

    The Tunisian ʻūd Video Culture

    Morra, S., 2018, Ethnomusicology in Audiovisual Time. Yunnan University ed. Zhejiang University Press, Vol. 1. p. 1-7

    Research output: Chapter in Book/Report/Conference proceedingChapter

  37. Published

    Two performance pieces: Clubbing and Phonetic Venn

    Parkinson, T., Levi, K. & Moreno, I., 2018

    Research output: Non-textual formComposition

  38. Published

    Vertige!: Debussy, Mallarmé and the edge of language

    Johnson, J., 2018, Debussy's Resonance. Huebner, S. & De Medicis, F. (eds.). University of Rochester Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  39. Published

    We Mark Your Memory: writings from the descendants of indenture

    Dabydeen, D. (ed.), del Pilar Kaladeen, M. (ed.) & Ramnarine, T. K. (ed.), 2018, London: School of Advanced Study University of London.

    Research output: Book/ReportBook

  40. Published

    العود العربي التونسي

    Morra, S., 2018, In: Jaridat al-Founnun. 178, p. 80-83 4 p.

    Research output: Contribution to journalArticle

  41. 2017
  42. Published

    Med-Ren 2017 in Prague

    Van Der Heijden, F. & Ventura Nieto, L., 30 Dec 2017, In: Early Music. 45, 4, p. 700-701 2 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  43. Unpublished
  44. Published

    Masochism and Sentimentality: Barthes's Schumann and Schumann's Chopin

    Downes, S., 4 Dec 2017, Music—Psychoanalysis—Musicology. Wilson, S. (ed.). 1st ed. london: Routledge, p. 164-182 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  45. Published

    Review of Paul Watt, Ernest Newman: A Critical Biography

    Berry, M., Dec 2017, In: North American British Music Studies Association Reviews. 4/2, Fall 2017, p. 17-19 3 p.

    Research output: Contribution to journalBook/Film/Article review

  46. Published

    Review: Larry Wolff, The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon

    Berry, M., Dec 2017, In: European History Quarterly. p. 805-806 2 p.

    Research output: Contribution to journalBook/Film/Article review

  47. Published

    Defining the Discographic Self: Desert Island Discs in Context

    Brown, J. (ed.), Cook, N. (ed.) & Cottrell, S. (ed.), 30 Nov 2017, Oxford: Oxford University Press. 400 p. (Proceedings of the British Academy; vol. 211)

    Research output: Book/ReportBook

  48. Published

    Desert Island Dislocation: Emotion, Nostalgia, and the Utility of Music

    Brown, J., 30 Nov 2017, Defining the Discographic Self: Desert Island DIscs in Context. Brown, J., Cook, N. & Cottrell, S. (eds.). Oxford: Oxford University Press, p. 239-256 18 p. (Proceedings of the British Academy; vol. 211).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  49. Published

    Introduction: Desert Island Discs in Context

    Brown, J., Cook, N. & Cottrell, S., 30 Nov 2017, Defining the Discographic Self: Desert Island Discs in Context. Brown, J., Cook, N. & Cottrell, S. (eds.). Oxford: Oxford University Press, p. 1-27 27 p. (Proceedings of the British Academy; vol. 211).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  50. Published

    C.P.E. Bach the Borrower

    Springthorpe, N., 18 Nov 2017, In: Early Music. XLV/3, p. 481-484 4 p.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  51. Published

    Opera Scenes in Video Games: Hitmen, Divas and Wagner’s Werewolves

    Summers, T., Nov 2017, In: Cambridge Opera Journal. 29, 3, p. 253-286 34 p.

    Research output: Contribution to journalArticlepeer-review

  52. Published

    When is the real reopening?

    Berry, M., 5 Oct 2017, In: VAN. 74

    Research output: Contribution to journalBook/Film/Article review

  53. Published

    The Politics of Opera: A History from Monteverdi to Mozart, by Mitchell Cohen

    Berry, M., 14 Sep 2017, In: Times Higher Education.

    Research output: Contribution to journalBook/Film/Article review

  54. Published

    Composer in your Pocket: Procedural Music in Mobile Devices

    Plans, E., 1 Sep 2017, In: Music on Screen: From Cinema Screens to Touchscreens. Musicology Research (online) . Autumn 2017, 3

    Research output: Contribution to journalArticlepeer-review

  55. Published

    Aspirations, Global Futures, and Lessons from Sámi Popular Music for the Twenty-First Century

    Ramnarine, T. K., Sep 2017, The Oxford Handbook of Popular Music in the Nordic Countries. Holt, F. & Kärjä, A-V. (eds.). Oxford University Press, p. 277-292 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  56. Published

    Schubert, Schumann, the Mendelssohns and more

    Cattell, K., 17 Aug 2017, In: Early Music.

