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  1. Chapter (peer-reviewed) › Research › Peer-reviewed
  2. Published

    Beyond Borders: Memory and Creativity in the Diaspora

    Ramnarine, T. K., 2010, Remembered Rhythms: Issues of Diaspora and Music in India. Chaudhuri, S. & Seeger, A. (eds.). Seagull Press, p. 84-106

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  3. Published

    Bollywood: music and multimedia

    Morcom, A., 2013, The Routledge Companion to Music and Visual Culture. Shephard, T. & Leonard, A. (eds.). New York: Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  4. Published

    Chutney

    Ramnarine, T. K., 2014, Bloomsbury Encyclopedia of Popular Music of the World: Caribbean and Latin America. Horn, D. & al, E. (eds.). London: Bloomsbury, Vol. 9. p. 195-198

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  5. Published

    Compositional Processes and the Aesthetics of Originality: Reflections on a Ballad in a Twentieth Century Finnish Opera

    Ramnarine, T. K., 2004, Folk Song: Tradition, Revival and Re-Creation. Atkinson, D. & Russell, I. (eds.). Aberdeen: Elphinstone Institute, p. 67-78

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  6. Published

    Dancing to his Tune

    Millard, R., 27 Sep 2016, Music on Stage II. Schopf, F. J. & Campo, L. (eds.). Newcastle upon Tyne: Cambridge Scholars Publishing, p. 242-257 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  7. Published

    Doing More Than Representing Western Music

    Beckles Willson, R., 2013, Representation in Western Music. Walden, J. (ed.). Cambridge, p. 249-266

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  8. Published

    Emergence of chutney music

    Ramnarine, T. K., 2013, The Encyclopedia of Caribbean Religions. Taylor, P. & Case, F. (eds.). University of Illinois Press, p. 338-340

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  9. Forthcoming

    Feminine Arms, Goat Legs, and Little Monkeys: Performing Masculinity in Ravel's Daphnis et Chloe

    Millard, R., 2017, (Accepted/In press) Music on Stage III. Schopff, F. J. (ed.). Cambridge Scholars Publishing

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  10. Published

    Festivals, Violins and Global Music Histories: Examples from the Caribbean and Canada

    Ramnarine, T. K., 2018, Studies on a Global History of Music: A Balzan Musicology Project. Strohm, R. (ed.). 1 ed. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  11. Published

    Form and Structure

    Harper-Scott, J. P. E., 2020, The Cambridge Companion to Wagner's 'De Ring des Nibelungen'. Berry, M. & Vazsonyi, N. (eds.). Cambridge University Press, p. 102–23

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  12. Forthcoming

    Gender

    Harper-Scott, J. P. E., 2020, (Accepted/In press) Oxford Handbook of Music and Philosophy. Nielsen, N., Macaulay, T. & Nevinson, J. (eds.). Oxford University Press, (Oxford Handbooks).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  13. Published

    Hegel and Sibelius on board the Starship Enterprise: Beyond the Frontiers of Musical Authenticity

    Ramnarine, T. K., 2020, Critique of Authenticity. Claviez, T., Imesch, K. & Sweers, B. (eds.). Delaware: Vernon Press, p. 119-134

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  14. Forthcoming

    Historical Musicology and Philosophy

    Johnson, J., 2017, (Accepted/In press) Oxford Handbook of Western Music and Philosophy. Levinson, J., McAuley, T. & Nielsen, N. (eds.). Oxford University Press, (Oxford Handbooks).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  15. Published

    How We Got Out of Music History, and How We Can Get Back into It

    Harper-Scott, J. P. E., 17 May 2018, Theories of History: History Read across the Humanities. Kelly, M. J. & Rose, A. (eds.). 1st ed. Bloomsbury Academic, p. 37-60 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  16. Published

    'Indian' Music in the Diaspora: Case Studies of 'Chutney' in Trinidad and in London'

    Ramnarine, T. K., 2005, Ethnomusicology: A Contemporary Reader. Post, J. (ed.). New York and London: Routledge, p. 275-292

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  17. Published

    Interacting orchestras, intercultural gamelan learning in Bali and the UK, and reflections on ethnographic research processes

    McIntosh, J. & Ramnarine, T. K., 2016, The Routledge International Handbook of Intercultural Arts Research. Burnard, P., Mackinlay, E. & Powell, K. (eds.). 1 ed. Routledge, p. 380-390

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  18. Published

    Introduction: Global perspectives on orchestras

    Ramnarine, T. K., 2017, Global Perspectives on Orchestras: Collective Creativity and Social Agency. Ramnarine, T. K. (ed.). Oxford University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  19. Published

    Irony

    Johnson, J., 2014, Aesthetics of Music: Musicological Perspectives. Downes, S. (ed.). Routledge, p. 239-58 19 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  20. Published

    Kanga, Z. and de la Cour, A.: “Multiple Roles and Forms of Entertainment in the Multimedia Works of Adam de la Cour” in Collaborative and Distributed Processes in Contemporary Music Making, ed. Lauren Redhead, (Cambridge: Cambridge Scholars, 2018)

    Kanga, Z., 2018, Collaborative and Distributed Processes in Contemporary Music Making, ed. Lauren Redhead, (Cambridge: Cambridge Scholars, 2018).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  21. Published

    Kanga, Zubin and David Gorton: “Risky Business: negotiating virtuosity in the collaborative creation of Orfordness for solo piano” in Music and/as Process, ed. Lauren Redhead and Vanessa Hawes (Cambridge: Cambridge Scholars, 2016) 97-115.

    Kanga, Z., 2016, Music and/as Process, ed. Lauren Redhead and Vanessa Hawes (Cambridge: Cambridge Scholars, 2016) .

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  22. Published

    Kanga, Zubin: ‘“Building an instrument” in the collaborative composition and performance of works for piano and live electronics’ in Perspectives on Artistic Research, ed. Robert Burke and Andrys Onsman (London: Lexington, 2016), 103-118.

    Kanga, Z., 2016, Perspectives on Artistic Research, ed. Robert Burke and Andrys Onsman (London: Lexington, 2016).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  23. Published

    Letters to America

    Beckles Willson, R., 2011, Centre and Periphery, Roots and Exile. Sallis, F., Elliott, R. & DeLong, K. (eds.). Victoria: Wilfrid Laurier University Press, p. 129-174

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  24. Published

    Ligeti and the Union of Hungarian Musicians, 1949-1956

    Beckles Willson, R., 2010, Music and Dictatorship in Europe and Latin America. Illiano, R. & Sala, M. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  25. Published

    Mahler and the idea of nature

    Johnson, J., 2005, Perspectives on Gustav Mahler. Barham, J. (ed.). Aldershot: Ashgate, p. 23-36

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

  26. Published

    Miles Must Die : Ideological Uses of 'innocence' in Britten's The Turn of the Screw

    Harper-Scott, J. P. E., 2018, Literary Britten: Words and Music in Benjamin Britten's Vocal Works. Kennedy, K. (ed.). Boydell & Brewer, p. 318-339

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review