    Research output: Contribution to journalBook/Film/Article reviewpeer-review

  57. Published

    ‘Programme’ and ‘Absolute’ Music for String Trio

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  58. Published

    Different Mozarts: the incomplete, the misunderstood, the disputed, and the radical

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  59. Published

    Mozart and Beethoven: A Journey from and Return to the White Keys of the Piano

    Berry, M., Aug 2017, Salzburger Festspiele.

    Research output: Other contribution

  60. Published
  61. Published

    思逸:未来的音乐

    Wang, W. (ed.), 20 Jul 2017, In: Siyi Journal. 5

    Research output: Contribution to journalArticlepeer-review

  62. Published

    Interpreting Wagner’s Dreams: Staging Parsifal in the Twenty-first Century

    Berry, M., Jul 2017, In: The Wagner Journal. 11, 2, p. 44-53 10 p.

    Research output: Contribution to journalArticlepeer-review

  63. Published

    Music, Climate, and Therapy in Kallawaya Cosmology (Part II): Dysfunction of Seasonal Change, Climatic Reversal, and Musical Worlding

    Hachmeyer, S., 19 Jun 2017, In: Ecomusicology Review. 5 (2017)

    Research output: Contribution to journalArticlepeer-review

  64. Published

    Songs in circulation, texts in transmission: English sources and the Dublin Troper

    Deeming, H. & Blickhan, S., 10 Jun 2017, In: Early Music. 45, 1, p. 11–25 15 p.

    Research output: Contribution to journalArticlepeer-review

  65. Published

    Ugly Chief

    Parkinson, T., 3 Jun 2017

    Research output: Non-textual formComposition

  66. Published

    Apostate Creativity Under the Shadow of Wagner: The Cases of Mahler and Schoenberg

    Brown, J., 1 Jun 2017, Judaism in Opera. Judentum in der Oper. Schmid-Reiter, I. & Cahn, A. (eds.). Regensburg: ConBrio Verlagsgesellschaft, (Schriften der Europäischen Musiktheater-Akademie; vol. 11).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  67. Published

    Hearing Sacred Sounds in Hindi Film Songs: Thoughts on the Mawlid in Tamale, Northern Ghana

    Young, K., 1 Jun 2017, In: Journal of Africana Religions. 5, 2, p. 299-308 10 p.

    Research output: Contribution to journalSpecial issuepeer-review

  68. Published

    Mozart and the Nazis: How the Third Reich Abused a Cultural Icon

    Levi, E., 1 Jun 2017, Guangxi Normal University Press. 449 p.

    Research output: Book/ReportBook

  69. Published

    Suppressed and Forgotten: Austro-German Opera Composers, 1899-1933

    Levi, E., 1 Jun 2017, Judaism in Opera/ Judentum in der Oper. Schmid-Reiter, I. & Cahn, A. (eds.). Regensburg: ConBrio Verlagsgesellschaft, Vol. 11. p. 83-125 42 p. 8. (Schriften der Europäischen Musiktheater-Akademie ; vol. 11).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  70. Published

    An Exploration of Interdisciplinary Dialogues between Sound, Vision and Movement: A Music Composition Methodology for Interactive Media (Video Games)

    Alekseeva, E., 29 May 2017, In: Musicology Research. Spring 2017, 2, p. 141-157 16 p., 7.

    Research output: Contribution to journalArticlepeer-review

  71. Published

    A Tunisian Musical Icon

    Morra, S., 28 May 2017, In: oudmigrations.

    Research output: Contribution to journalArticle

  72. E-pub ahead of print

    ‘The Cure is Worse than the Disease’: Mumbai Dance Bars, and New Forms of Justice in the History of Female Public Performers in India

    Morcom, A., 22 May 2017, In: Cultural and Social History. 14, 4, p. 499-512 14 p.

    Research output: Contribution to journalArticlepeer-review

  73. Published

    Each Other

    Parkinson, T., 21 Apr 2017

    Research output: Non-textual formComposition

  74. Published

    Home Truths

    Parkinson, T., 19 Apr 2017

    Research output: Non-textual formComposition

  75. Published

    Philip Glass: Head On

    Dullea, M., 7 Apr 2017

    Research output: Non-textual formPerformance

  76. Published

    A Different Game: Piano Trios (and other works) by Rhona Clarke

    Dullea, M., 1 Mar 2017

    Research output: Non-textual formPerformance

  77. Published

    Haydn: The Seasons

    Berry, M., Mar 2017

    Research output: Other contribution

  78. Published

    House of Mazes

    Whiteman, N., Mar 2017

    Research output: Non-textual formComposition

  79. Published

    Music for the Thinking Ear: The New Pierre Boulez Concert Hall

    Berry, M., Mar 2017, In: VAN.

    Research output: Contribution to journalBook/Film/Article review

  80. Published

    See Me Now

    Parkinson, T., 11 Feb 2017

    Research output: Non-textual formComposition

  81. Published

    Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production

    Stobart, H., Feb 2017, Music, Indigeneity, Digital Media. Hilder, T., Stobart, H. & Tan, S. E. (eds.). Rochester, NY: University of Rochester Press, p. 127-155 29 p. (Eastman/Rochester Studies Ethnomusicology).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  82. Published

    Taiwan's Aboriginal Music on the Internet

    Tan, S. E., Feb 2017, Music, Indigeneity, Digital Media. Hilder, T. R., Stobart, H. & Tan, S. E. (eds.). University of Rochester Press, p. 28-52 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  83. Published

    Binary Code

    Parkinson, T., 18 Jan 2017

    Research output: Non-textual formComposition

  84. E-pub ahead of print

    Through the Silver Screen: The Collaborative Creation of Works for Piano and Video

    Kanga, Z., 10 Jan 2017, In: Contemporary Music Review. 35, 4-5, p. 423-449 27 p.

    Research output: Contribution to journalArticlepeer-review

  85. Unpublished

    #Classical: An Analysis of Social Media Marketing in the Classical Music Industry

    Lee, A., 2017, (Unpublished)

    Research output: ThesisDoctoral Thesis

  86. Unpublished
  87. Published

    Aaron Copland

    MacGregor, E., 2017, 30-Second Classical Music. Cormac, J. (ed.). Brighton: Ivy Press, (30 Second).

    Research output: Chapter in Book/Report/Conference proceedingOther contribution

  88. Unpublished

    An Exploration of Compositional & Improvisational Approaches to Jazz & Electronics

    Whiter, C., 2017, (Unpublished) 72 p.

    Research output: ThesisDoctoral Thesis

  89. Unpublished
  90. Published

    Art, Conceptualism and Politics in Holt's Music

    Charlton, D., 2017, The Music of Simon Holt . Charlton, D. (ed.). Woodbridge: The Boydell Press, p. 284-304 21 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  91. Published

    Berlioz: Béatrice et Bénédict

    Harper-Scott, J. P. E., 2017, The Cambridge Berlioz Encyclopaedia. Rushton, J. (ed.). Cambridge University Press, p. 20-23

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  92. Published

    Berlioz: Love

    Harper-Scott, J. P. E., 2017, The Cambridge Berlioz Encyclopaedia. Rushton, J. (ed.). Cambridge and New York: Cambridge University Press, p. 194-5

    Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

  93. Unpublished
  94. Published

    Composing the Island: A Century of Music in Ireland 1916-2016

    Dullea, M., 2017

    Research output: Non-textual formPerformance

  95. Unpublished

    Composition portfolio: approaches to a pop-derived musical language

    Wilson, T., 2017, (Unpublished)

    Research output: ThesisDoctoral Thesis

  96. Unpublished
  97. Published

    Dimensions of Game Music History

    Summers, T., 2017, The Routledge Companion to Screen Music and Sound. Mera, M., Sadoff, R. & Winters, B. (eds.). New York: Routledge, p. 139-152

    Research output: Chapter in Book/Report/Conference proceedingChapter

  98. Published

    D'un genre et d'un théâtre à l'autre: Méhul dans les années 1790

    Charlton, D., 2017, Le Fer et les Fleurs: Étienne-Nicolas Méhul (1763-1817). not given: Actes Sud , 28 p. (Collection Actes Sud / Palazzetto Bru Zane).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  99. Published

    Echo's Secret Voice: Stories of Music and Migration

    Samson, T., 2017, Memory and Cultural Heritage: 2nd International Music and Dance Studies Symposium. Akat, A. & Küçükaksoy, K. M. E. (eds.). Trabzon: Karadeniz Technical University, p. 314-321 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  100. Unpublished
  101. Forthcoming

    Feminine Arms, Goat Legs, and Little Monkeys: Performing Masculinity in Ravel's Daphnis et Chloe

    Millard, R., 2017, (Accepted/In press) Music on Stage III. Schopff, F. J. (ed.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  102. Published

    Feminist Asian cosmopolitanism in Singapore tango clubs

    Tan, S., 2017, Women in Asian Performance: Aesthetics and politics. Madhavan, A. (ed.). 1 ed. Routledge, 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

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